I'm a big believer in supporting the action on film with the appropriate music. It covers a multitude of sins. It's gotten me out of a lot of jams, over the years. So, music for me is a very big thing in films and I use it unashamedly.

In perpetrating a revolution, there are two requirements: someone or something to revolt against and someone to actually show up and do the revolting. Dress is usually casual and both parties may be flexible about time and place, but if either faction fails to attend, the whole enterprise is likely to come off badly.

In formulating any philosophy the first consideration must always be: What can we know? That is, what can we be sure we know, or sure that we know we knew it, if indeed it is at all knowable. Or have we simply forgotten it and are too embarrassed to say anything? Descartes hinted at the problem when he wrote, 'My mind can never know my body, although it has become quite friendly with my legs.

Everyone wants to get out of living where they're living now, because life is a pretty tough proposition and not much fun. But when you think back to earlier times, you only extrapolate the nice things.

I prefer the magic to reality, and have since I was 5 years old. Hopefully, I can continue to make films and constantly escape into them.

Eighty percent of success is showing up.

Real life is generally much duller and inevitably sadder, most of the time. In film, you control everything that's going on, so you can indulge the most fantastic, romantic, escapist feelings and fantasies. You can do anything you want. That's why it's very seductive and pleasurable to earn your living making movies because you're not living in the real world.