I didn't realize how good I was with computers until I met my parents.

When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.

Life is unfair and improv is a great metaphor of that.

Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.

Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"

Backup dancers are completely respectable. They're the studio musicians of dance.

Sometimes when I do a joke and it doesn't get a lot of laughs, it kind of feels like I'm doing jazz. That's kinda cool because jazz is cool, but sometimes jazz sucks ... Maybe I'm the Kenny G of comedy.