Quotes About Angeles

We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.

If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.

I am proud to be in Los Angeles. I have a lot of fans that love me here. When you talk about the Meccas of boxing - Las Vegas, New York - now you have to talk about Los Angeles.

I'm always looking for ways to connect myself with American people and that American feeling. I'm trying to pick up on the feeling of places, like the Los Angeles feeling or the New York feeling... Los Angeles is much better for me that way.

Once every hundred years, the Los Angeles smog rolls away for a single night, leaving the air as clean as interstellar space. That way the gods can see if Los Angeles is still there. If it is, they roll the smog back so they won't have to look at it.

Los Angeles is the only place that I can honestly say I have ever called home.

I would like to get married, actually. I've done everything else in my life now except that, but where do I find the real thing? The non-phony? In Los Angeles? I am not so sure.

The government can now delve into personal and private records of individuals even if they cannot be directly connected to a terrorist or foreign government. Bank records, e-mails, library records, even the track of discount cards at grocery stores can be obtained on individuals without establishing any connection to a terrorist before a judge. According to the Los Angeles Times, Al Qaeda uses sophisticated encryption devices freely available on the Internet that cannot be cracked. So the terrorists are safe from cyber-snooping, but we're not.

Los Angeles: nineteen suburbs in search of a metropolis.

I was made to believe that my life was going to be fixed and it wasn't. I'm still the same loser who had flown to Los Angeles on my sister's frequent flier miles just six days before.

I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.

I'm not a city kind of guy. I'm happiest when I'm tromping through the woods. That's why I don't live in Los Angeles. Being physically away from Hollywood probably loses me a few jobs, but the best ones seek me out.

I would rather say that I have to be not from Los Angeles but from America. When I go to Europe or Asia, I find myself disoriented. I'm not so inspired by their culture as much. It's not going to really come out in my work. I would be more influenced by what somebody from America does - like a sign painter from Pennsylvania.

Success does not necessarily create happiness. I could take you on a tour of West Lost Angeles. You would be surprised that happiness does not blossom in Beverly Hills any more than it does in most places.

I moved from Boston to Los Angeles, and took every opportunity that came along my way, trusting that God had a great plan for my life, giving me the willpower to move forward in a positive direction that gave me a feeling of purpose, joy and artistic freedom to fully express myself.

For me, returning to Los Angeles annihilates the memories of where I have just been with an astonishing speed.

If there were a major earthquake in Los Angeles, with bridges and highways and railroads and airports all shut down and huge buildings collapsing, I don't care how much planning you do, the first 72 hours is going to be chaotic.

In real life, there are right-wingers, there are anti-immigrant activists who want to overturn this constitutional right that we have to become Americans when we're born in this country. There's lots of people who believe that this has led to the phenomenon of the anchor babies. I am an anchor baby. My parents were able to receive their residency and citizenship because, I, a U.S. citizen child of theirs, was born in Los Angeles.

The perfect fit for L.A. would be the St. Louis Rams. I really believe that. I know their stadium deal is about expired, or it is expired. They're working through that. I think it would be the old Los Angeles Rams in town.

I mean I've never been thrown in jail in New York or Los Angeles.

Here in Los Angeles, school's out for summer. For thousands of school kids, this is the first week of summer vacation. And for thousands of parents, it's the first week of hell.

I remember being really interested in the sad parts of Los Angeles, of which there are many, and knowing we weren't up in the citadel on the hill, but we also weren't on the bottom. I was very interested in the poetry of failure as a child.

I grew up in Louisiana, a lot of carbohydrates, fried foods, all very good. Butter, lots of homemade cakes and cookies. Here I am in Los Angeles and just really educating myself about food. Once you know better, you do better.

I could do an American accent, if I were immersed in the accent, meaning if I were living back in Los Angeles and rehearsing and auditioning the whole time.

In Los Angeles all the loose objects in the country were collected, as if America had been tilted and everything that wasn't tightly screwed down had slid into Southern California.

I'm starting to teach now: I teach in the graduate film program at NYU and next year I'm going to be teaching at Los Angeles at the film program and English program at UCLA.

When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.

Missing Persons was based in Los Angeles.

I lived in Los Angeles in the '80s, which was not the best place to be.

In Washington, the first thing people tell you is what their job is. In Los Angeles you learn their star sign. In Houston you're told how rich they are. And in New York they tell you what their rent is.

I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.

I lived for 10 years in Los Angeles, and the one element that surpasses everything else - that you are very conscious of - is fear. You can smell it.

I grew up in Los Angeles and always wished I'd spent a childhood in a far different place.

Chicago is the great American city, New York is one of the capitals of the world, and Los Angeles is a constellation of plastic; San Francisco is a lady

I think the paparazzi might have chased me out of Los Angeles.

The mainstream press was not aggressive enough after 9/11, was not aggressive enough in asking questions about a decision to go to war in Iraq, was not aggresive enough in asking the hard questions about the War on Terror. I accept that for the Los Angeles Times and the New York Times.

There's always - somehow a red carpet everywhere. And I think that, you know, it's a fantasyland out here, you know. It's beautiful. It's sunny all the time. You know, there are beautiful people everywhere because you're not allowed to cross the Los Angeles city lines unless you're beautiful or skinny - joking kind of.

Every time someone does a Western movie, people flock to it. It's like, we're continually programming to people who are least likely to watch us. People in Nebraska aren't watching things on the computer, they're watching television. Why aren't we programming things for them? We only program things that appeal to New York and Los Angeles and in many ways spit on the rest of the country.

I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.

San Diego was fantastic. I think there's something about San Diego that is quite different than Los Angeles.

After moving to Los Angeles in the early '90s, I started looking into "music for picture" more seriously and in broader scope. My collaboration as a programmer and arranger with Graeme Revell exposed me for the first time to the full spectrum of film music, including the hectic demands of orchestral scoring and the power politics surrounding the finalization of any score for a major motion picture in Hollywood.

Los Angeles County government is a "Soviet-style system," with too many people only sort of in charge and no person sufficiently at the helm to take responsibility.

I had some difficult times when I first moved to Los Angeles when people would tell me I was saying things wrong. I felt different although my mum kept reminding me it was OK to be different.

Shooting at night in Los Angeles is amazing. The city shuts down at 10 P.M. every night, and a whole different cast of characters comes out.

No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.

Local television shows do not, in general, supply make-up artists. The exception to this is Los Angeles, an unusually generous city in this regard, since they also provide this service for radio appearances.

I was just restless with being in school; so I went out to Los Angeles.

I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or [Diego] Velazquez. The composition was classically informed; the painting technique was masterful. And it was something that really inspired me because, you know, these were images of young, black men in painting on the museum walls of one of the more sanctified and sacred institutions in Los Angeles.