Quotes About Became

When Star Wars became a hit and I had a chance to make the other movies, I had to figure out a way to bring Ben back, but a lot of the issues he had to deal with were carried by Yoda. In a sense, I combined Yoda with the spirit of Ben. I wanted Ben to have some kind of influence, but I didn't want it to be a direct influence where he could help Luke. So Ben has managed to keep his identity after he became one with the Force. One of the things he was doing on Tatooine besides watching over Luke was learning how to keep his identity after he became part of the Force.

The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .

And so I began to read,' Sorkar said. 'And at first the complete works were like a jungle, the language was quicksand. Metaphors turned beneath my feet and became biting snakes, similes fled from my grasp like frightened deer, taking all meaning with them. All was alien, and amidst the hanging, entangling creepers of this foreign grammar, all sound became a cacophany. I feared for myself, for my health and sanity, but then I thought of my purpose, of where I was and who I was, of pain and I pressed on.

When I became the NASA administrator — or before I became the NASA administrator — Barack Obama charged me with three things. One was he wanted me to help re-inspire children to want to get into science and math, he wanted me to expand our international relationships, and third, and perhaps foremost, he wanted me to find a way to reach out to the Muslim world and engage much more with dominantly Muslim nations to help them feel good about their historic contribution to science … and math and engineering.

God became man, granted. The devil became a woman.

What I am learning from my experience as someone who grew up as a refugee, who became French, and then became American is that nationalities are something that we use to divide us. We are all one humanity. I want to dedicate my voice to all people.

The tragedy of the Book of Mormon is not what became of the Nephites but what the Nephites became.

Hell, I'd even failed with women. Three wives. Nothing really wrong each time. It all got destroyed by petty bickering. Railing about nothing. Getting pissed-off over anything and everything. Day by day, year by year, grinding. Instead of helping each other you just sliced away, picked at this or that. Goading. Endless goading. It became a cheap contest. And once you got into it, it became habitual. You couldn't seem to get out. You almost didn't want to get out. And then you did get out. All the way.

When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.

The show became popular as aspecialthing became popular. And Sasquatch, the guy who runs that site, started coming to every show and reviewing it. And when people start talking about the reviews from the stage. That to me is really self indulgent and we tried to put a caper on that.

When I became convinced that the universe is natural, that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell. The dungeon was flooded with light and all the bolts and bars and manacles became dust.

Through my LSD experience and my new picture of reality, I became aware of the wonder of creation, the magnificence of nature and of the animal and plant kingdom. I became very sensitive to what will happen to all this and all of us.

I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.

I did have a Huggy Beardoll. One of his legs fell off. That empty leg became a place where, when we were doing a lot of drugs on tour at one point, we would store the drugs in his empty leg. That's where the term 'dancing with the one-legged man' on Smells Like Children came from, because whenever anyone was doing drugs we called it the 'dance of the one-legged man.' That became a ritualistic thing that was funny for awhile.

On to the Next Dream became about much more than me facing a challenging situation; it became about how all of us feel when we're thrust unexpectedly into change. It's about how we all hold onto personalized visions of our lives, our city, and our culture, and what we do when reality forces us to confront the impermanence of those visions.

Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.

I became a loner. I became a mountain man. A lot of those things are very good qualities and they help you do your work, help you be singular and keep the artistic integrity of your work intact, but they don't make it very easy to live your life.

I became an actor because I love solving problems. I'm a big crossword puzzle person. I love doing research. One of the reasons I became Jewish is because I love text study.

As his body became more and more defenseless, so his means of offense became steadily more frightful.

Malcolm X had a clear vision and an understanding that we were - that he was a part of a broad freedom struggle. As his vision became more internationalist and pan-African, as he began, especially in 1964, after seeing the example of anti-colonial revolutions abroad and began to articulate and incorporate a socialist analysis economically into his program, he clearly became a threat to the US state.

My folks came to U.S. as immigrants, aliens, and became citizens. I was born in Boston, a citizen, went to Hollywood and became an alien.

