Quotes About Bit

I’m still secretly a bit of a punk. Love The Clash and a bit of the Pistols. I guess as I’ve got older I’ve chilled out a bit. But, my teenage angst is still stirring somewhere!

I'm a bit of a traditionalist; the ballroom is all about tails and I never mess about with that. But for the Latin you can have a bit fun: tight trousers, gold shirt open to my waist, be a bit ridiculous.

I mean, sitcoms shouldn't be doing 'Saturday Night Live.' You can't just do bit after bit after bit. You have to string it together with tight writing and performances. Hollywood seems to have forgotten how to do this.

What is an individual? Just a bit of life shot off from the one Life in the universe-just a bit of love and truth dropped on this globe, just as the globe itself was once a bit of light and heat dropped from the sun.

I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.

I had a very strange career. I mean I went from playing to 150,000 people in 1983/84. Three or four years later I was playing to four people, you know, in Melbourne. I thought - bit strange, you know bit odd, bit erratic.

You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.

With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.

The thing about photography is that every day is a new day, even if you are working on the same story, because every day you have got a chance to correct what you did the day before, and try to take it a bit further or a bit back.

Sometimes you do have to scare people a little bit: if someone is not acting in the best interest of the show, then maybe you need to scream and yell a little bit, or let them know you're in charge.

People might look at you a bit funny, but it's okay. Artists are allowed to be a bit different.

I feel like I can't fully understand what's happening now until I really understand what's happened before. But you do get sort of bogged down a little bit when you're trying to study so many years' worth of music. It can be a little bit overwhelming.

I don't know how much money I've got. I did ask the accountant how much it came to. I wrote it down on a bit of paper. But I've lost the bit of paper.

Evil can be undone, but it cannot 'develop' into good. Time does not heal it. The spell must be unwound, bit by bit, 'with backward mutters of dissevering power' - or else not.

I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.

Global warming is one of those things, not like an earthquake where there's a big bang and you say, 'Oh, my God, this is really, has hit us.' It creeps up on you. ... Half a degree temperature difference from one year to the next, a little bit of rise of the ocean, a little bit of melting of the glaciers, and then all of a sudden it is too late to do something about it.

I don't suppose I can wear the flamingo tie," he said as he pulled on black socks. "It's a bit festive, given the occasion," I responded. "Can't wear it to the opera," said the Colonel, almost smiling. "Can't wear it to a funeral. Can't use it to hang myself. It's a bit useless, as ties go." I gave him a tie.

I was always a bit of a loose cannon, then again I was always the artistic one: bit of a social misfit. I probably still am.

If we show Allah just a little bit of gratitude, He tells us, 'I will increase you, and increase you, and increase you, I swear to it. If you could only show Me the least bit of gratitude.'

The whole world is, to me, very much "alive" - all the little growing things, even the rocks. I can't look at a swell bit of grass and earth, for instance, without feeling the essential life - the things going on - within them. The same goes for a mountain, or a bit of the ocean, or a magnificent piece of old wood.

I learned how to have a little bit of distance when I explained songs and a little bit of distance when I wrote them. I think this is more interesting any way in art.

A little bit of this, a little bit of that. I never had any specific style.

I liked anything that was a little bit weird, a little bit different. I always went for the psychotic, weird, 'dingey' bands.

When I feel like I'm doing my best work, there is a bit of a freedom, a bit of flight that you're not so much losing yourself but you're sort of in the zone.

I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.

I'm a little bit of a news political junkie, a little bit of a reader of history.

If we got there and we looked up and we said, "You know what? Black folks are still doing a little bit worse off than whites, but it's not like it was 20 years ago," then we can have a discussion about how do we get that last little bit. But that's a high-class problem to have.

I try to communicate with the musicians the way I communicate with the filmmakers. I'm not going to say to them, can we be a little bit more presto here. Hang on, this should be a bit more exciting, or I try to explain the scene to them, or I try to explain the context the notes are supposed to live in.

People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.

