It's very easy I think when you're a creative person to wait for the right thing and to start getting self-conscious about how you are going to express what you do and what's special about you. I would say in general, a lot of times the answer is that you just dive into something and you find your own voice through that process.

Everybody keeps falling back to the same patterns without doing too much dramaturgy.

The people that always impress me are the ones that are curious about what they're going to do next.

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.

As somebody who wanted to be creative, growing up, I remember always thinking that the thing I had going against me was Orange County because it seemed like all of the comedy was coming out of New York, and it still is, to a certain extent.

Even on the old show, we would maybe not all be in the scene. Sometimes there would be a penthouse scene and everyone would get together. But, even in that context, it would be because somebody was missing.

What you'll gain is the macro story. You'll get a good command of that. And what you might lose is some of the fun of it.