Lust indulged became habit, and habit unresisted became necessity.

And then they would watch her closely as the dark, coagulated masses took form before her eyes, became flesh and bone, became gradually human. For all their show of reluctance, she had a sense that they enjoyed introducing her to these horrors, as seducers took pleasure in the corruption of innocence.

He became absorbed beyond mere happiness as he felt himself exercising control over living things. He talked to them, urging them, ordering them. Driven back by the tide, his footprints became bays in which they were trapped and gave him the illusion of mastery.

At 6 years old, the ice became a place for me to express myself. Because I was so shy off the ice, it became my safe haven, with music and freedom and self-expression. That was my emotional outlet.

So the city became the material expression of a particular loss of innocence – not sexual or political innocence but somehow a shared dream of what a city might at its best prove to be – its inhabitants became, and have remained, an embittered and amnesiac race, wounded but unable to connect through memory to the moment of injury, unable to summon the face of their violator.

Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.

I became an American in 2006. It got me thinking about what is my America and what's my perception of America.

My acting stopped being about disguise and became about truth which suits the camera, so my film career took off when I came out.

I became a director just for the love of movies, because of the power of cinema.

Sanctions kept us on our toes, it made us realize that we were drifting into a situation of growing isolation so I wouldn't go as far as to say sanctions didn't play a role but if I were to put on a scale, the issues of conscience played a much greater role than the sanctions. We could have withstood sanctions for many more years. We became experts in circumventing sanctions... So sanctions played a role but it wasn't the major role.

I became an artist because I couldn't become anything else.

Anthropocentrism gave rise to boredom, and when anthropomorphism was replaced by technocentrism, boredom became even more profound.

When you got born again your past was not erased, it became non-existent.

To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.

Like the Spitfire it was immensely strong: a pilot had no need to fear the danger of pulling the wings off, no matter how desperate the situation became.

I was shown a fledgling learning to fly. It's first efforts were very feeble. But as it used its wings more and more, they became stronger until it found the freedom of flight and was able to soar to great heights and fly great distance without any effort. I heard the words: Faith comes with practice. Live by faith until it becomes rocklike unshakable, and find the true freedom of the spirit.

The '90s were a time when not just the movie business, but every aspect of American life, became a lot more corporate. There's a line in Jonathan Franzen's essay "Perchance to Dream" about how "the rich lateral dramas of local manners have been replaced by a single vertical drama, that of commercial generality." I wanted to examine that great homogenizing force that came in during the '90s, since Hollywood seemed a place where it was particularly active.

I grew up in an Orthodox family, as I grew older, I became Conservative and that's how it ended up. But I've developed that Jewish feel to my act from my surroundings and my family.

In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.

'The English Patient' was a huge turning point in my career and my life; it became this huge thing. But the whole Oscar build-up got completely out of control; I spent more time talking about that film than I spent making it!

Bohm's interpretation of quantum physics indicated that at the subquantum level, the level in which the quantum potential operated, location ceased to exist. All points in space became equal to all other points in space, and it was meaningless to speak of anything as being separate from anything else. Physicists call this property 'nonlocality.'

So that the one road for which we now need God's leadership most of all is a road God, in His own nature, has never walked. But suppose God became a man... He could surrender His will, suffer and die, because He was a man.

Everyone has their dates. For me, it's 1991. I can place every memory of my life either before or after this date. It's the year I became an adult. My mother died, and I created my company shortly thereafter. I definitely would not have done it if she hadn't passed away.

No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it’s a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous.

The reason I became a manager was to have full control over training. If you are a coach, you are bound by what the manager wants you to coach. The other reason is that I just like the company of football people.

Young people can understand, and must understand, that we had success, we had failures, but we never gave up. We never gave in. We never became bitter. We didn't hate. We continued to press on. And that's what we're saying: There are some ups, there are some downs, and when you're not down, you must have the capacity and the ability to get up and keep going.

I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.