Quotes About Authors

At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.

If the rewards to authors go down, simple economics says there will be fewer authors. It's not that people won't burn with the passion to write. The number of people wanting to be novelists is probably not going to decline - but certainly the number of people who are going to be able to make a living as authors is going to dramatically decrease.

We rarely quote nowadays to appeal to authority... though we quote sometimes to display our sapience and erudition. Some authors we quote against. Some we quote not at all, offering them our scrupulous avoidance, and so make them part of our "white mythology." Other authors we constantly invoke, chanting their names in cerebral rituals of propitiation or ancestor worship.

There are authors like David Foster Wallace or Raymond Chandler - with voice-based authors I might end up a completist, because what I love about them isn't just the particular construction of one novel or another but their flavor. There is an Austrian writer, Thomas Bernhard, as well. One book is not necessarily greater than another book, but they just have this incredible, unique voice, so it doesn't really matter which one you read.

Of course, there are hundreds of novels and authors that have influenced me. But to choose three, they are: Stephen King/The Stand (and really most of his books); Anne Rice/The Witching Hour; and Pat Conroy/The Prince of Tides. These authors write my favorite kind of book - epic feel, gorgeous prose, unique characters, and a pace that keeps you turning the pages. From them, I learned a lot about characterization, pacing, prose, voice, and originality.

I think the judging process is full of integrity, compared to some other prizes around the world. The fact that they change the panel of judges every year keeps it from becoming corrupt. I think it's very difficult if you've got judges for life; obviously relationships are cultivated between judges and authors, and publishing houses.

I myself discovered many authors through school reading lists and through school anthologies. The positives are: young readers can find the world opening up to them through books they study. The negatives may include bad experiences kids have - if they don't like the book or the teacher, or the way the book is taught.

I think the more avenues that open up when people want to publish, the better. Some of the authors that want to jump ship from the traditional houses and go on their own, you know what? Good luck. It's going to be a lot tougher than you think.

Critics are to authors what dogs are to lamp-posts.

Most authors steal their works, or buy.

Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.

Among all kinds of Writing, there is none in which Authors are more apt to miscarry than in Works of Humour, as there is none in which they are more ambitious to excel.

I think the diversity of authors and readers is expanding, which is wonderful, because it means the type of story being told is also expanding.

I teach a graduate seminar called "Theorizing Improvisation" that is pretty interdisciplinary, but really makes students deal with black studies seriously. A lot of authors of color, a lot of women of color - those become central to the intellectual trajectory. It considers music, but it also considers areas of thought that might seem unrelated to music. That's partly because we're expanding the notion of what music is beyond objects, beyond scores, beyond things.

Don't read newspapers for the news (just for the gossip and, of course, profiles of authors). The best filter to know if the news matters is if you hear it in cafes, restaurants... or (again) parties.

I find it interesting that people often seem to believe that authors of realistic fiction are directly translating their personal experiences into their work. The fact is that telling a story is a transformative experience. There is rarely a one-to-one translation onto the page unless you're writing memoir, and even then, memory is unreliable. I think that the best books feel emotionally true, and that truth has to be rooted in real-world experience.

Authors communicate with the people by some special extrinsic mark; I am the first to do so by my entire being, as Michel de Montaigne.

Different authors write different ways, have different relationships with their audiences, and those are all legitimate.

There were people whose only interest in life was writing letters. To the newspapers, to authors, to strangers, to City Councils, to the police. It did not much matter to whom; the satisfaction of writing seemed to be all.

My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either.

I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.

It is a sad paradox that when male authors impersonate women ... they are said to be dealing with 'cosmic, major concerns' - but when we impersonate ourselves we are said to be writing 'women's fiction' or 'women's poetry.

I thought it was amazing to work with authors, to get a manuscript and try to make up a cover for it.

There is little disagreement on our planet that the lives of most human beings could be improved immensely. Words pour out of lecturers, articles pour out of magazines, and books pour out of authors, all seeking to help us understand how we can have more peace, security, health, opportunity, happiness, fulfillment, abundance, and love.

Life is sometimes novel-shaped, mocking the efforts of those authors who, in an effort to make their novels life-shaped, spurn the easy symmetry and cheap resonance of reality.

