When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.

I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.

I have this habit of asking 'why do you want to do it?' and then interrupting them to say, 'here's why you want to do it.' Because it's in the 'yes...and' spirit [rule of improvisation].

Sex and pizza, they say, are similar. When it's good, it's good. When it's bad, you get it on your shirt.

The key to eating healthy is not eating any food that has a TV commercial.

I didn't realize how good I was with technology until I met my parents... my dad told me "You're good; you should be a computer programmer." I said, "You're bad... you should be a caveman."

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.