One experiments and has to choose always the best results.

Music is mathematics, the mathematics of listening, mathematics for the ears.

Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.

In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

And I'm always interested when other musicians are trying to discover new worlds of sound.

And harmony means that the relationship between all the elements used in a composition is balanced, is good.

So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.