Quotes About Architecture

If architecture is frozen music then music must be liquid architecture.

An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.

It's not new that architecture can profoundly affect a place, sometimes transform it. Architecture and any art can transform a person, even save someone. It can for children - for anyone. It still does for me.

Allow the information to tell you how it wants to be displayed. As architecture is ‘frozen music’, information architecture is ‘frozen conversation’. Any good conversation is based on understanding.

I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.

I believe architecture is a cultural output and I think Rem Koolhaas is one of the rare individuals who was able to really output architecture as cultural artifact.

To sum up the state of architecture in America: ninety percent of the buildings we live in and around aren't architecture. No, that's not right - 98 percent.

The word Gothic, in the sense in which it is generally employed, is wholly unsuitable, but wholly consecrated. Hence we accept it and we adopt it, like all the rest of the world, to characterize the architecture of the second half of the Middle Ages, where the ogive is the principle which succeeds the architecture of the first period, of which the semi-circle is the father.

When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.

If a dictator takes up my ideas, the resulting town will survive the political system that commissioned it and stand as a social good. Besides, modernism rather than classicism has dominated the architecture of totalitarian regimes of both the left and right.

I have realised how exciting and easy it is to be a time traveller by looking at paintings and films and architecture and playing music or listening to it. I don't think you necessarily have to live in the present all the time.

Besides numerous science courses, I had the opportunity to study philosophy, the history of architecture, economics, and Russian history in courses taught by extraordinarily knowledgeable professors.

Islam appears to me like a perfect work of architecture. All its parts are harmoniously conceived to complement and support each other; nothing is superfluous and nothing lacking; and the result is a structure of absolute balance and solid composure.

My ambition has always been to reduce a building's support to a minimum. The more we diminish supporting structures, the more audacious and important the architecture is. That has been my life's work.

As an architect, I try to be guided not by habit but by a conscious sense of the past-by precedent, thoughtfully considered...As an artist, I frankly write about what I like in architecture: complexity and contradiction. From what we find we like-what we are easily attracted to-we can learn much of what we really are.

Architecture traditionally has been the slowest of art forms. It was not unusual for great cathedrals to take centuries to complete, with stylistic changes from Romanesque to Gothic or Renaissance to Baroque as common as the addition of chapels or spires. But because the function remained the same, the form could be flexible and its growth organic.

Architecture tends to consume everything else, it has become one's entire life.

Everything in the service needs to preach - architecture, lighting, songs, prayers, fellowship, the smell - it all preaches. All five senses must be engaged to experience God.

Architecture might be more sportive and varied if every man built his own house, but it would not be the art and science that we have made it; and while every woman prepares food for her own family, cooking can never rise beyond the level of the amateur's work.

I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture.

The many great gardens of the world, of literature and poetry, of painting and music, of religion and architecture, all make the point as clear as possible: The soul cannot thrive in the absence of a garden. If you don't want paradise, you are not human; and if you are not human, you don't have a soul.

Art is more than a series of images that are disembodied. Art is objects that live in real places, economies, spaces, architecture.

When I'm with him, there is someone with me in my house of grief, someone who knows its architecture as I do, who can walk with me, from room to sorrowful room, making the whole rambling structure of wind and emptiness not quite as scary, as lonely as it was before.

In architecture and interiors, as well as fashion, there is an interaction that is both functional and aesthetic.

Within the human consciousness is the unique ability to perceive the transparency between absolute, permanent relationships, contained in the insubstantial forms of a geometric order, and the transitory, changing forms of our actual world. The content of our experience results from an immaterial, abstract, geometric architecture which is composed of harmonic waves of energy, nodes of relationality, melodic forms springing forth from the eternal realm of geometric proportion.

Of course there is a lot of fluidity now between art, architecture and fashion - a lot more cross-pollination in the disciplines, but this isn't about competition, it's about collaboration and what these practices and processes can contribute to one another.

I studied architecture in New York. So, really I was very moved, like everyone else, to try to contribute something that has that resonance and profundity of it means to all of us.

If we continue to treat content as an extra to information architecture, to content management or to anything else, we miss a bright opportunity to influence users. Content is not a nice-to-have extra. Content is a star of the user experience show. Let’s make content shine.

80% of the mistakes you will make in information architecture can be caught if you bring in a great usability expert from the beginning.

One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.

Princeton is a sublime undergraduate university. It has a good architecture school.

Architecture ... the adaptation of form to resist force.

The Grid makes the history of architecture and all previous lessons of urbanism irrelevant. It forces Manhattan's builders to develop a new system of formal values, to invent strategies for the distinction of one block from another. The Grid's two-dimensional discipline also creates undreamt-of freedom for three-dimensional anarchy. The Grid defines a new balance between control and de-control in which the city can be at the same time ordered and fluid, a metropolis of rigid chaos.

Look, architecture has a lot of places to hide behind, a lot of excuses. "The client made me do this." "The city made me do this." "Oh, the budget." I don't believe that anymore.

The crystal ball has a question mark in its center. There are some fundamental choices to be made. We will either choose to continue to wage a hopeless war to preserve the existing architecture for copyright by upping the stakes and using better weapons to make sure that people respect it. If we do this, public support for copyright will continue to weaken, pushing creativity underground and producing a generation that is alienated from the copyright concept.

The purpose of construction is TO MAKE THINGS HOLD TOGETHER; of architecture TO MOVE US.

Architecture is particularly difficult for women; there's no reason for it to be. I don't want to blame men or society, but I think it was for a long time, the clients were men, the building industry is all male.

I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels

I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.

I've always viewed the Paris Agreement as a starting point. If you look at all the commitments that have been made by all the countries, it's still not sufficient to deal with the very dangerous situation we face. What it has done is that it created an architecture whereby as technology improves, as we find new clean sources of energy, as we make our economies more efficient, then gradually we can turn up the dial and improve the outcomes of Paris.

If there's going to be another movement, another direction in architecture, it has to engage people differently. Other than saying, here, look at this, isn't this amazing? It has to interactively involve them other than as spectators ... it has to engage them as creators.

I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.

Architecture is a discipline that takes time and patience. If one spends enough years writing complex novels one might be able, someday, to construct a respectable haiku.

The art and architecture of the past that we know is that which remains. The best is that which remains where it was painted, placed or built. Most of the art of the past that could be moved was taken by conquerors. Almost all recent art is conquered as soon as it's made, since it's first shown for sale and once sold is exhibited as foreign in the alien museums. The public has no idea of art other than that it is something portable that can be bought. There is no constructive effort; there is no cooperative effort. This situation is primitive in relation to a few earlier and better times.

I like to play with architecture! It's my favorite game.

When the functionality of a product or service overshoots what customers can use, it changes the way companies have to compete. When the product isn't yet good enough, the way you compete is by making better products. In order to make better products, the architecture of the product has to be interdependent and proprietary in character.

Charleston has something for everyone, rain or shine. Its architecture is unparalleled. Carriage rides are great for seeing the city and hearing the history behind certain houses and the area.

Authentic architecture is not the incarnation of the spirit of the age but of the spirit, full stop.