Quotes About Aesthetic

My aesthetic is not a Disney aesthetic at all, but when I met with the wonderful producers at Disney, they weren't looking for me to do their aesthetic. I'd already spent 20 years in the theater, so if they were going to hire me, they'd be hiring me for what I have to offer.

Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.

The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive.

What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.

Aesthetic racism is almost always a sign of inexperience. Those who have not made their way far enough into the world of amorous delights judge women only by what can be seen. But those who really know women understand that the eye reveals only a minute fraction of what a woman can offer us. When God bade mankind be fruitful and multiply, Doctor, He was thinking of the ugly as well as of the beautiful. I am convinced I might add, that the aesthetic criterion does not come from God but from the devil. In paradise no distinction was made between ugliness and beauty.

My first girlfriend, when I was about 18, was a fashion designer, and my sister was a fashion designer as well. I've always been into shopping, and I've always been very aesthetic, in a sense.

Man's first expression, like his first dream, was an aesthetic one. Speech was a poetic outcry rather than a demand for communication. Original man, shouting his consonants, did so in yells of awe and anger at his tragic state, at his own self-awareness and at his own helplessness before the void.

I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.

The secret is to remain true to your aesthetic vision, so that people can see that you really believe passionately in what you are doing. That way, they can relate to your style. At the same time, you experiment-you try new things.

Staying true to my vision, to the word as it comes to me, to my own aesthetic judgments, even when they disagree with the majority culture, is very important to me, and I think important for every artist. It's what we have: our voice, our intuition, the truth as we understand and know it.

Frequently, I have been asked if an experiment I have planned is pure or applied science; to me it is more important to know if the experiment will yield new and probably enduring knowledge about nature. If it is likely to yield such knowledge, it is, in my opinion, good fundamental research; and this is more important than whether the motivation is purely aesthetic satisfaction on the part of the experimenter on the one hand or the improvement of the stability of a high-power transistor on the other.

In avant garde drama ... primitivism goes hand in hand with aesthetic experimentation designed to advance the technical progress of the art itself by exploring fundamental questions: What is a theatre? What is a play? What is an actor? What is a spectator? What is the relation between them all? What conditions serve this best?

My hair is an aesthetic choice… At the same time, how you wear your hair is a political statement as well.

It's my own personal unconscious that ultimately creates the novel's aesthetic facade.

Drill and uniforms impose an architecture on the crowd. An army's beautiful. But that's not all; it panders to lower instincts than the aesthetic. The spectacle of human beings reduced to automatism satisfies the lust for power. Looking at mechanized slaves, one fancies oneself a master.

I mean, putting women in the center of a movie and not talking about men, that's already political, right? And you know, political doesn't mean that it sends this message or that is has a statement. It's also political in its aesthetic project.

Visual art and writing don't exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can't do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.

The flux of life is pouring its aesthetic aspect into your eyes, your ears - and you ignore it because you are looking for your canons of beauty in some sort of frame or glass case or tradition.

Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.

Aesthetic judgments, rather than abstract reasoning, guide and shape the process by which we all come to know what we know.

Don't get seduced by your own stuff. Don't get high on your own supply. The hardest thing as a filmmaker is when you're watching a film that you've worked on for several years. You know every frame so intimately that holding lots of the objectivity of a new viewer who has just seen it for the first time is the hardest thing. Every aesthetic decision you make - and you make thousands of them every day, have to - in theory, must be done from you being a blank slate. You almost have to run a program, like a mind wipe, every time you watch the movie.

I like simple, I like quality, and I like less. Do I like a certain aesthetic? Yeah.

My aesthetic is about simplicity, elegance, and comfort, whether that is interpreted in a man's suit or a track suit.

The best engineer a few decades ago was someone who could create the most beautiful beam or structure; today it's to do a structure you cannot see or understand how it's done. It disappears and you can talk only about color, symbols, and light. It's an aesthetic of miracle.

I'm kind of still down with Virg Woolf on this one: "women must kill the aesthetic ideal through which they themselves have been 'killed' into art."

