If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.

Homophobia is a tough one. In some places it's actually very OK to be homophobic. Comedy clubs in general are very unsafe spaces for LGBT, for women, for Asian people. So my goal in comedy has sort of been to make this a safe space for people who were like me.

I urge you all today, especially today during these times of chaos and war, to love yourself without reservations and to love each other without restraint. Unless you're into leather.

I was in Toronto when they had a severe outbreak of SARS - you know, Severe Asian Racism Syndrome. I was in the airport and there were these big snowboarder guys and they had white masks around their necks, and as soon as they saw me, they put their masks on. So I went "cough, cough, cough... You wanna egg rorr?

I thought I was so ugly for so long, and I wasted so much of my life on this dumb notion.

I love fashion, I'm actually a pretty talented seamstress, so I can make stuff for myself, but that's really time-consuming.

I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.