There’s a need to perfect things in a writers’ room, and that can take a lot of fun out of a show sometimes. It’s a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.

I'm enjoying the work while I get it right now.

I get mad like anybody else does, but being able to laugh about getting mad is very healthy, and my kids know that.

I killed my Facebook page years ago because time clicking around is just dead time. Your brain isn't resting and it isn't doing. I think people have to get their heads around this thing. All this unmitigated input is hurting folks.

You could drive a rental car until you don't want it. Just get out of it while it's moving and just walk away. No, I don't feel like being in that car any longer. Just call Hertz. Hi, your car is drifting into the intersection of 28th and Broadway, if you're interested. It's now your problem.

I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.

In 27 years doing this, I've seen a handful of truly great, masterful standup sets. One was Tig Notaro last night at Largo.