There's a tendency to treat anyone with a physical disability as inspiring. I call it a pedestal of prejudice, in that you're lifting people up to dismiss them. My whole thing is bringing us down to everyone else's level and saying we're all the same. The struggle is the same.

What's great about this hotel [Sheraton Universal Hotel in Universal City, CA] is that I stayed here for a month when I was competing on the Oprah reality show. So it's like coming home.

I didn't have a girlfriend until I was 29, and I thought it was because I'm in a wheelchair. And I realized that it's not that, it's because I listened to what the dismissive part of society was telling me and accepted it as truth. There was nothing that was keeping me from dating or falling in love other than the fact that I was scared of being rejected. And everybody has that fear. That's a universal thing.

There was an agent who wanted to book me for Glee. He lied and said I could sing. He was like, "If you need a guy in a wheelchair who has a great voice, I've got your guy!" I was like, "What are you talking about?" .

Writing every day across nine time zones because Gillian [Grassie] was in Berlin, and we were working together via Skype. It was pretty intense. I'm really happy with how it turned out.

My experiences of traveling abroad and going to Italy with my father, having to break down a gigantic electric chair to get on trains. You've got three minutes. You go to Pompeii and there are shockingly few accessible hotels in a city that was covered in volcanic ash.

When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.