Quotes About Actual

The hope was, people like me got to finally find our place in college or in the actual world. People who understood this told you that high school wasn't the actual world, that it was more like a temporary alternate reality you were forced to believe in for four years. A video game you played, where you could never get to the next level no matter how hard you tried.

One can get a proper insight into the practice of flying only by actual flying experiments. . . . The manner in which we have to meet the irregularities of the wind, when soaring in the air, can only be learnt by being in the air itself. . . . The only way which leads us to a quick development in human flight is a systematic and energetic practice in actual flying experiments.

With what Trump is doing now, provoking North Korea, risking actual destruction of part of the US, he is violating the system's rules on its own terms. He's committing an actual threat against US national security. And you would think that in just pragmatic political terms in Washington, that is the kind of thing that could be grounds for impeachment. But as long as he sits in that chair, it's true, the commanders are obligated to obey his order.

What is rational is actual and what is actual is rational

With a normal president like President [Barack] Obama, he says a word, and that's because there has been some thought that he's done and there had been policy papers and there's been aides and there's been advisers and then there is a connection to an actual set of policies. And so, the words like have roots into actual stuff.

I work out of silence, because silence makes up for my actual lack of working space. Silence substitutes for actual space, for psychological distance, for a sense of privacy and intactness. In this sense silence is absolutely necessary.

It isn't personal per se to document what the Republican Party leadership is doing and how they're abrogating actual leadership.

How does God save His people from the pleasure of sin? The answer is, “By imparting to them a nature which hates evil and loves holiness.” This takes place when they are born again, so that actual salvation begins with regeneration. Of course it does; where else could it commence? Fallen man can neither perceive his desperate need of salvation, nor come to Christ for it, till he has been renewed by the Holy Spirit.

Many of us knock on the door but remain outside, because knocking and entering are entirely different actions. Knocking is necessary, consisting of reading books, attending meetings, asking questions. But entrance requires much bolder action. It requires one to enter into himself, to uncover hidden motives, to see contradictions, and to realize his actual power for self-change.

I loved Dungeons & Dragons. Actually, not so much the actual playing as the creation of characters and the opportunity to roll twenty-sided dice. I loved those pouches of dice Dungeon Masters would trundle around, loved choosing what I was going to be: warrior, wizard, dwarf, thief.

Every poet, be his outward lot what it may, finds himself born in the midst of prose; h e has to struggle from the littleness and obstruction of an actual world into the freedom and infinitude of an ideal.

A media system wants ostensible diversity that conceals an actual uniformity

I started working in music very young, I was raised by a family of musicians and performers, so I guess it was more second nature than making an actual decision.

I have no doubt that it is possible to give a new direction to technological development, a direction that shall lead it back to the real needs of man, and that also means: to the actual size of man. Man is small, and, therefore, small is beautiful.

The end is what you want, the means is how you get it. Whenever we think about social change, the question of means and ends arises. The man of action views the issue of means and ends in pragmatic and strategic terms. He has no other problem; he thinks only of his actual resources and the possibilities of various choices of action. He asks of ends only whether they are achievable and worth the cost; of means, only whether they will work. ... The real arena is corrupt and bloody.

The creation of new capital always... releases... labor. Its actual effect [though] is not to make jobs scarce, but to free men's labor for other jobs.

I love writing. I'm not particularly comfortable in the actual world - I'm much more comfortable on the page. So if I could have a life where I could just slip the pages under the door and somebody would slip me a meal back, then that would be perfect for me.

Here's your first problem," he said, pointing at a sentence. "'Religion is the opium of the people.' Well, I don't know about people, but I think you'll find that the opium of pirates is actual opium.

I think nuance is very important to have in the conversation, nuance that's been lacking for a long time. A lot of voting organizations only exist every four years, putting all this money into "your voice is important!" Wouldn't that be nice, if that's all it took? Voting is the first political action for most people. But if you don't follow up then voting is not actual participation but just a one-off.

In actual life, every great enterprise begins with and takes its first forward step in faith.

Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures.

I like to mix the real and the imaginary. Sometimes it is characters inspired by real people I know or know of. Sometimes it is a named person from the common cultural dreamscape. And it is tricky, because they have a lot of associated ideas that come with them, and a lot of actual facts.

