. . . Now you see . . . they' re not fit for humans . . ." "Put them on me.

With comedy, you have no place to go but more comedy, so you're never off the hook.

I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.

In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!

I think I meant that, given the circumstances of my childhood, I had the illusion that it's easier to be alone. To have your relationships be casual and also to pose as a solitary person, because it was more romantic. You know, I was raised on the idea of the ramblin' man and the loner.

I did a lot of things when I first started out. In order to be in show business, I juggled, I did magic tricks, cards tricks and I played the banjo.

I just don't identify myself with a place. I just don't get it. Like, why am I cheering for this town? Towns are good and bad but they don't have principles, constitutions. You wouldn't go to war for your town.