Quotes About Accent

I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.

When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.

People think for Shakespeare you have to have a big English accent, but it's not true. He designed it so it can be performed in any accent in any time period.

His scowl returned. "Why, if they're supposed to be Greek, are all of them speaking with an English accent?" She laughed. "Didn't you know that British is, like, the universal 'foreign' language in Hollywood? They use it in any movie where they want to have a foreign feel to it, regardless of where it's set

I'm conscious enough that how I'm singing is not my own accent.

I was always curious about the anxiety a person would feel when you open your mouth and you have an accent. You could have a Ph.D. or be a lawyer, but as soon as you say something, you may be diminished in the eyes of someone else.

If you think about portraying Americans, for example, in a Russian film, it all depends on where the American is from, if they went to school or not, and if they're well-educated or not. Is it an American from Texas, or an American from Brooklyn? Things would change with the vocabulary and the accent.

Just as in prayer it is not we who momentarily catch His attention, but He ours, so when we fail to hear His voice, it is not because He is not speaking so much as that we are not listening. We must recognize that all things are in God and that God is in all things, and we must learn to be very attentive, in order to bear God speaking in His ordinary tone without any special accent.

I grew up on a pig farm in southeast Nebraska. When I started doing the Blue Collar Tour, I thought it was kind of funny because I faked my accent, so everybody thought I lived in an apartment somewhere. But I grew up on a pig farm.

Roza." His voice had that same wonderful lowness, the same accent . . . it was all just colder. "You forgot my first lesson: Don’t hesitate.

I just wanted to be an ordinary, middle-class person. When I was at Cambridge I made great efforts to lose the last remnants of my cockney accent.

Watching Italians eat (especially men, I have to say) is a form of tourism the books don't tell you about. They close their eyes, raise their eyebrows into accent marks, and make sounds of acute appreciation. It's fairly sexy. Of course I don't know how these men behave at home, if they help with the cooking or are vain and boorish and mistreat their wives. I realized Mediterranean cultures have their issues. Fine, don't burst my bubble. I didn’t want to marry these guys, I just wanted to watch. (p. 247)

No hot guys should be allowed to have an English accent and drive a motorcycle. Not to mention wear the leather jacket or sport the cool shades. Hot guys should be forced into footie pajamas.

Work on the accent, it will enliven the whole.

When I was a kid, Eisenhower had been President forever, and all of a sudden, everything in the world was all about Jack Kennedy. I was 12, interested in politics; my father was from Massachusetts, had an accent like Kennedy.

I actually had a cockney accent before I went to drama school. It's softened up a bit.

I'd get suspicious looks from people just walking down the streets. Where are you from? They'd ask. I'd reply in whatever language they'd addressed me in using the same accent that they used. There would be a brief moment of confusion, and then the suspicious look would disappear.

Think bigger than society lets you think. And find mentors. My life is filled with people who knew me when I was 19 and had a horrible South African accent and bleach-blond hair and who believed in me in a way that was brutal. They were just unbelievable and consistent and smart. Find mentors who, every time you're with them, you're being schooled. Just absolutely schooled.

Afrikaans is my first language, although you would never know, as my English accent has more of an American-British thing going on from all my years of travelling.

I never worked with a dialogue coach before, but I'd hate it if an American did a British accent and didn't do it well. It would be insulting.

Being blonde means people decide on sight that you are much prettier and nicer than you really are, just as Americans automatically add 10 points to someone's IQ when they hear an English accent. Fact.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".

Christopher Reeve did such an amazing job that to give him some kind of accent or more bravado would have been wrong. Audiences wouldn't have responded to that either.

My accent always works with girls. They like it, I have no idea why.

The Australian accent is sort of like going down a step in smartness, you could say, because you guys pronounce things as they're spelled. We add and abbreviate stuff.

Weirdly, when I was in drama school my accent probably got stronger because of that sense of identity when you leave home and go to somewhere where there are loads of people from different places. Holding on to being Welsh and where I was from was a real crutch for me.

When I'm doing an accent, you shouldn't notice it for a while, if I'm doing it right.

I think anything sounds good with a Southern accent.

I can rap in a London accent, make weird faces, wear spandex, wigs, and black lipstick. I can be more creative than the average male rapper.

I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.

Do not talk to me of Archimedes' lever. He was an absent-minded person with a mathematical imagination. Mathematics commands my respect, but I have no use for engines. Give me the right word and the right accent and I will move the world.

I had had a huge background in the nuance of the accent because I went to drama school in England for four years.

It feels great and it's very beautiful when you can bring someone of your own nationality into a story, where even the historic element of it is important. I loved that I could use my own accent for the character.

My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.

Johnny Walker, the American that fought for the Taliban, is now talking with an Arabic accent. Have you heard him? It's ridiculous. I know how we should handle him. Let's bring him back here and take him to Cleveland Browns stadium and dress him up as a referee. They'll know how to take care of him!

There is a certain advantage to the British accent. I do notice that Americans love it; they think the we Brits are smarter than perhaps we are.

I, of course, don't have an accent. This is just how things sound when they are pronounced properly.

Both of you’ll just have to believe me. Emma’s one of those women who was born with… The thing is, the minute a heterosexual man looks at her, all he can think about is – well, her mouth, and – ” “Emma?” Torie’s own mouth gaped in astonishment. Patrick crossed his legs. “Maybe we’re not talking about the same person. British accent? Good appetite? Hums songs from The Lion King when she doesn’t think anybody’s listening?

The problem with Maigret is he hasn't got a limp, and he hasn't got a lisp, and he hasn't got a French accent, or a particular love of opera... or all those other things that people tend to attach to many fictional detectives. He's just an ordinary guy doing an extraordinary job, in a very interesting time.

It's a challenge getting rid of an accent by yourself. I have parents that have such thick accents. They are like, "She sounds fine." They didn't know. To them, I spoke perfect English because their accents were so heavy. I don't even want to know what I sounded like. I don't want to know!

I consider social skills a bit like learning a language. I've been practising it for so long over so many years I've almost lost my accent.

I heard someone walk out of the alley behind me, and my body went tense and tight, despite my weariness. Then a young woman's voice said, in a passable British accent, "The Little People are easily startled, but they'll soon be back. And in greater numbers." I sagged in sudden, exhausted relief. The bad guys hardly ever quote Star Wars.

I am not interested only in telling a story, but I want to tell it my way. I don't want my accent, my temperament, my narrative style to be compromised to fit into a mold of the Hollywood type.

I have a three-piece suit. I’m an art collector. I have a funny accent. So I’m probably the killer.

For Karen Holmes (in From Here to Eternity), I studied voice for three months to get rid of my English accent. I changed my hair to blonde. I knew I could be sexy if I had to.

Well, when you're an immigrant writer, or an immigrant, you're not always welcome to this country unless you're the right immigrant. If you have a Mexican accent, people look at you like, you know, where do you come from and why don't you go back to where you came from? So, even though I was born in the United States, I never felt at home in the United States. I never felt at home until I moved to the Southwest, where, you know, there's a mix of my culture with the U.S. culture, and that was why I lived in Texas for 25 years.

Despite all the unresolved deep-seated problems, the U.S. is still a country where it's less important where you come from than what you do. But after 18 years of living here, I still have a German passport, a soft spot for the avant-garde and constructivists, and a heavy accent.

English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent.