My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.

All the new people you meet, it's pretty amazing. The vampire needs new blood. And there is still a lot to learn and there is always great stuff out there. Even mistakes can be wonderful.

With mountain biking, it's always that constant thing, negotiating singletrack, which I like, but for a road ride that rhythm is really Buddhist. When you get a good pedal stoke, it's that thing of everything works.

You’ve got to be crazy! It’s too late to be sane, too late. You’ve got to go full tilt bozo... ‘Cause you’re only given a little spark of madness... and if you lose that, you’re nothing

I love running cross-country...You come up a hill and see two deer going, 'What the hell is he doing?' On a track I feel like a hamster.

When you really do find a new idea or you're in and it's all working, that's the gift. It's like a musician when they hit a riff, that's when you're like all right, it's mellow. You back off and just ride it.

You need a touch of madness, just enough that you don't become stupid!