Quotes About Aesthetic

Schiller never wanted to replace the moral with the aesthetic but he did want the moral to be one part of the aesthetic. He rightly notes the aesthetic dimension of morality, that we use concepts like grace to characterise people who do their duty with ease and pleasure.

That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.

I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic. A Buick radiator grille is as much a political statement as a Rolls Royce radiator grille, one enshrining a machine aesthetic driven by a populist optimism, the other enshrining a hierarchical and exclusive social order.

Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.

In the world there exists no aesthetic plane, not even the aesthetic plane of goodness.

If I could be said to have any kind of aesthetic, it's sort of a magpie aesthetic - I just go and pick up whatever is around. If you think about it, the children were there, so I took pictures of my children. It's not that I'm interested in children that much or photographing them - it's just that they were there.

The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.

High-class kitsch may well be "perfect" in its form and and composition: the academic painters were often masters of their craft. Thus, the accusation that a work of kitsch is based not on lack of for or aesthetic merit but on the presence of a particularly provocative emotional content. (The best art, by contrast, eschews emotional content altogether.)

I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.

A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

Satre found atheism 'cruel', Camus 'dreadful', and Nietzsche 'maddening'. Atheists who consistently try to live without God tend to commit suicide or go insane. Those who are inconsistent live on the ethical or aesthetic shadow of Christian truth while they deny the reality that made the shadow.

Painting isn't an aesthetic operation; it's a form of magic designed as mediator between this strange hostile world and us.

With writing and publishing, my only aim is to live in the aesthetic pleasure dome.

Styles may change, details may come and go, but the broad demands of aesthetic judgement are permanent.

My aesthetic is that of the sniper on the roof.

Being dead is the most airtight defense of one's own aesthetic.

Each season I strive to design a forward-thinking and effortless collection with a very clean minimalist aesthetic.

Virtue is as little to be acquired by learning as genius; nay, the idea is barren, and is only to be employed as an instrument, in the same way as genius in respect to art. It would be as foolish to expect that our moral and ethical systems would turn out virtuous, noble, and holy beings, as that our aesthetic systems would produce poets, painters, and musicians.

The more people explore the world, the more they realize in every country there's a different aesthetic. Beauty really is in the eye of the beholder.

The main reason why men and women make different aesthetic judgments is the fact that the latter, generally incapable of abstraction, only admire what meets their complete approval.

It's my own personal unconscious that ultimately creates the novel's aesthetic facade.

I think if you are writing an instrumental you are dealing with more of an aesthetic in a sense but a lyric is more of a putting yourself on the line and a much more expensive exercise.

If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.

I had always wanted to expand to beauty, but I knew I wanted to be able to translate my design aesthetic in an authentic way.

I really can't claim ever to have had an exceptionally close relationship with a minister. I'm always there. I pay my pledge. I listen and observe with interest. I'm very sympathetic with the rigor and the aesthetic quality of what they do. Aside from that, I don't have a kind of personal experience with any of them that I could consider privileged, so to speak.

It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

It's been fun for me to figure out what I am in the world of fashion. I pull more now from my hometown, the aesthetic of the mountains and Arizona and the old western, vintage kind of vibe mixed with a sort of California bohemia.

I have no particular interest in antiquities or antiques, but I like things to meet a certain aesthetic.

It's not so much a philosophy as much as it is a pace. We need to be personally involved with every aspect of the records including the artwork, we want everything to have a similar aesthetic.

For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.

Such are the differences among human beings in their sources of pleasure, their susceptibilities of pain, and the operation on them of different physical and moral agencies, that unless there is a corresponding diversity in their modes of life, they neither obtain their fair share of happiness, nor grow up to the mental, moral, and aesthetic stature of which their nature is capable.

I'm not trying to create an aesthetic that's my own; I'm trying to create a way understanding things through drawing and painting. That's the common thread. Things can look different, but that's not what's important. What's important is the process is the same, the ideas are the same, I'm using the same building blocks, but they're different. The larger framework is the same; it's the pieces that change. For me, it's about these different elements, but you're still fitting them together into sentences, words, paragraphs, and stories.

Surgery is not my job. I have been the first artist to use aesthetic surgery in another context - not to appear younger or better according to the designated pattern. I wanted to disrupt the standarts of beauty.

You feed yourself. Make sure you have all the information, whether it's aesthetic, scientific, mathematical, I don't care what it is. Then you walk away from it and let it ferment. You ignore it and pretend you don't care. Next thing you know, the answer comes.

We like to juxtapose our music with a more dour aesthetic.

The superhero aesthetic is all about the human form and showing the body, whether they be female or male.

I am suggesting that we can and do regain eternity when we are so immersed in life, in moral action, or in aesthetic contemplation, that we completely forget about time and anxiety.

Let us, rather, gather facts, all the facts, regardless of aesthetic appeal or theoretical social worth, and spread those facts before us not as the soothsayer spreads the innards of a turkey but as a newspaper spreads its columns. Let us be journalists, then. And like all good journalists, we shall present our facts in an order that will satisfy the famous five W's: wow, whoopee, wahoo, why-not and whew.

Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern.

I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.

I love to read theories without ever using them when working... The paradoxical fact in the aesthetic is that theories are also true in reverse.

For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.

If we reject the word, or any word that labels music, what's left? That's the question we should all ask ourselves. Ben Ratliff asked it, and he came up with aesthetic categories. That's not what I would say. What's left are communities who make music together, or among whom music circulates. That's it.

Design is a matter of balancing different needs and outlooks-practical and aesthetic, masculine and feminine, designer and client, dream and reality.

Green Giant contained a very strong and clear site and building design concept. Green Giant had strong formal, aesthetic and programmatic concepts, coupled with a good understanding and incorporation of 2030 Palette design strategies.

I think because "Dollhouse" was the first story that I put out. It was the first thing that people were able to listen to and find the aesthetic of my music, so I figured we could use that as a title.

There's always a joy in newness as a painter, and in sub-Saharan Africa, I encountered different realities with regard to light and how it bounces across the skin. The way that blues and purples come into play. In India and Sri Lanka, it was no different. It became a moment in which I had an opportunity to learn as a painter how to create the body in full form, and that's a very material and aesthetic thing. This is not conceptual. It's all an abstraction.