Quotes About Accent

The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.

I could do an American accent, if I were immersed in the accent, meaning if I were living back in Los Angeles and rehearsing and auditioning the whole time.

People think for Shakespeare you have to have a big English accent, but it's not true. He designed it so it can be performed in any accent in any time period.

I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.

I was always curious about the anxiety a person would feel when you open your mouth and you have an accent. You could have a Ph.D. or be a lawyer, but as soon as you say something, you may be diminished in the eyes of someone else.

I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."

If you think about portraying Americans, for example, in a Russian film, it all depends on where the American is from, if they went to school or not, and if they're well-educated or not. Is it an American from Texas, or an American from Brooklyn? Things would change with the vocabulary and the accent.

A great actor is independent of the poet, because the supreme essence of feeling does not reside in prose or in verse, but in the accent with which it is delivered.

I've always had facility with the German accent.

Work on the accent, it will enliven the whole.

I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.

I'd get suspicious looks from people just walking down the streets. Where are you from? They'd ask. I'd reply in whatever language they'd addressed me in using the same accent that they used. There would be a brief moment of confusion, and then the suspicious look would disappear.

To a Brit of my generation, one of the most objectionable things about [Margaret] Thatcher is her falsity. She is a total construct. For one thing, she had a made-over accent.

It's not a deliberate thing. It's not like I was rejecting the UK, which is what the papers said. It's just that when you spend a lot of time in your formative years around an accent, you're going to pick it up. I had been living in LA for a bit and that's what happened.

I vowed to never use my American accent, and I didn't. Even going to get the paper in the morning to buying milk down at the shop, getting a cab, wherever.

In a movie, a book, or a play, a character doesn't live in a vacuum. She is subject to pressures from the world outside of her, just like we are in life. These pressures and circumstances shape character. Who your parents are determines your genetic make up: your skin color, your sex, your height, weight. Where you are raised does affect your worldview either positively or negatively, your accent. Your economic class affects where you go to school, what you eat, where you sleep.

He just rubs people up the wrong way in a short space of time and, after he'd gone, one of the South African coaches there said to me in a thick Bok accent 'You see, Richard, what we have to put up with?'

[J.F] Kennedy's own accent was inconsistent. So people are inconsistent. And it always kind of irks me when people talk about inconsistent accents, because people are imperfect by nature. So in the end, what you do is, you do an inhabitation and not an imitation.

I miss the romance. I keep saying this over and over again, but dance follows music. And if the accent today is percussion and rhythm and loudness, then that is the way the dance numbers will be. But it is pretty hard on romance with seven guitars, three drums, and no melody instruments in the band.

Christopher Reeve did such an amazing job that to give him some kind of accent or more bravado would have been wrong. Audiences wouldn't have responded to that either.

Hungarian Language — savage it may be but of a beauty that has nothing human about it, with sonorities of another universe, powerful and corrosive, appropriate to prayer, to groans and to tears, risen out of hell to perpetuate its accent and its aura…words of nectar and cyanide.

It becomes 'one's own' only when the speaker populates it with his own intentions, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own

When I'm doing an accent, you shouldn't notice it for a while, if I'm doing it right.

I am trying to make my accent so it won't bother anyone, but I am not going to drive myself crazy trying to pretend I am an American girl when I am from Colombia.

I'm from the South, and there's a different understanding of how to chop. There's a syllable play. It's a delicate art. Your accent has a lot to do with it. If you're from a certain area, words don't roll of your tongue as slick.

People are disappointed when they hear my American accent because they regard 'The Police' as an English band but I've clung to my American-ness all the way.

People think that I live in England and have a British accent.

I've never had my own accent in a film. It's something I schedule into my preparation. That's one of my favorite things, hearing all the voices.

God bless my father, but he always spoke in this continental, literary accent, probably because he was a professor of comparative literature and he made the decision to speak with distinction.

I love the South. Although I grew up primarily in Memphis, my family moved around a ton when I was a kid. I guess I never stayed in one place long enough to pick up the accent, but I definitely identify as a Southerner.

I think the Birmingham accent has a lot to do with that, it certainly doesn't help you when you're trying to put a point across. We also set ourselves up for it sometimes by getting drunk and doing stupid things, but I thought that was what rock 'n' roll was all about.

I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk.

I got a really thick strong accent. I'm a nerd, nah not really, I'm goofy. You have to know me. You'll see it, people who know me see it.

If I have a foreign accent—which I much regret—it is cosmopolitan, but not Teutonic. I am a daughter of the great Jewish race, and my somewhat uncultivated language is the outcome of our enforced wanderings.

I am not interested only in telling a story, but I want to tell it my way. I don't want my accent, my temperament, my narrative style to be compromised to fit into a mold of the Hollywood type.

It's kind of a cross between, I think. It's not, you know, over the top Old English, like Lord of the Rings would be or something like that, but there is a very sophisticated air about the Asgardians[?], you know, in their dialogue, and - hold on. Okay. Um, and I'm doing an English accent in the movie.

I guess I'd always mocked the American accent. I didn't consider it a respectable dialect, but I was told that it was.

When I was a freshman in college, I went to a broadcast class by mistake. The first day, the instructor said, "Television anchors sound like they could be from everywhere and nowhere." From that point on, every time I was near an anchor, when no one was around, they would say something and I would say it right after them. It was this effort to get rid of my accent.

At this point two elderly security guards in parkas, the guys who normally work the front desk at the plant, asked John to step behind the tape. John claims that here he told the guards that he could not speak English and when that failed to persuade them, he fa...ked a violent seizure. I am unclear as to the purpose of this part of his plan. John flung himself down and began rolling around in the snow, thrashing his limbs about and screaming “EL SEIZURE!!! NO ES BUENO!!!” in a Mexican accent.

I have traveled more than anyone else, and I have noticed that even the angels speak English with an accent.

My accent has changed my whole life. When I was younger it was very Nigerian, then when we went to England it was very British.

Do you ever think of moving back?" "To Coldwater? Heck, no. England suits me fine. These Brits love my accent. The first time Gavin asked me out it was just to hear me talk. Lucky for him, it's one of the things I do best." All teasing left her eyes. "Too many memories back home. Can't drive down the street without thinking I see Scott in the crowd.

I just didn't have time to deliver a Buffalo accent in a day, so I didn't even try it.

The American cinema in general always made stories about working-class people; the British rarely did. Any person with my working-class background would be a villain or a comic cipher, usually badly played, and with a rotten accent. There weren't a lot of guys in England for me to look up to.

I don't want to lose my accent, I just want it to become smaller.

Certainly people have said a lot of deeply unfortunate and stupid things in Southern accents, but that doesn't mean there's anything wrong with the accent itself.

I think I'm going to keep my Irish accent forever now in any movie I make, because chicks dig it and that's all I care about now!