The greatest thing you can do is surprise yourself.

I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.

There's a lot of thought in art. People get to talk about important things. There's a lot of sex, you know, in art. There's a lot of naked women and men, and there's intrigue, there's fakery. It's a real microcosm of the larger world.

I try not to think about legacy because it is all ­folly. If you study history, even recent history, you'll find many people who were quite significant in their time but are completely forgotten.

I can juggle. I started juggling as a kid. And when I worked at Disneyland, I knew a juggler there named Christopher Faire, and he taught me how to juggle. I used it in my comedy act for a while.

I cannot smell mothballs because it's so difficult to get their little legs apart.

So much emotion can be brought in an animated film that's very hard to get in a live-action film. I haven't quite put my finger on why, but it might be because the characters can make facial expression that, if you made them in a movie, they'd call them corny.