Quotes About Actor

I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.

Being large and muscular, you are not taken very seriously as an actor. When bigger roles come up and the actor needs to be muscular they tend to cast a regular sized actor and get him to hit the weight program as opposed to hiring an actor who's already muscular and developed in that area.

I don't want to be a luvvie actor. It took a long time for me to accept I was an actor, a professional actor, and that, actually, I make a living out of this.

Well, an actor is an actor is actor, to paraphrase someone or other and the opportunity to work, to have a steady engagement, certainly seemed like an appealing concept to me.

The great exception to that, of course, is Johnny Depp, who is absolutely the ultimate character actor. Johnny Depp is the future of the character actor and thanks to his success maybe we will see the return of an era when my sort of actor is back in vogue. It's not in vogue for me to be in Hollywood movies as lots of different people.

I don't want to just be an actor my whole life. I mean I do want to be an actor my whole life but not only an actor, I want to be an artist.

What we really have to do is stop the adjective before the job title — whether it's 'black actor,' a 'gay actor' or 'anything actor,' Everybody thinks that equality comes from identifying people, and that's not where equality comes from. Equality comes from treating everybody the same regardless of who they are. I hope the media and the press catches on to that because it's time to move out of 1992.

He[John Cassavetes] was just being an actor. A very successful actor, especially in live TV. He did many wonderful performances.

I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.

My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.

I dont want to be just considered a breakout comedic supporting actor. I want to be a breakout actor in anything thats a lead.

In that way, as an actor in particular, you're powerless. And so in that way as an actor in particular you can't make mistakes.

When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.

I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character.

The good thing about being an actor, and the gift of being an actor, is that you are beautifully forced to see the world with different eyes.

My experience as a young actor on network television was that I couldn't make it work. I was drowning as an actor.

We're very good friends, we have a very honest relationship. He keeps me honest, I keep him honest. He's an incredible actor and when you have an actor like Denzel action becomes drama.

You know, be an actor because you love to act. Don't be an actor because you think you're going to get famous, because that's luck.

I've always considered myself an actor, but I wasn't making a living as an actor.

It's the same with people knowing absolutely everything there is to know about an actor. I actually think the more personal information you have about an actor, the more you have to carve out for yourself when you go to a movie and see them in it

I think every leading man wants to be a character actor, and every character actor wants to be a leading man.

For me, an actor is really, first and foremost, a person and an individual, more than they are an actor or a professional.

Studios have been trying to get rid of the actor for a long time and now they can do it. They got animation. NO more actor, although for now they still have to borrow a voice or two. Anyway, I find it abhorrent.

I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.

As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.

My tendency as an actor was to correct people, was to say, 'What if we tried it this way, what about if we tried that way?' That's terrible habit for an actor, but that's a good habit for director. So I became a director.

It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.

I've never really felt like I was a child actor. Just an actor who happened to be quite young.

For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.

I'm a geeky actor, in the way that I like the craft of acting. I trained as a stage actor and was given a lot of technical tools to play with. I like the craft of acting. It sounds geeky when I say it, but it's true.

There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.

What's actually amazing is that, after a couple of years of living with characters and writing characters and talking about characters, as we sit in the writers room and break episodes, it strikes you, every once in awhile, that you're talking about a character that's played by the same actor, who you've been talking about forever. We talk about a character dying, so you get emotional, and then you realize, "Oh, but wait, that actor is still on the show."

This new economy that's just emerged has a new central economic actor. It's not the worker, the person who produces, nor the person who consumes, the purchaser. It's a new actor that does both things at the same time, call them a creator. They both create and consume in the same single act, and we're just beginning to see the shape of this new economy and it changes not just the economy itself, it's going to change the whole nature of the work relationship.

If I'd made it right away as an actor, I would've stopped at a certain level and stayed there, probably as a character actor.

Look, I'm not odd. I'm just trying to be an actor; not a movie star, an actor.

An actor said recently that, unless you're a parent, you shouldn't play a parent in a film. I don't know who said it, but I disagree. I understand that maybe there are aspects that you don't understand, or maybe this actor or actress had a really strong recent experience with having their first or second or third born child. I don't know. As a dad, I get that. I get that there is no love like it. But, at the same time, love is love.

A lot of people are surprised to hear that an actor studied for two or three years. They take the craft for granted and wanna just wake up and be an actor.

The only way to be an actor is to find ways to work as an actor, even if that means doing a one-man show by a river.

I put Liam at the top of the list, the male actor list, because I had just seen Schindler's List again and Michael Collins, and I was just like, 'God, what an incredible actor.'

I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me

An actor will use every piece of information at their disposal, or a good actor will.

I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.

Danny DeVito knows about the business from many different perspectives, because he is a producer and director as well as an actor. At one point we were on the set late at night and he said: 'come here I want to brush your hair'. I said 'ok'. He sat there brushing my hair and told me that his job before becoming an actor was as a hair stylist in Manhattan. I said "what?" But it is true.

Géza Röhrig is just incredible because he's not an actor, he's a Hungarian poet. He also happens to be a brilliant actor. He's totally unusual, the way he talks and thinks and operates isn't in the same language as you're used to from actors who've been in a lot of things before. It brings this completely bizarre and fresh, wonderful way of approaching everything that I love being around. Not where I'm, as a producer, having to interact with him as an artist, but as somebody who can stand back and admire what he's bringing to this thing that I've nurtured to create a stage for him.

If you really want to become an actor, but only providing that acting doesn't interfere with your golf game, political ambitions and your life, you don't want to become an actor. Not only is acting more than a part time job, it's more than a full time job. It's a full time obsession.

It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.

But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.

What’s the difference between and actor and a movie star. An actor is someone who pretends to be somebody else. A movie star is somebody who pretends that somebody else is them.