Here's how my brain works: It's stupidity, followed by self-hatred, and then further analysis.

A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.

People come back from flights and tell you a story like it's a horror story. That's how bad they make it sound. They're like, 'It was the worst day of my life. We didn't board for 20 minutes and they made us sit there on the runway for 40 minutes.' Oh really? What happened next? Did you fly in the air, incredibly, like a bird? Did you partake in the miracle of human flight you non-contributing zero?'

There’s a need to perfect things in a writers’ room, and that can take a lot of fun out of a show sometimes. It’s a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.

You can't answer a kid's question. A kid never accepts any answer. A kid never says, 'Oh, thanks. I get it.'... They just keep coming with more questions - why, why, why? - until you don't even know who the fk you are anymore at the end of the conversation. It's an insane deconstruction.

A lot of the struggle I had with movies is I really loved moments and tones and feelings in a scene, and I loved creating those, but I never really had great stories to string them together.

Someday, one of your friends is gonna get divorced, it's gonna happen, and they're gonna tell you. Don't go, 'ohhhh I'm sorry.' That's a stupid thing to say. First of all you're making 'em feel bad for being really happy, which isn't fair. And second of all: divorce is always good news. I know that sounds weird, but it's true, because no good marriage has ever ended in divorce. It's really that simple.