Quotes About Biography

I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.

Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.

The biography I've written about Wendy Wasserstein will almost invariably be different than the one anyone else would write.

I arrived at my way of "working" as a way of visually approximating what I feel the tone of fiction to be in prose versus the tone one might use to write biography; I would never do a biographical story using the deliberately synthetic way of cartooning I use to write fiction. I try to use the rules of typography to govern the way that I "draw," which keeps me at a sensible distance from the story as well as being a visual analog to the way we remember and conceptualize the world.

I do not think that one is likely to write a good biography unless one feels some sympathy with its subject.

I'd like to ghost-write Liz Phair's novel. But I don't really know about that. It seems like a dignified thing to segue into as I approach the other side of 45. My hands are just full right now. There's the potential to try to write some kind of biography of Pavement - sort of a cryptic, nonfiction/fiction blowout. The story's never been told well. But that's a lot of inward-gazing that I'm not sure I want to do. I like to look out.

A good biography is the richest experience. When you watch a TV series together with someone is like being in a novel with them.

I feel I have to live a little longer before I write a sequel to my auto biography which covers my experiences up until October 1991.

You have to get inside the people you are writing about. You have to go below the surface. And that's to a very large degree what all writers are doing - they're trying to get below the surface. Whether it's in fiction or poetry or writing history and biography. Some people make that possible because they write wonderful letters and diaries. And you have to sort of go where the material is.

The big biography of Lincoln necessarily had to do so much with his political career, his ambitions, his accomplishments in public, with less time to spend on his private life, his inner life, and I thought this might be a way of getting at that.

Biography, too, is liable to the same objection; it should be autobiography. Let us not, as the Germans advise, endeavor to go abroad and vex our bowels that we may be somebody else to explain him. If I am not I, who will be?

I have no desire to write my own biography, as long as I have strength and means to do better work.

I would love to do an unauthorized biography about Congress. It's like a secret society up there.

I think that fiction and, as I say, history and biography are immensely important, not only for their own sake, because they provide a picture of life now and of life in the past, but also as vehicles for the expression of general philosophic ideas, religious ideas, social ideas.

The immense appetite we have for biography comes from a deep-seated sense of equality.

All of our theology must eventually become biography.

A Daring Life: A Biography of Eudora Welty is a beautifully written portrait of Eudora Welty and her amazing life. Carolyn J. Brown carries the reader through Welty's long, productive writing career and introduces her family and friends along the way. The book's very readable text, its lovely use of Welty quotes, and its excellent photographs make the work a treasure. This intimate look at Eudora Welty is a welcome addition for her readers.

When I went to an Aspen seminar on "American Scriptures" - the bicentennial of the Declaration and they discussed the preamble and the Gettysburg Address and much more, but not Lincoln's Second Inauguration, I challenged that omission and they said find something on it and to my astonishment, at that time, there was no book or long article that really did it. So I wrote one that attempted to do it justice. Although obscurely published, that essay got a nice bounce. Somehow David Donald saw it, and in his notes to his biography singled it out.

A form of art that I like is portraiture. I've been thinking about portraiture, and its relationship to writing and literature, biography and autobiography, and so that will be my next thing.

May God blast anyone who writes a biography of me.

He - A.J.[Muste] never got much credit, never got much attention. For example, I wrote a biography of him and nobody ever heard of it.

Biography, like big game hunting, is one of the recognized forms of sport, and it is as unfair as only sport can be.

The last act in the biography of the hero is that of the death or departure.

The shadow-past is shaped by everything that never happened. Invisible, it melts the present like rain through karst. A biography of longing. It steers us like magnetism, a spirit torque. This is how one becomes undone by a smell, a word, a place, the photo of a mountain of shoes. By love that closes its mouth before calling a name.

[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features which, in a writer's life, delight me as much as certain photographs; I have called these features 'biographemes'; Photography has the same relation to History that the biographeme has to biography.

All history is biography.

In a world of alternative lifestyle options, strategic life planning becomes of special importance. Like lifestyle patterns, life plans of one kind or another are something of an inevitable concomitant of post-traditional social forms. Life plans are the substantial content of the reflexively organised trajectory of the self. Life-planning is a means of preparing a course of future actions mobilised in terms of the self's biography. We may also speak here of the existence of personal calendars or life-plan calendars, in relation to which the personal time of the lifespan is handled.

I'm not one of those people who writes a biography or tries to figure out what kind of ice cream the character liked when he was 10.

For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.

Inthehistorian'sview biography isa kindoffrogspawn it takes ten thousand biographies to make one small history.

There is no history; only biography.

Always live your life with your biography in mind," Dad was fond of saying. "Naturally, it won't be published unless you have a Magnificent Reason, but at the very least you will be living grandly.

We're all story-telling creatures, and also I think that's the point about biography because the life is exemplary.

Somebody approached me about writing a biography on me, I told them they were too late.

In 1995, I went to Berlin to acting school, which was in East Berlin. And I decided to live in the east, because I thought if I go to West Berlin, I might as well stay in Stuttgart in the West because I know all the signs, and the way we deal with each other, and I wanted to get to know the other part of Germany and how they lived and what their history was and their biography. In that period of time, I learned a lot, and it helped me a lot.

I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be