I feel like people have more in common than the news reports. People getting along doesn't sell very well in the news. I find that to be deeply depressing. I don't even talk about it on stage, because it would take too long to explain. I'd have to spend an hour on it to get people to understand what I'm saying because it's so instantly polarizing. Because cable news has kind of set up a construct where you're for or against something immediately. So if I said something about it, people would be for or against me immediately. And I don't want that.

I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.

I think sometimes you don't understand how to convey an idea, depending on the moment you're living in.

Sometimes when my fans come up to me, they think it's going to be entertaining, like I'm going to tell jokes or do bits, and then instead of that I end up talking about really mundane things with my fans, and then they're kind of like, "This is boring. I want to go talk to somebody else." I think I bore my fans to death by over-talking to them.

You need to know what doesn't work to know what works. It's especially true in improv and stand-up.

Does anyone know a word that rhymes with shark?

When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.