I performed for the U.S. troops in Guantanamo Bay. And signed autographs for people who've been gone from America for so long they didn't realize that I'm not famous.

I was a screenwriting major in college, and really wanted to do that after I graduated, but there are no job listings for that, as we all know. I had many classmates that made it in the business, but stand-up comedy was my way in, and my first film 'Sleepwalk with Me' was based on those autobiographical experiences.

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.

You can express love by calling out the truth out of the situation as opposed to dancing around it.

I think spending a lot of time with my mom, who's a talker and a storyteller, and my dad, who has kind of a soft-spoken, understated sense of humor, I think that's how I became what I am, which is sort of an understated storyteller.

I thought, Hey, maybe these people shouldn't be making up holidays to drink more. Maybe if they drank less they might be able to title their newspaper articles more specifically. For example, I would title this last article "Drunk Driver Hits Drunk Walker Drunkety-Drunk I'm So Drunk."

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.