I firmly believe that you can't manufacture chemistry with anyone, let alone a kid.

Mostly birthmarks is what I learned about Sandra Bullock that I wasn't aware of.

Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.

When you sign on to say, "Okay, yeah, let's develop this," usually that turns into, "Oh, he's doing it." But there's no script for some of these things.

By the time I came to L.A. I'd already cried on movies of the week with two of the women from 'Knots Landing'.

The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

I learned discipline from my father. Not in terms of corporal punishment, but being determined in whatever you do, and sticking with it.