Marcel Proust Quotes

I do my intellectual work inside myself, and once I am with my fellow creatures it is more or less a matter of indifference to me whether or not they are intelligent as long as they are kind, sincere, etc.

Desire makes everything blossom

Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services.

We are less justified in saying that the thinking life of humanity is a miraculous perfectioning of animal and physical life than that it is an imperfection in the organization of spiritual life as rudimentary as the communal existence of protozoa in colonies.

For neither our greatest fears nor our greatest hopes are beyond the limits of our strength--we are able in the end both to dominate the first and to achieve the second.

I cannot express the uneasiness caused in me by this intrusion of mystery and beauty into a room I had at last filled with myself to the point of paying no more attention to the room than to that self. The anesthetizing influence of habit having ceased, I would begin to have thoughts, and feelings, and they are such sad things.

It's odd how a person always arouses admiration for his moral qualities among the relatives of another with whom he has sexual relations. Physical love, so unjustifiably decried, makes everyone show, down to the least detail, all he has of goodness and self-sacrifice, so that he shines even in the eyes of those nearest to him.

When we have passed a certain age, the soul of the child that we were and the souls of the dead from whom we sprang come and shower upon us their riches and their spells, asking to be allowed to contribute to the new emotions which we feel and in which, erasing their former image, we recast them in an original creation.

A work should convey its entire meaning by itself, imposing it on the spectator even before he knows what the subject is.

I believe that all true art is classic, but the dictates of the mind rarely permit of its being recognized as such when it first appears.

We are at times too ready to believe that the present is the only possible state of things.

... we made much less happy by the kindness of a great writer, which strictly speaking we find only in his books, than we suffer from the hostility of a woman whom we have not chosen for her intelligence, but whom we cannot stop ourselves from loving.

Do you suppose that it is within your power to insult me? You evidently are not aware to whom you are speaking? Do you imagine that the envenomed spittle of five hundred little gentlemen of your type, heaped one upon another, would succeed in slobbering so much as the tips of my august toes?

And wasn't my mind also like another crib in the depths of which I felt I remained ensconced, even in order to watch what was happening outside? When I saw an external object, my awareness that I was seeing it would remain between me and it, lining it with a thin spiritual border that prevented me from ever directly touching its substance; it would volatize in some way before I could make contact with it, just as an incandescent body brought near a wet object never touches its moisture because it is always preceded by a zone of evaporation.

Happiness is beneficial for the body, but it is grief that develops the powers of the mind.

When we are in love, our love is too big a thing for us to be able altogether to contain it within ourselves. It radiates towards the loved one, finds there a surface which arrests it, forcing it to return to its starting-point, and it is this repercussion of our own feeling which we call the other's feelings and which charms us more then than on its outward journey because we do not recognise it as having originated in ourselves.

They like my books better in England than in France; a translation would be very successful there.

The reason why life may be judged to be trivial although at certain moments it seems to us so beautiful is that we form our judgment, ordinarily, not on the evidence of life itself but of those quite different images which preserve nothing of life-and therefore we judge it disparagingly.

A doctor who doesn't say too many foolish things is a patient half-cured.

When I went to Venice I found that my dream had become-incredibly, but quite simply-my address.

A certain similarity exists, although the type evolves, between all the women we love, a similarity that is due to the fixity of our own temperament, which it is that chooses them, eliminating all those who would not be at once our opposite and our complement, fitted that is to say to gratify our senses and to wring our heart.

We have such numerous interests in our lives that it is not uncommon, on a single occasion, for the foundations of a happiness that does not yet exist to be laid down alongside the intensification of a grief from which we are still suffering.

In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be.

Memory nourishes the heart, and grief abates.

There is in this world in which everything wears out, everything perishes, one thing that crumbles into dust, that destroys itself still more completely, leaving behind still fewer traces of itself than Beauty: namely Grief.

It is comforting when one has a sorrow to lie in the warmth of one's bed and there, abandoning all effort and all resistance, to bury even one's head under the cover, giving one's self up to it completely, moaning like branches in the autumn wind. But there is still a better bed, full of divine odors. It is our sweet, our profound, our impenetrable friendship.

...Hard people are weak people whom nobody wants, and the strong, caring little whether they are wanted or not, have alone that meekness which the common herd mistake for weakness.

We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us.

Medicine being a compendium of the successive and contradictory mistakes of medical practitioners, when we summon the wisest of them to our aid, the chances are that we may be relying on a scientific truth the error of which will be recognized in a few years time.

At the heart of our friendly or purely social relations, there lurks a hostility momentarily cured but recurring by fits and starts.

In reality, in love there is a permanent suffering which joy neutralizes, renders virtual delays, but which can at any moment become what it would have become long earlier if one had not obtained what one wanted -- atrocious.

If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.

Love is space and time measured by the heart.

That translucent alabaster of our memories.

Griefs, at the moment when they change into ideas, lose some of their power to injure our heart.

We do not succeed in changing things according to our desire, but gradually our desire changes. The situation that we hoped to change because it was intolerable becomes unimportant. We have not managed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us past it, and then if we turn round to gaze at the remote past, we can barely catch sight of it, so imperceptible has it become.

To write that essential book, a great writer does not need to invent it but merely to translate it, since it already exists in each one of us. The duty and task of a writer are those of translator.

The character we exhibit in the latter half of our life need not necessarily be, though it often is, our original character, developed further, dried up, exaggerated, or diminished. It can be its exact opposite, like a suit worn inside out.

But to ask pity of our body is like discoursing in front of an octopus, for which our words can have no more meaning than the sound of the tides, and with which we should be appalled to find ourselves condemned to live.

There is probably not one person, however great his virtue, who cannot be led by the complexities of life's circumstances to a familiarity with the vices he condemns the most vehemently--without his completely recognizing this vice which, disguised as certain events, touches him and wounds him: strange words, an inexplicable attitude, on a given night, of the person whom he otherwise has so many reasons to love.

It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.

Reality is never more than a first step towards an unknown on the road to which one can never progress very far.

Every kiss provokes another. Oh, in those earliest days of love how naturally the kisses spring to life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May.

What a profound significance small things assume when the woman we love conceals them from us.

Life is extraordinarily suave and sweet with certain natural, witty, affectionate people who have unusual distinction and are capable of every vice, but who make a display of none in public and about whom no one can affirm they have a single one. There is something supple and secret about them. Besides, their perversity gives spice to their most innocent occupations, such as taking a walk in the garden at night.

There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book.

We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him we compose in our minds those ideas have certainly the principal place.

The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive.).