I'm walking out my door to get like a Snapple, and someone's like 'yo man, you want to buy some heroin?' 'No... got any Snapple?'

In our culture right now, I want to take on this notion of what a singular success means. We think success is one thing, but it's actually a spectrum of where our life takes us.

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.

Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.

I think serious situations actually make for the best kind of belly laughs. But theyre also the hardest to convert into comedy at the outset.

I just don't give off a great first impression.

I feel like we can prove in real time the old trope that comedy is tragedy plus time.