However much the creationist leaders might hammer away at their scientific and philosophical points, they would be helpless and a laughing-stock if that were all they had. It is religion that recruits their squadrons. Tens of millions of Americans, who neither know nor understand the actual arguments for - of even against - evolution, march in the army of the night, their Bibles held high. And they are a strong and frightening force, impervious to, and immunized against, the feeble lance of mere reason.

Is this what sadness is all about? Is it what comes over us when beautiful memories shatter in hindsight because the remembered happiness fed not just on actual circumstances but on a promise that was not kept?

Cinema doesn't connect with the body as artists have in two thousand years of painting, using the nude as the central figure which the ideas seem to circulate around. I think it is important to somehow push or stretch or emphasize, in as many ways as I can, the sheer bulk, shape, heaviness, the juices, the actual structure of the body. Cinema basically examines a personality first and the body afterward.

To be free of all authority, of your own and that of another, is to die to everything of yesterday, so that your mind is always fresh, always young, innocent, full of vigour and passion. It is only in that state that one learns and observes. And for this, a great deal of awareness is required, actual awareness of what is going on inside yourself, without correcting it or telling it what it should or should not be, because the moment you correct it you have established another authority, a censor.

There's something touching about a kid who's reading a book that's printed on actual paper. I think that anything that kids start reading, within reason, can lead to other discoveries.

The Canadian run can be no different, at least in terms of actual running.

I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.

All American and Israeli goods and products should be boycotted in a way that undermines American and Israeli interests so as to act as deterrence to their war against Muslims and Islam that is being waged under the pretence of fighting terrorism. This boycott should become an overwhelming trend that makes these two states feel that their economies are in a real and actual danger.

So usually you have to have product distribution as more fundamental than what the actual product is.

That’s the thing about living vicariously; it’s so much faster than actual living. In a few minutes we’ll be worrying about names for the children.

Philosophy stands in the same relation to the study of the actual world as masturbation to sexual love.

When it comes to the challenges of the actual process, I soldier on as best I can, on my own.

The perpetrators of the actual bad stuff that does real and lasting harm to people, like leakage of industrial chemicals into water systems, seem to get not so much as a second glance; the bloviation from media pundits and think tanks creates false problems that waste time and energy debunking.

[Having bigger budget] allowed me to be a full-time filmmaker for a couple months and not have to have a day job and be balancing a bunch of other stuff. It allowed me to bring in all these people from different parts of the country. It allows me to have an actual food budget, where we could eat healthy for the month we were shooting. It makes all the difference in the world.

Don't get me wrong, God Bless the farmers and cowboys. It just wasn't the life I wanted. When writing stories of other lands, I can describe people and places from actual experience. And for someone with an imagination like me, I could see dinosaurs and lost civilizations in the jungle of Vietnam.

Plain horse sense ought to tell us that anything that makes no change in the man who professes it makes no difference to God either, and it is an easily observable fact that for countless numbers of persons the change from no-faith to faith makes no actual difference in the life.

What is the fundamental hypothesis of science, the fundamental philosophy? We stated it in the first chapter: the sole test of the validity of any idea is experiment. ... If we are told that the same experiment will always produce the same result, that is all very well, but if when we try it, it does not, then it does not. We just have to take what we see, and then formulate all the rest of our ideas in terms of our actual experience.

We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.

For the only therapy is life. The patient must learn to live, to live with his split, his conflict, his ambivalence, which no therapy can take away, for if it could, it would take with it the actual spring of life.

The actual business of writing dialogue is not thought of as a craft.

It is unthinkable to have a British countryside that doesn't have actual functioning farmers riding tractors, cows in fields, things like that.

And Robert Lowell, of course - in his poems, we're not located in his actual life. We're located more in the externals, in the journalistic facts of his life.

We all have to work in our respective spheres with the same dedication, the same zeal and the same determination which inspired and motivated the warrior on the battle front. And this has to be shown not by mere words, but by actual deeds.

In my years of photography I have learned that many things can be sensed, seen, shaped, or resolved in a realm of quiet, well in advance of, or between, the actual clicking of shutters and the sloshing of films and papers in chemical solutions. I work to attain a state of heart, a gentle space offering inspirational substance that could purify one's vision. Photography, like music, must be born in the unmanifest world of the spirit.

Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.