Quotes About Biography

I had a checklist in my mind of the things that make a biography practical. Is the source material centralized? Is it easy to find? Are there new primary sources that no one has ever had access to? Are all the sources in English? If they're not, are they in a language that you speak? And I realized that not only is Armstrong the most important figure of Jazz in the 20th Century, but he's a perfect subject for a biography for all of these reasons. I had always loved his music and I had been fascinated in him as a personality. And that's really the key to writing a biography.

Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.

We cannot, after all, judge a biography by its length, by the number of pages in it; we must judge by the richness of the contents...Sometimes the 'unfinisheds' are among the most beautiful symphonies.

The biography I've written about Wendy Wasserstein will almost invariably be different than the one anyone else would write.

Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others.

I feel I have to live a little longer before I write a sequel to my auto biography which covers my experiences up until October 1991.

A children's biography doesn't have to be comprehensive, and it doesn't have to be definitive. It does have to be accurate, to the extent that's possible. And most of all, it has to be a piece of literature, a compelling read. I want the reader to discover the joy of reading.

More than a needed biography of Ehrenburg . . . Tangled Loyalties is a contribution of much significance to our understanding of the history of Russia in Stalin's time and of her relations with the West.

The immense appetite we have for biography comes from a deep-seated sense of equality.

I am tired of the position of the dried-up critic and doubter. The believer is the true full man. (from a biography of James by Robert D. Richardson)

There is no real escape from autobiography into biography. The self has to be faced, or we die.

We have escapist fiction, so why not escapist biography?

The Tipping Point is the biography of an idea, and the idea is very simple. It is that the best way to understand the emergence of fashion trends, the ebb and flow of crime waves, or, for that matter, the transformation of unknown books into bestsellers, or the rise of teenage smoking, or the phenomena of word of mouth, or any number of the other mysterious changes that mark everyday life is to think of them as epidemics. Ideas and products and messages and behaviors spread just like viruses do.

The Holocaust is a central event in many people's lives, but it also has become a metaphor for our century. There cannot be an end to speaking and writing about it. Besides, in Israel, everyone carries a biography deep inside him.

It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing. . . . This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read.

I had to do the book because there was an unauthorised biography which didn't tell it like it was.

Of all the events which constitute a person's biography, there is scarcely one ... to which the world so easily reconciles itself as to his death.

If you're doing a biography, you try to stay as accurate as possible to reality. But you really don't know what was going on in the person's mind. You just know what was going on in the minds of people around him.

I have my own biography of Gram Parsons - I don't want to be part of somebody else's.

At our best and most fortunate we make pictures because of what stands before our camera, to honor what is greater and more interesting than we are. We never accomplish this perfectly, though in return we are given something perfect--a sense of inclusion. Our subject thus redefines us, and is part of the biography by which we want to be known.

I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.

[On writing biography:] ... every human life is at once so complex and so simple, so perplexing and so clear, so superficial and so profound, that any attempt to present it as a unified, consistent whole, to enclose it within a rigid frame, inevitably tempts one to cheat or to falsify.

I'm also doing a special for Comedy Central called Autobiography. It's going to be a spoof of Biography.

Biography should be written by an acute enemy.

I try to find clues in the documented record - from the subject's own testimony, from the testimony of other people. When you're writing a biography, you're trying to understand your subject in the same way that you try to understand one of your friends, and that effort at understanding is always very imperfect.

What would become of all historical biography if it was written only with consideration for other peoples' feelings?

I had lost faith in biography.

The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.

All Philosophy is Biography

I'm getting very sorry for the Devil and his disciples such as the good Le Chiffre. The devil has a rotten time and I always like to be on the side of the underdog. We don't give the poor chap a chance...the Devil had no prophets to write his Ten Commandments and no team of authors to write his biography.

We're all story-telling creatures, and also I think that's the point about biography because the life is exemplary.

Find a great role model, perhaps someone who struggled and only really succeeded when older. Their biography and what they've done differently from you will help you. If such a person is willing to mentor you or at least allow you to work around them, great.

Biography is one of the new terrors of death.

I've never gone through the paces that writing textbooks sometimes recommend, such as writing out a character's biography, or determining what his favorite food is, or most traumatic memory, etc. - that's always seemed like a fraudulent way of assembling a fictional person.