That the system of morals propounded in the New Testament contained no maxim which had not been previously enunciated, and that some of the most beautiful passages in the apostolic writings are quotations from Pagan authors, is well known to every scholar... To assert that Christianity communicated to man moral truths previously unknown, argues on the part of the asserted either gross ignorance or wilful fraud.

For years, I'd say yes to almost everything, trying to be nice and generous. Feeling obliged to be of service to the world. Maybe also a fear of being forgotten if I don't. But I paid the ultimate price in doing that, because for all those years, I got almost no work done! Some famous authors have written about this: that if they said yes to every request, then they'd never have time to write another book again.

I should have no objection to go over the same life from its beginning to the end: requesting only the advantage authors have, of correcting in a second edition the faults of the first.

I used to do jacket design, and I'm very conscious of covers, and probably meddle more than other authors would.

Exploring Ecclesiology is true to its subtitle, being both vibrantly evangelical and admirably ecumenical; it is commendable for its depth, breadth, and erudition. Harper and Metzger's sympathetic engagement with Catholic ecclesiology is challenging and reciprocal. I especially appreciate how the authors emphasize and explore the vital connection between ecclesiology and eschatology, something very beneficial to readers seeking to better appreciate how living the Faith in community today relates to the hope of entering fully into Trinitarian communion in the life to come.

As many have noted, the peril for authors is that our work space is too easily our play space.

Authors of light pieces have, nobody knows why, a genius for getting into minor difficulties: they walk into the wrong apartments, they drink furniture polish for stomach bitters, they drive their cars into the prize tulip beds of haughty neighbors, they playfully slap gangsters, mistaking them for old school friends.

Those authors into whose hands nature has placed a magic wand, with which they no sooner touch us than we forget the unhappiness in life, than the darkness leaves our soul, and we are reconciled to existence, should be placed among the benefactors of the human race.

It looks as if there were a single ultimate goal for mankind, a far goal toward which all persons strive. This is called variously by different authors self-actualization, self-realization, integration, psychological health, individuation, autonomy, creativity, productivity, but they all agree that this amounts to realizing the potentialities of the person, that is to say, becoming fully human, everything that person can be.

The Sentence has no end. Sometimes I think it had no beginning. Now I salute its authors, which means all of us. You have made a wild, precious, awful, delicious, lovable, tragic, vulgar, fearsome, divine thing.

since piety has become the fashion at Court, dramatic authors imagine that their pieces would be more welcome if they added in a little devotion. At first their plan succeeded, but now no one can bear their comedies.

At the end of the day, some authors will endure and most, including some very good ones, will not. Why do I think reading is important? It is such an effective medium between mind and mind. We think largely in words. A medium made only of words doesn't impose the barrier of any other medium. It is naked and unprotected communication. That's how you get pregnant. May you always be so.

I decided to work on hand animate because the animators work as authors in every little scene and it brings real soul for characters.

There seemed to be a mystifying universal conspiracy among textbook authors to make certain the material they dealt with never strayed too near the realm of the mildly interesting and was always at least a long-distance phone call from the frankly interesting.

...it is a sneaking piece of cowardice for authors to put feigned names to their works, as if, like bastards of their brain, they were afraid to own them.

Jewish authors would never have invented either that style nor that morality; and the Gospel has marks of truth so great, so striking, so utterly inimitable, that the invention of it would be more astonishing than the hero.

Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story.

It's interesting, editing can be so immersive for me that I've noticed that the authors I edit have a pretty profound effect on how I hear language for a while.

Nothing is more painful to me than the disdain with which people treat second-rate authors, as if there were room only for the first-raters.

I don't think it's any fun, even if you are one of the most respected authors in the world like Margaret Atwood, to keep being nominated and not win.

There are some writers who also enjoy being authors, and are good at it as well. There is nothing performative about writing, but there is about being a writer.

When I was a ten-year old bookworm and used to kiss the dust jacket pictures of authors as if they were icons, it used to amaze me that these remote people could provoke me to love.

A Path Appears is an insightful book focused on how individuals can contribute to positive change and the remarkable people behind the organizations that make it happen. The authors' desire to motivate people to support good causes, learn about the situation in other countries, and find the best way to help their fellow men and women is inspiring.