. . . Now you see . . . they' re not fit for humans . . ." "Put them on me.

I try not to think about legacy because it is all ­folly. If you study history, even recent history, you'll find many people who were quite significant in their time but are completely forgotten.

In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!

I think films are about having a good time, so I don't know that there's a message. The message of a film is always what a critic writes, and the fun of a film or the emotion of a film is what the audience feels.

I would assign every lie a color: yellow when they were innocent, pale blue when they sailed over you like the sky, red because I knew they drew blood. And then there was the black lie. That's the worst of all. A black lie was when I told you the truth.

The teen years are extremely serious and everything matters and every insult really hurts. I know there are cliques and bullying. And you don't yet ­understand that it will all go away.

I started a grease fire at McDonald's - threw a match in the cook's hair.