I also try to surround myself with people I love - make a family out of the company. So I tend to use the same people over and over. There's a sort of Mel Brooks Repertory Company.

My mother is very short - four-eleven. She could walk under tables and never hit her head.

In real life people fart, in the movies, people don't. Why not? Farts are a repressed minority. The mouth gets to say all kinds of things, but the other place is supposed to keep quiet. But maybe our lower colons have something interesting to say. Maybe we should listen to them. Farts are human, more human than a lot of people I know. I think we should bring them out of the water closet and into the parlor.

Never retire! Do what you do and keep doing it. But don't do it on Friday. Take Friday off. Friday, Saturday, and Sunday, go fishing...Then Monday to Thursday, do what you've been doing all your life. My point is: Live full and don't retreat.

What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.

Everything starts with writing. And then to support your vision, your ideas, your philosophy, your jokes, whatever, you've gotta perform them and/or direct them, or sometimes just produce them.

No creative writer knows what is commercial and what isn't. You just write from your heart, you write from the deepest, creative urges in you, and you write from your soul, and you just either get lucky or not.