Quotes About Aesthetic

When I say Afro-American aesthetic, I'm not just talking about the United States, I'm talking about the Americas. People in the Latin countries read my books because they share the same international aesthetic that I'm into and have been into for a long time. And it's multicultural.

Evidence that [feminine aesthetic preferences and ways of expressing oneself] may be hardwired comes from the fact that they typically appear early in childhood and often in contradiction to one's socialization. […] This indicates that some aspects of feminine verbal and aesthetic expression precede and/or supersede gender socialization.

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.

An old essay by John Updike begins, 'We live in an era of gratuitous inventions and negative improvements.' That language is general and abstract, near the top of the ladder. It provokes our thinking, but what concrete evidence leads Updike to his conclusion ? The answer is in his second sentence : 'Consider the beer can.' To be even more specific, Updike was complaining that the invention of the pop-top ruined the aesthetic experience of drinking beer. 'Pop-top' and 'beer' are at the bottom of the ladder, 'aesthetic experience' at the top.

I find that deadlines form part of the aesthetic. I don't have that "It could only have been this way" kind of thing. I tend to rewrite it and say that after the fact, but on the way there, there are just some routes that you have to give up and make decisions, and that decision-making I find torturous. But I'm used to that torture.

I've always been influenced by the human form. I'm a big fan of that Shakespeare quote. I tend to leave out the bad part of the paragon of animals quote, because I have this sort of Ayn Rand aesthetic. It was always one of those quotes that inspired me.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.

I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.

Fashion, for me, is anything that's aesthetic and beautiful. Art, food, film. It's something that I appreciate and really like.

By the late Nineties, we had become a more visual nation. Big-money taste moved to global standards - new architecture, design and show-off contemporary art. The Sloane domestic aesthetic - symmetry, class symbolism and brown furniture - became as unfashionable as it had been hot in the early Eighties.

The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.

Just women who are really eclectic, so every woman from Gwyneth Paltrow to Peggy Nolan, who has half a shaved head and has a totally wild aesthetic. They're woman who are doing things, running their own businesses, taking chances at different levels of success and different industries. A lot of my friends are creatives. It was just who I really adore and wanted to share with a greater audience.

I come from a culture that was isolated for a long time - I have my own story to tell, in my own style, and an aesthetic approach that was mostly self-taught. So, does it fit a reader's curiosity? Will it meet their expectations?

I think I just have a natural operatic aesthetic. I can't help it.

Staying true to my vision, to the word as it comes to me, to my own aesthetic judgments, even when they disagree with the majority culture, is very important to me, and I think important for every artist. It's what we have: our voice, our intuition, the truth as we understand and know it.

If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.

The Japanese are, to the highest degree, both aggressive and unaggressive, both militaristic and aesthetic, both insolent and polite, rigid and adaptable, submissive and resentful of being pushed around, loyal and treacherous, brave and timid, conservative and hospitable to new ways.

Kitsch tends to wallow in beauty - its shortcoming is not aesthetic, but ethical

A product is bought to be used. It has to satisfy certain criteria, not only functional, but also psychological and aesthetic. Good design emphasizes the usefulness of a product whilst disregarding anything that could possibly detract from it.

The best stroked putt in a lifetime does not bring the aesthetic satisfaction of a perfectly hit wood or iron shot. There is nothing to match the whoosh and soar, the almost magical flight of a beautifully hit drive or 5-iron.

Once one has realized, following the great English literary visionaries William Shakespeare and Thomas Nashe, that sexual puritanism, political disciplinarianism, and abuse of the poor are the result of the refusal of true Christianity ... one is led to articulate a more incarnate, more participatory, more aesthetic, more erotic, more socialized, even a more 'Platonic' Christianity.

"Girly" can be limiting if you're told it's the only option. I don't think the solution is to get rid of the girly stuff or decide it's oppressive and get mad at a singer or book for not ACCURATELY REPRESENTING ALL WOMEN. There just needs to be more options for girls who don't identify with the girly aesthetic, and can broaden the idea of what being a girl means. Similarly, there needs to be more of that stuff that can be aesthetically girly, but feminist in the actual message.

I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?

Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act - to Weave - was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.

I have to admit, I am aware of my Latin roots now. In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast. I can go from Lady Gaga to Brian Eno in a split second.

Which even though we do have a very visual aesthetic and identity, we love it when people make their own videos to the music.

From the viewpoint of analytic psychology, the theatre, aside from any aesthetic value, may be considered as an institution for the treatment of the mass complex.

Every great work of art should be considered like any work of nature. First of all from the point of view of its aesthetic reality and then not just from its development and the mastery of its creation but from the standpoint of what has moved and agitated its creator.

My aesthetic is probably closer to a 15-year-old's than my dad's, but I get his conviction.

Espresso consumption is an aesthetic experience,like tasting a vintage wine or admiring a painting.

We worship the aesthetic, but we do not have faith in it.

I like to work with the same people when I can, and you want to get people with the same interests that you have, and the same aesthetic.

I've always been drawn to a certain kind of dark aesthetic in cinema and in film, to what's abjected or considered abject. I've been tremendously influenced by noirish cinema whether that's Von Sternberg or Scorsese in the 70s or Lynch, etc.

There are few humanities that could surpass in discipline, in beauty, in emotional and aesthetic satisfaction, those humanities which are called mathematics, and the natural sciences.

Aesthetic judgments, rather than abstract reasoning, guide and shape the process by which we all come to know what we know.

Of one thing we can be sure: our own future is inseparable from the larger community that brought us into being and which sustains us in every expression of our human quality of life, in our aesthetic and emotional sensitivities, our intellectual perceptions, our sense of the divine, as well as in our physical nourishment and bodily healing.

I think the things that I enjoy most about directing theater, or works that are really visceral in terms of comedy and have a sort of rock and roll aesthetic.

Fly-fishing is solitary, contemplative, misanthropic, scientific in some hands, poetic in others, and laced with conflicting aesthetic considerations. It's not even clear if catching fish is actually the point.

Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.

It's been fun for me to figure out what I am in the world of fashion. I pull more now from my hometown, the aesthetic of the mountains and Arizona and the old western, vintage kind of vibe mixed with a sort of California bohemia.

Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.

I have no particular interest in antiquities or antiques, but I like things to meet a certain aesthetic.

In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast.

I've had many more thousands of books in my possession than my shelves at home would indicate. At one time, I tried to keep them all, but that quest soon became impossible; I now only keep the ones I'm sure I'm going to reread, the ones I'm definitely going to read before I die, and the ones I can't bear to part with because of an aesthetic or emotional attachment.

Facing the kitsch aesthetic is the unfathomable world of myths.

I don't buy jewelry just for the aesthetic side.

A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.

It was clear to me that the forms of consciousness of our inherited and acquired historical education - aesthetic consciousness and historical consciousness - presented alienated forms of our true historical being.