Quotes About Acting

Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.

Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.

I've been acting since I was ten years old. I had two lines in Snow White and the Seven Dwarves at the community theater I was very focused and I loved it. My parents believed in the arts and being well rounded. So I played piano and violin, I danced and acted. They never thought I would go into acting though. They just wanted a well-rounded child and it was a bit of a shock to my dad when I said "I want to go to acting school" because he is a psychology professor and was thinking of something more academic.

I really like acting in French. It's actually quite different for me, from acting in English. It's fun acting in a foreign language. You're liberated or freed from preconceptions.

My whole thing is I want to have a backup plan because maybe I won't get another acting job after 'Fame', maybe I'll want to give up on acting in five years or whatever and I want to have something else that I enjoy just as much as I enjoy acting.

I wanted to be a jazz pianist, but I wasn't good enough. I got into city college because I didn't have the grades to get into university. I took acting because it was a way to get three credits. I just needed three credits and my friend told me to take acting because it was like gym - nobody fails you. I took it and that's literally how I got involved in acting.

I'm still learning to be the best actor I can be, and I have a long way to go to get to the level I would like to be at. My focus is still 100% acting acting acting. Once I hit a point where I feel very comfortable as an actor - because you can never stop learning, I don't care how comfortable you get, you can never stop learning - but once I hit a point where I can get that comfort level of taking on the task of directing and having the confidence in myself to have people's respect when I give them direction, that's definitely something I want to do someday.

I don't even know if acting's something I want to do the rest of my life. There's a lot of other things I'm interested in, too. But as long as there are good roles out there and I'm enjoying myself, I wouldn't mind being some little octogenarian and continuing on the fight. But that's not really where I place my happiness, so acting to me is always a bonus. Acting is definitely a very pleasant bonus in my life, and I've enjoyed it completely.

It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.

With acting, I think half of it is just acting confident. We stand on these red carpets and pose in these dresses, but we're all only so confident. It doesn't mean we think we're great looking or anything. It's all a façade.

My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.

If you're going to play a brain surgeon, you just have to learn how to say the words. You don't have to go and learn how to cut open somebody's scalp. I think acting is acting. Being is something else.

Lots of things are hard work, but I think writing, for me, after I started acting at 13 years old. I like writing now much more than I do acting only because well, partly because the scripts that are offered are junk.

Good acting should be invisible. You shouldn't be aware of the acting. It should feel real.

On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.

I want to break into the acting industry. It's something I have a great deal of respect for; it's a passion of mine. It's so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that's pretty cool.

I didn't even know what acting was at 11 years old. I truly believed that acting was hidden cameras everywhere. And I felt that these actors on the screen were somehow real people.

There is a lot of acting that is on the table - precisely, good acting. The best movies of mine are the ones that really nobody saw. The Groomsmen, Playing By Heart and Seeing Other People are by far the work I'm the most proud of.

I believe you have to start with a craft; you don't just start with a dream. You've got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did.

When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.

Acting was my classroom in many ways and I always believed and I still do that acting is not just about pretending to be someone else, it's also about discovering yourself and reaching deeper inside yourself.

I feel think the next logical step is acting, which I think is cool but I never got the acting bug. I never looked at a movie and thought "I wanna act," but after seeing that play I thought, "I wanna write a movie, and I wanna write a play." I will write a movie and I will write a play.

Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work.

You know, you're just sitting with him [Chevy Chase], then you're doing a scene with him and acting, and all of a sudden you go, "Omigod, that's Chevy Chase!" And then you've got to keep acting. "Danny, your lines? Your lines...? You've got to keep going!" "Oh, sorry, sorry!"

I remember feeling a huge amount of anxiety and worry and pressure. At that point I was headed into acting school. That was 100 percent the only thing I thought I wanted to do. But then I got through my first year of college, and I was, like, humming and rolling around, pretending to be a lion in acting classes at NYU and visiting our classmate Charlie Gregg at Harvard, where he was actually learning things. So I changed my mind: I decided I actually wanted a different kind of education, and that was an incredibly freeing idea.

