Quotes About Bands

When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.

I listen to all kinds of bands. I like rock music, like, male rock bands. I'm more into that instead of female singers. I like Nirvana, Green Day, System Of A Down. I also like punk rock, and I love bands like Coldplay.

I think it’s really important, and it’s a lesson I didn’t learn until my late teens: Whatever bands that you love, go find out what bands they love, and what bands turned them on, and then you really start getting into the human aspect of it because the further back you go in time the less technology you had, and consequently the better records you had. There’s this incredible library of music thank god.

I've always gravitated naturally towards a little bit of a heavier thing, having been in punk bands and metal bands before I ever got into pop.

TALLAHASSEE LASSIE was a record I wrote with my mom. A number of other famous groups have also recorded it such as Led Zeppelin (I understand they are currently touring) and several other English bands and also some various "Punk Bands".

For the name Lion Babe, we are a little avant-garde, a little left. And with bands like Blondie, Pink Floyd, or Jamiroquai, you don't know they're bands, you just kind of hear the name and you're like 'What is it?' so that was the kind of thing we wanted to do.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.

I really like LIMP BIZKIT. I mean, I've said it for years - I don't know if anyone actually hears it - but I think LIMP BIZKIT are an awesome band. In terms of the rap-rock bands, or ANY bands out there, I think they really are truly among the best.

Do you ever look at the sky and think, I'm glad I'm alive? After I heard System of a Down, I thought, I'm actually alive to hear the shittiest band of all time. Which is quite something when you think about it. Of all the bands that have gone before and all the bands that'll be in the future, I was around when the worst was around.

Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.

I got to a point in my life when I'd done loads of things I regretted. I made all the wrong decisions. I was trying to fill my life with all these projects, hoping that one of them would succeed. I was like a cheating girlfriend. I was cheating on all the bands with other bands, and I was trying to manage everything.

Most bands are commercial enterprises. But I'm not in one of those bands.

There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.

I feel so lucky to have found two other, now three other musicians, that I can absolutely communicate with musically and believe in what they're doing almost 100% of the time. I've talked to a few [other] people in bands and that just isn't always the case.

I think the U.K. is an amazing place and has been extremely good to me. Some of my favorite and most-listened-to bands are from England. I have met many good people there and have been in front of some of the most loyal audiences I have ever encountered.

My songs were influenced not so much by poetry on the page but by poetry being recited by the poets who recited poems with jazz bands.

What shall I say! And how shall I describe this Birth to you? For this wonder fills me with astonishment. The Ancient of Days has become an infant. He Who sits upon the sublime and heavenly Throne, now lies in a manger. And He Who cannot be touched, Who is simple, without complexity, and incorporeal, now lies subject to the hands of men. He Who has broken the bonds of sinners, is now bound by an infant's bands. But He has decreed that ignominy shall become honor, infamy be clothed with glory, and total humiliation the measure of His Goodness.

I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.

In many cases bands have a lot to overcome, business being what it is.

I was sixteen, I became a working guitar player gigging in LA, mostly in top 40 bands, then touring. I learned to take songs apart, down to their bones. Songwriters would hire me to produce their demos, which lead me to become a songwriter. The relationship and power music has to TV and film attracted me to composing [and] I learned to write for instruments other than guitar.

I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.

Everybody wants to change the world. But I guess how we want to change it is a little bit more quietly than other bands.

My personal relationship with music is an imperfect harmony because I never studied music, but here I am not just writing for bands but full orchestral sections and doing all this composition, and I never learned the right way of doing things so I have a lot of dissonant sounds and things that are brought to my attention, and generally I leave them that way because I like those imperfections.

A government held together by the bands of reason only, requires much compromise of opinion.

I want the music to stand out a little bit more than many other bands do. I still have some stuff where I don't use the high hat, and I don't use any crash cymbals. It just makes for an interesting sound because you don't really notice it when it's not there, but if it was there, you would definitely hear it.

Don't believe bands who say it's all about the fans and they want to give their music away for free. The result is they will continue to live in their mother's basement.

The first Decline I did was out of sheer love and appreciation for the music. In 1977, it was more about bands, because punk was a new form of music. It was groundbreaking and political.

There was a time, from 1935-1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.

I never want to go back and remix old records, either. If a record sounds shitty, that's just the sound it has. I just take it as part of the music. Some of my favorite bands - their old records sound terrible. But that's just part of the sound. If they were perfect, I'd probably hate them. Same thing with movies.

I think that people like getting their money's worth, so it's cool to have a load of bands in a similar genre.

I was never able to get through Mellon Collie and the Infinite Sadness. I've never been able to make it through. And I love the Smashing Pumpkins, they're one of my favorite bands ever, but I've never been able to listen to the whole thing all the way through.

Later after college I discovered Gang of Four, Buzzcocks, and those kind of bands. My tastes have changed but I still carry a lot of the influences from my youth.

I never was the front man in any bands I played in when I was in college, and I always learned music by myself at home.

This man is freed from servile bands, Of hope to rise, or fear to fall; Lord of himself, though not of lands, And leaving nothing, yet hath all.

Well, I don't care for Paul Ryan's sound or his lyrics. He can like whatever bands he wants, but his guiding vision of shifting revenue more radically to the one percent is antithetical to the message of Rage.

In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.

I'm busier than a busy person. People aren't scared to play this raucous, harsh music over radio speakers, so I think it's the perfect time to get in with some real serious, heavy bands.

Hatebreed is a fantastic band. They've been around for ten years and they're going really strong. But Hatebreed -- when you compare them to Agnostic Front, we're two completely different bands. There are a few similarities, but Hatebreed is a lot heavier.

Oliver Cromwell (1599-1658) moved from a legitimate to a charismatic role, reversing the course followed by Washington. Yet therewere surface similarities in their careers. Both led military rebellions against English monarchs--Cromwell against Charles I, Washington against George III. Each took local militia--the "train bands" of Cromwell, the colonial levies of Washington--and forged professional armies on a national scale. Each infused a new ethos in his troops--a religious spirit in Cromwell's case, a post-colonial American identity in Washington's.

There came a time in everyone’s life when they realized that in spite of how hard they’d been running from themselves, everywhere they went, there they were: Addictions and compulsions were nothing but marching bands of distraction, masking truths that were unpleasant, but ultimately undeniable.

You know, I have a really tough time finding new bands.

I'm much more into bad, trashy Belgian techno. I like that much more than rock bands. The whole idea of a rock band is so archaic.

One of the first bands to break out of Seattle was Heart.

Other than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.

Nothing surpasses my performances with small bands, especially with Charlie Parker. A small band doesn't forestall creativity.

We want to be original. To express our most interesting stuff. But you don't see the word "original" come up very often to describe big bands. Our job isn't to pigeonhole ourselves or describe where we fit in. Our goal isn't to fit in. Our goal is to be free of all that stuff.

Growing up I used to love bands like Free and ELO and the Rolling Stones. When Robert Plant got in touch it made perfect sense to me.