Quotes About Artists

A lot of artists have been persuaded into doing whatever they can do to gain attention. The media, of course, will position and promote the worst of them to the front page. The sidewalk to crime becomes the marketing campaign. These artists have seen it work and sell millions and millions of records for other artists.

I would love to see more dialogue around the "responsibilities" of art consumers - how can audiences better financially support artists we love, artists who are doing the work, so that artists have a more solid foundation upon which to make art?

It's not curators, it's not critics, it's not the public, it's not collectors who find great artists - it's other artists.

In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened; everything in America was being questioned.

I've always felt that most jazz artists don't need producers .. most jazz artists know what kind of sound they want. They don't need a producer to come in there and tell them, "Oh, I think you should do this." I've always found it very strange that there's been such a thing as producers in jazz.

In a lot of ways, L.A. has always been kind of colonized or marginalized by New York. It still goes on to this day, but I would add that it really feeds New York because it provides artists for that system. This is really a laboratory where they grow the seeds and they go there and blossom because there's still not a lot of support in L.A. for artists.

Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.

Artists talk about art in sort of straightforward terms, more like the way you talk about plumbing fixtures. Does it function well? Does it bring the hot water up from the cellar efficiently, or does it lose too much thermodynamic energy in the process? Artists are also very ruthless with each other and can be very brutal in evaluating each other's work because their criteria is almost more mechanistic. Does it do what it's supposed to be doing in an efficient way? That doesn't mean that intention is not part of the conversation, but it's not the foreground.

I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.

I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.

If you look at my collaborations, it is very much in line with all these others in the sense that it is a building of community, particularly among artists of color. This is what I learned from the example of elder African-American artists, which is where it is all coming from; to refuse to be silenced.

We've always had a tradition in America of hounding our artists to death. Look at the list of our great artists, you see a continual history of defeat, frustration, poverty, alcoholism, drug addiction. The best poets of my generation are all suicides.

There are some very powerful contributions to knowledge in the scientific world or the legal world, but art is singular. That's why every dictator gets rid of the artists first. They burn the books and execute the artists first. Then they get on with whatever else they're interested in. Art might do something. It's dangerous.

Picasso had a saying - 'good artists copy, great artists steal' - and we have always been shameless about stealing great ideas.

I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.

It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat - as is the case with the better artists.

I went to Havana, and I was like, "Wow, there's culture everywhere!" That was one thing that I did notice when I went to Cuba was that artists are paid to be artists, and poets are paid to be poets, and musicians are paid to be musicians by the government. The government - and I'm not saying that the Cuban government's perfect - but the government does place a value on culture.

Working with artists and other poets has made me aware that there was a bigger "me" that I hadn't been quite aware of. Plus we had a good time. It's so much fun to write, for example, with a big brush on a giant piece of paper and to help create visually attractive and surprising objects, which is not what you normally do when you're writing a poem. It's wonderful to create these pieces with artists.

Good artists copy, great artists steal.

I think artists are going to express things from an emotional point of view, that's their job, to suggest and interpret, and report what they witness. That's their job as artists, you're looking for the rub, where's the rub, you're a storyteller, you're looking for the rub, not necessarily the solutions, or you're not necessarily educated, you're not the winner of a debate contest, a national debate contest, you're not necessarily a person who has a doctorate in anything.

All of the artists did such a beautiful job I can’t thank them enough. I’m just honored that 'God Only Knows' was chosen. 'God Only Knows' is a very special song. An extremely spiritual song and one of the best I’ve ever written.

I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.

Even though Hubbard is dead, his business still repeats his lies, ... and in my opinion the proposed Act should also punish businesses and organizations that repeat such falsehoods. It is a gross insult to American men and women who have actually been wounded and who have actually earned the medals and awards that frauds and con-artists falsely claim.

Well, Jeff Buckley for me is one of the greatest singers I've ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.

I have been involved in music since 1972 when I started managing two artists from The Jimi Hendrix Band. My family has been involved in music for years, so it's kind of in my blood. I just wish I could sing!

I realised the bohemian life was not for me. I would look around at my friends, living like starving artists, and wonder, 'Where's the art?' They weren't doing anything. And there was so much interesting stuff to do, so much fun to be had... maybe I could even quit renting.

But you know, we have more hits than you can possibly think about. One of my personal favorite artists is the wonderful artist named Cher. And although I love much of her late stuff, her early stuff was the stuff that I really, really loved.

I'm one of the artists that even though I love my soulful stuff, I love to turn up and have a good time and that's another side of me. As long as it doesn't veer away from who I am, I'm down with it.

I'm not mainstream at all. I can make mainstream music and I make music for mainstream artists, but me, myself, I'm not mainstream.

This idea of the body as a feast, it stems from Giuseppe Arcimboldo, moves to Viennese artists like Günter Brus, and then you have Salvador Dalí of course, then much later, Marina Abramović and Ulay, with their nude series in Italy. It's an ongoing conversation. There was nothing cruel about Méret's Oppenheim piece.

We've always believed that popular culture and populist politics go hand in hand. It's an honor to be working with so many respected and influential artists, and we're indebted to them for having the courage to speak out at a time when our country so desperately needs change. For our 2.5 million members and far beyond, the Vote for Change tour will have a seismic cultural impact.

Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear.

I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.

I would love to hear all types of Christian artists played all over the world. I'd love to hear good, positive mainstream music played all over the place. I'd love to be able to bring music together. But I have not deserted Christ. I have not deserted my faith.

We as visual artists need to continue to be renegades and say, "Yes I am here to do a project, but what is the social service?"

You know, I feel sorry for the young artists.

I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.

I want to talk to the bullied kids of the world. Tell them to hang on, it will get better. Know that an 'Iron Chef,' actors, musicians, artists and all successful people have probably been bullied in their life. And the best part of your life is yet to come. Whatever it takes to live, do it!

I think Taylor Swift is a really good artist. I feel like her personality shines through everything she does, her music, her fashion, her style. She won Album of the Year, and she’s a really good writer. I’m a song writer so I respect artists who write their own songs. She won Album of the Year when she was 18 or something like that so, I think she’s dope.

Some artists are working to buy the mansion or whatever the element of fame must bear, but I spend all my money on my show.

I didn't see painters doing paintings of glassware and glass shelves or sand dunes and receding snow fences. Why does that interest photographers and not artists?

The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.

Why are millions spent on the war each day, while not a penny is available for ... artists or the poor? Why do people have to starve when mountians of food are rotting away in other parts of the world? Oh, why are people so crazy?

When comparing works of art, it is important that the art itself, and not the artists, be considered.

We're all given a window of opportunity, I think all artists are, of any genre. A window when you're truly relevant, the spotlight's on you and people are watching what you do.

I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.

In the tradition of the classic songwriter rooms like The Bluebird in Nashville, Strange Brew is a gift to the music community in Austin, for artists and audiences alike

I love being in space. I love being challenged by great roles that a company like Marvel creates amazing movies that no only give audiences an adventure but also give us as artists an opportunity for us to be challenged to embody amazing, multilayered characters.