Quotes About Audition

There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.

I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.

I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore. So once it got to there and I also knew more about the business and I thought, "I can't do this anymore."

I remember the audition process for Xena: Warrior Princess; I was driving there and I was listening to The Cranberries' "Dreams," so I was thinking of that audition again recently with the sudden passing of Dolores O'Riordan, Cranberries singer. And I remember that song, I was like, "Okay, I can do anything" as I was driving onto the lot at Universal.

You're going from audition to audition, changing in the backseat, and all that fun stuff that's great to do at one time in your life. That's when the 49-cent taco, as disgusting as it is, really plays into your day. It really helps you out.

When I went to do my big audition with actors for Mr. Blonde, the thing that was very interesting was the first person to actually do the audition with the song, and they kind of actually acted out the whole scene, they weren't so great. It wasn't that they were magnificent, but the song, it was the first -it was all - been in my head.

It can't be overstated how wonderful it is not to have to audition any more. Any actor will tell you, it's like Christmas.

The best advice my dad ever gave me is, ‘No does not mean never. It just means not yet.’ So not every audition, you’re gonna get but as long as you know it wasn’t meant for you then you’ll get the next one.

My mom had an audition for a commercial when I was about two and a half, and I ran in crying and interrupted her. They thought I was cute so they offered me a commercial role. My mom was skeptical and a bit nervous about the child actor thing, but I was extremely bossy and convinced them I wanted to try it.

There have been times when I've been asked to do things and I've thought, "This is great! This is a great script. But, I do not believe myself in this role." I pretend I'm the producer and I think, "If I was making this movie, would I cast myself in this part?," and if that doesn't feel right to me, then I don't even go audition for it.

I've been looking for ways to audition more, because it also keeps me sharp and keeps my ambition at its firm edge. That's something that I'm actively engaged in conversations about now with my reps: What's out there that I can really either put myself on tape for, or meet with the director for and read for? How do we do that? We're now at the end of the Star Trek reboot trilogies and whether we are going to do another movie remains to be seen, and so I feel like I'm at the end of this cycle that began with me coming out of school and auditioning and building my way up.

I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition.

It took a very long time to really enjoy an audition, and to get in the room and do the best that I can. I've just been deeply grateful for my career, and that the love for the work and the characters is alive still. I try to let go of the armor as much as possible and not be afraid.

I came to join the Experience by going for an audition for Eric Burdon who was just forming the New Animals at that point, after the original Animals had broken up.

Leonardo is the most incredible actor, on the planet, with a couple of people alongside him. Getting to act with him is just [amazing]. I walked away from my audition for that and I couldn't believe that I'd been acting with him. I've worked with amazing people, but my friends freak out that I'm working with him. I freak out in a geeky acting way. They freak out in a starstruck way. He's Leonardo DiCaprio, and his fame is so big. That's a complete tangent about that.

It's hard to do things like auditions, because you don't want to put weeks of work into just an audition.

When the audition for 'Cats' came up, even though I'd been making pop records, it felt like something I was attracted to.

Any time you audition and get it, you earned it.

Sometimes you audition and you just know that this is going to come to you.

If you get an audition and you're out of work, you just say, "I've gotta go on this."

When I audition for something, I don't even want to think about who the other actors are in it, who's directing it.

Valek leaned back in his chair and said to me, “I don’t think I would have made it past the audition,Yelena. I probably would have set my hair on fire by this point.” “What’s a singed head for the sake of art?” I teased. He laughed.

My sisters are my best friends and my most staunch supporters. They're always there to help me through every audition, through interviews and through everything. They are the best things in my life, and I would be completely lost without them.

What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.

Don't ever give up on your dream. Ever. The most valuable thing I have gained from this whole TMNT experience so far is that I now know for a fact that anything can happen. After twenty-four years in this notoriously impenetrable and discouraging business, I was offered this iconic role out of the blue, without any audition or meeting, from people I didn't know. Stick with your passion, and keep moving forward. You can't go wrong.

I didn't have to audition. That's common, but it had never happened to me before. Normally, I hate auditioning. I need to stew and think... let the character develop and grow inside me.

A lot of the time when you're doing your own work, it's all in your own head, which can be frustrating if you're prepping for something, especially an audition where it's all in your brain and you go in and no one else has seen it and you don't really know how it fits.

But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.

In today's world, everything seems like some sort of long audition.

Mike Nicholls saw me in the musical of The Full Monty and brought me in to audition for Angels in America for HBO. And that opened a lot of doors because you could go to LA and say: "Well, I'm starring opposite Al Pacino and Meryl Streep..."

I'm never offered any sort of roles. I need to audition in a typically lengthy process to receive roles.

[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.

So I went and did an audition and became the biggest radio actor in Sydney, and that's how it all started.