I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.

I take editing seriously. It's a joy to edit. I always hand a manuscript to several editors and can't wait to get back their notes and see what they've said. I don't criticize myself for making blunders here and there, because it's just natural. You write in chunks, and you may not remember that that sentence you wrote yesterday had the same word repeated three times. I do enjoy that. I love the feeling of repairing. Repairing is really nice.

Unlike Ray Porter, his love is fearless and without reservation.

I think when the movie `Roxanne' came out, which I also had written, I felt something new that I never felt, which was respect.

Home to me is when someone comes up to me and says, "Can I get a selfie?" No. It's where your wife and your family are. It's the emotional place where you feel like you're not away from it.

Reviews for someone like me come in three packages. One is justifiable praise, the second is justifiable criticism, and the third is, "This is only published because he's a celebrity."

Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.