I love going somewhere like Japan where you can't understand a word of the advertising - you just see it for its aesthetic beauty, without feeling that you're being sold something.

Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.'

Such are the differences among human beings in their sources of pleasure, their susceptibilities of pain, and the operation on them of different physical and moral agencies, that unless there is a corresponding diversity in their modes of life, they neither obtain their fair share of happiness, nor grow up to the mental, moral, and aesthetic stature of which their nature is capable.

The most intelligent hearers are those who enjoy most heartily the simplest preaching. It is not they who clamor for superlatively intellectual or aesthetic sermons. Daniel Webster used to complain of some of the preaching to which he listened. "In the house of God" he wanted to meditate "upon the simple varieties, and the undoubted facts of religion;" not upon mysteries and abstractions.

Ultimate freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return, 'cause “the West is the best.” And now after two rambling years comes the final and greatest adventure, the climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking bring him to the great white North. No longer to be poisoned by civilization he flees, and walks alone upon the land to become lost in the wild.

No government has the right to decide on the truth of scientific principles, nor to prescribe in any way the character of the questions investigated. Neither may a government determine the aesthetic value of artistic creations, nor limit the forms of literacy or artistic expression. Nor should it pronounce on the validity of economic, historic, religious, or philosophical doctrines. Instead it has a duty to its citizens to maintain the freedom, to let those citizens contribute to the further adventure and the development of the human race.

Let us, rather, gather facts, all the facts, regardless of aesthetic appeal or theoretical social worth, and spread those facts before us not as the soothsayer spreads the innards of a turkey but as a newspaper spreads its columns. Let us be journalists, then. And like all good journalists, we shall present our facts in an order that will satisfy the famous five W's: wow, whoopee, wahoo, why-not and whew.

Nature holds the key to our aesthetic, intellectual, cognitive and even spiritual satisfaction.

Having Alexei Ratmansky create a new Romeo and Juliet for The National Ballet of Canada to mark our 60th anniversary is a dream come true. His aesthetic -- steeped in the Russian school but open to contemporary sources -- is ideal for this work and for our company, which, with our classical heritage and our passion for the modern, is perfectly suited to his distinctive dance vision.

I love to read theories without ever using them when working... The paradoxical fact in the aesthetic is that theories are also true in reverse.

It reminded us that propaganda in some form or other lurks in every book, that every work of art has a meaning and a purpose - a political, social and religious purpose - that our aesthetic judgements are always coloured by our prejudices and beliefs

The principle objectives in life are love, the creation and enjoyment if aesthetic experience, the pursuit of knowledge. Love comes a long way first.

There's something about fear and aesthetic that go hand in hand.

Mars is not an aesthetic God.

I cannot think that a player genuinely loving the game can get pleasure just from the number of points scored no matter how impressive the total. I will not speak of myself, but for the masters of the older generation, from whose games we learned, the aesthetic side was the most important. -

I feel like a lot of my aesthetic was in response to feeling the awfulness and cheapness of that [ the 70'th].

Surrealism, n. Pure psychic automatism, by which it is intended to express, whether verbally or in writing, or in any other way, the real process of thought. Thought's dictation, free from any control by the reason, independent of any aesthetic or moral preoccupation.

More and more are turning to photography as a medium of expression as well as communication. The leavening of aesthetic approaches continues. While it is too soon to define the characteristic of the photographic style today, one common denominator, rooted in tradition, seems in the ascendancy. The direct use of the camera for what it can do best, and that is the revelation, interpretation, and discovery of the world of man and of nature. The greatest challenge to the photographer is to express the inner significance through the outward form.

Elephant and Piggie have a very large input. They have a distinct aesthetic taste. They like books that are philosophical. They like books that are dialogue-driven. They like books that are about issues that they live with, in their own elephantine and porcine ways.

Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.

All media work us over completely. They are so pervasive in their personal, political, economic, aesthetic, psychological, moral, ethical, and social consequences that they leave no part of us untouched, unaffected, unaltered. The medium is the message. Any understanding of social and cultural change is impossible without a knowledge of the way media work as environments. All media are extensions of some human faculty - psychic or physical.