Inspiration comes whenever it wants, even at the most unlikely times and in the most inappropriate situations. Often it arrives bit by bit. Therefore it must be anchored, and this is where a most valuable item makes its appearance: the notebook.

A lot of bands are going out and playing for nothing. A lot of bands will go out and get paid, but the gas tank will eat up their paycheck. When they manage to sell a t-shirt or two, there is a little bit of leftover money there so that they don't have to have McDonalds that day. They can actually eat something decent with possibly a bit of cash leftover. It's a huge part of the business now.

My view on politics is much more grassroots oriented; it's not old boy network oriented, so I tend to, you know, come at it a little bit stronger, a little bit more street-wise, if you will. That's rubbed some feathers the wrong way.

In the area of trading, it is now an academically demonstrated fact that women tend to be a little bit more risk-adverse. They don't move positions as quickly and as erratically as men. Maybe it is a bit less profitably, but I think it would have been less risky.

It was a matter of not seeing the woods for the trees. Glorious songs have been in Ireland forever, but a lot of these were so popular they were sung only by drunken men at weddings. They didn't have any regard for the song at all. So, I picked out 14 songs that I had grown up with, songs with great melodies. After 35 years as a songwriter, I appreciate the value of a good melody because I know how hard it is to write one. So I presented them in a new way, with piano, keyboards, strings, and a contemporary rhythm section. I just treated the melody with a bit of dignity and a bit of style.

Wise men wrote the Constitution, but clever judges have been destroying it, bit by bit, turning it into an instrument of arbitrary judicial power, instead of a limitation on all government power.

When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.

The life that is demanding to be born is limitless. Nature is a spendthrift. Look at the fish and their millions of eggs. For that matter, look at you and me. In our loins are the possibilities of millions of lives. Could we but find time and opportunity and utilize the last bit and every bit of the unborn life that is in us, we could become the fathers of nations and populate continents.

I still think there is a way to take all the mistakes that we've made as adults and put a little bit of a salve on them, a little bit of a fix on them, if we just are a little smarter in what we teach our kids.

Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow? It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it; tomorrow may be a bit better than today; and, after all, you have to have a little faith in people-doesn't diminish the glamour that clings to the man who turned the question over and look at it, elegantly, upside down.

The art world is a bit smaller than the music world, and the music world is a bit smaller than the cinema world. But the art world is pretty tight even though the biggest thing that's happened to it is the auctions, which are the only reason people on the outside know anything about it.

What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.

I was pretty self-conscious about my body because everybody kept going on like, "Oh, she's so curvy!" and "She's a plus-size model!" and this and that. It's all people would talk about - how I'm not very skinny. For a while, it made me pretty upset and I got a bit obsessive about it. I did a bunch of dieting and exercising and everything. I was losing weight, but I was still much bigger than everybody else. I didn't really see the point of making myself crazy anymore, so I kind of toned it down a little bit.

I'm not going to retire because I want the money. We want honest athletes, but at the same time, you're going to have people saying, 'He's so greedy. He's made X amount of money, and he has to take that last little bit.' Yes, I do have to take that last little bit. I'm sorry if that is frustrating to some, but if they were in my shoes, they would do exactly the same thing.

I do need a bit of a trim but I'm a bit nervous about getting it cut

I'd like to do a little bit more adventurous TV. Maybe Showtime or HBO or just a little bit edgier. But I would go back to NBC, CBS, whatever.

Too early religious advancement of the Hindus and that superfineness in everything which made them cling to higher alternatives, have reduced them to what they are. The Hindus have to learn a little bit of materialism from the West and teach them a little bit of spirituality.

I have the normal desire, experienced by everybody who's ever flown an airplane with a certain amount of zoom capability, to go a little bit higher and a little bit faster.

Whether you're acting or you're writing, your skin is just basically ripped off and you're putting yourself out there. At least the acting part comes with a bit more social interaction. And you're a bit less isolated because you are working with the director and the crew, and there's a general camaraderie. Writing, you're totally isolated. You're just trying to get the words on paper.