Growing up and applying to college, I just imagined that I would study acting. But then, once I went to college, I realized I was more interested in all the aspects of filmmaking as opposed to all the aspects of theater, which is what you would have to do if you studied acting at a liberal arts school. And so I thought, "Oh, I'll meet directors and filmmakers, and I'm an actress, so I'll become friends with them and hopefully be in their movies." And then It worked!

'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.

The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.

Unfortunately, or perhaps it is fortunate that I have always been forced to stand on my acting ability. I haven't a personality such as Jack Gilbert's, for instance, that attracts women and makes them like me for myself. When I am on the screen I must make them forget me entirely and think only of my acting.

Bad acting, like bad writing, has a remarkable uniformity, whether seen on the French, German, or English stages; it all seems modeled after two or three types, and those the least like types of good acting. The fault generally lies less in the bad imitation of a good model, than in the successful imitation of a bad model.

To me acting is a hobby and I'm inspired by it. And if I'm going to spend time doing something that I'm not really inspired to do, then why am I doing it? I don't know if that sounds sort of new agey or whatever, but it's true. I've been lucky enough to have a musical career that has gone pretty good and acting is something I have always wanted to do.

I still have the desire to do the job of acting. It's just a matter of whether I'll be allowed to do the job of acting that remains to be seen. There are only so many brick walls that I'm willing to beat my head on.

I went whole hog at the actor's lifestyle - really embraced it. I had by then known how much I loved acting already, because I discovered acting from a teacher in the seminary - that's the first place I ever did it, in the seminary.

I knew that I wanted to pursue acting as a profession during my sophomore year of college. One of my Professors (Karen Deacons-Brock) at N.C Central University assigned me to perform a one woman show for my final project and it was then, along with her encouragement, that it was time for me to move to NY in pursuit of a professional acting career.

At the end of drama school, I made a contract with myself: I'd try acting for five years. I was 26. I had already spent eight years working in restaurants and gas stations. So I had seen enough small businesses to understand that that's what acting is: a small business.

I'm really loving acting. I want this as a career. I'll still write music and collaborate with people, but I'm focused on the acting path.

I was in college, I thought I was going to be a lawyer, I met this girl named Laura who was the most beautiful girl I had ever known, and she was taking an acting class, so I decided to take the same acting class. And I was a terrible actor in college.

I learned much more about acting from philosophy courses, psychology courses, history and anthropology than I ever learned in acting class.

Acting is not a lofty performance; it is simply the source of becoming and existing transparently. Acting, I find, is the art of frothing to the surface every raw and honest emotion. The moment an actor pretends, he loses his audience forever

I love film acting - I'm not snobby about it. I don't think that theater acting's a more noble profession. I think they're both very important. I love both. And in my dream world, I'd get to do both forever.

But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release.

I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.

The acting thing is so beyond my control. Acting isn't mine. You're like a tiny piece in this big, corporate mechanism that needs chemistry and divine intervention.

Secrets are great for acting. Secrets are the best thing in the world for acting, because they keep you looking like you have something in the back of your mind.

The most difficult thing about acting and directing in a film is acting and directing in a film. Every ounce of your physical and emotional being, and your analytical and thoughtful and producorial being, is being exercised at all points. You are 100% working on overdrive, but because it is only for X amount of days, if you have the stomach for it, you hustle through. It's a massive undertaking, and I think preparation is the key to success for that endeavor.

If I do a scene with an actor who doesn't have much experience, I say, 'I tell you what we're going to do: You just listen to me, and then you respond. We don't have to do any acting.' And that's good advice because you shouldn't see the acting.

Being a Kapoor, acting is genetic. My sister paved the way for me when she became the first Kapoor girl to take up acting.

I meet a lot of young people that want to go into acting because they think of what it will do for them. If that's the case, it can be a very, very painful profession. But if the kids want to do acting because they love it, and they want to give to it, then they can have a great life. It's really about as simple as how you look at it.