Quotes About Book

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

A book, being a physical object, engenders a certain respect that zipping electrons cannot. Because you cannot turn a book off, because you have to hold it in your hands, because a book sits there, waiting for you, whether you think you want it or not, because of all these things, a book is a friend. It’s not just the content, but the physical being of a book that is there for you always and unconditionally.

When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.

Because he did not have time to read every new book in his field, the great Polish anthropologist Bronislaw Malinowski used a simple and efficient method of deciding which ones were worth his attention: Upon receiving a new book, he immediately checked the index to see if his name was cited, and how often. The more "Malinowski" the more compelling the book. No "Malinowski", and he doubted the subject of the book was anthropology at all.

In America, and no doubt elsewhere, we have such a tendency toward the segregation of cultural products. This is a black book, this is a gay book, this is an Asian book. It can be counterproductive both to the literary enterprise and to people's reading, because it can set up barriers. Readers may think, "Oh, I'm a straight man from Atlanta and I'm white, so I won't enjoy that book because it's by a gay black woman in Brooklyn." They're encouraged to think that, in a way, because of the categorization in the media.

I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.

It's so exciting when a book catches traction you didn't even expect (or completely did expect!), and so frustrating when a book never quite catches the traction you know it deserves. But either way it doesn't change the book, it doesn't change how much I love that book, or how thrilled I am to be publishing it.

If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.

I've always said if somebody wrote a book and they took their whole life to learn that knowledge in that book, why you won't just read that book to learn what they know? I have never seen anyone take a book combining Faith, personal Development and life stories that are just so practical and relatable to our own generation.

The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.

The Bible is the book of my life. It's the book I live with, the book I live by, the book I want to die by.

I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.

Book culture has also become something that's kind of incredible to younger people now, because of the Internet. If you go to any of the book fairs - PS1 or the MOCA Book Fair - none of the people are over the age of 40 years old there, and they trade and buy books, because they're almost antiquities at this point. They're not really important, in a way, because the Internet is how information is taken in.

You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

The Bible is not a book like any other. It makes a claim that God spoke and speaks through its message. It argues that as his creatures, we are accountable to him for what he has revealed. The trustworthiness of Scripture points to its authority as well. Scripture is far more than a history book, as good and trustworthy as that history is. It is a book that calls us to examine our lives and relationship to God. Beyond the fascinating history, it contains vital and life-transforming truths about God and us.

Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.

My first favourite book was Are You My Mother? A picture book about a lost bird. After that my favourites changed almost yearly. I loved everything by Roald Dahl, but my favourite was probably Charlie and the Chocolate Factory. A librarian gave me a first edition of that book, which I treasure.

If my novel gets any attention in Bulgaria, it will be as a scandal: a book about a teacher at a famous school and his relationship with a prostitute. I doubt very much it will be evaluated on its merits as literature. If Bulgarian were the book's only language, that would be painful and limiting to me as a writer. Since my book also exists in English - where it isn't scandalous at all - I feel comfortable with the possibility of scandal.

I have no reverence for any book that teaches a doctrine contrary to my reason; no reverence for any book that teaches a doctrine contrary to my heart; and, no matter how old it is, no matter how many have believed it, no matter how many have died on account of it, no matter how many live for it, I have no reverence for that book, and I am glad of it.

I began thinking there should be an American phrase book, 'cause I've got an Italian phrase book, and an Arabic one... now a British one. I think it'd be pretty good to have an American phrase book.

When I write a new draft, I don't like to feel I'm tied to any previous version. That's why I don't use a computer to write. The text looks, on the screen, too much like a book. It's not a book - it's a bad first draft of something that could one day be a book.

However, the daily life of the slaves in the South, as observed by many travelers, was obscured for all time by the relentless promotion of a single book, Harriet Beecher Stowe's "Uncle Tom's Cabin." Even today, any black who dares to say that perhaps we are not as badly off as our brethren in the jungles of Africa is hooted down as an "Uncle Tom." [...] It was no accident that Harriet Beecher Stowe's book became the greatest best seller of its time - it was tirelessly promoted throughout the entire nation, in the most successful book promotion campaign in our history.

Charles Darwin wrote a famous book in 18 [gibberish]. And that book was an interesting book, cuz it was called "Monkey-Monkey-Monkey-Monkey-Monkey-Monkey-You".

If it's a good work of adaptation, the book should remain a book and the film should remain a film, and you should not necessarily read the book to see the film. If you do need that, then that means that it's a failure. That is what I think.

In the case of 'Ocean at the End of the Lane,' it's a book about helplessness. It's a book about family, it's a book about being 7 in a world of people who are bigger than you, and more dangerous, and stepping into territory that you don't entirely understand.

For me, a good children's book is a good children's book is a good children's book.

That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.

What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.

Wormholes were first introduced to the public over a century ago in a book written by an Oxford mathematician. Perhaps realizing that adults might frown on the idea of multiply connected spaces, he wrote the book under a pseudonym and wrote it for children. His name was Charles Dodgson, his pseudonym was Lewis Carroll, and the book was Through The Looking Glass.

I look at him, look at the book, remember, this book, this moment, the first book I ever loved

Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.

Run a test. Give a 5-year-old a printed book and an iPad and see what happens. That 5-year-old is going to go right for the iPad. They're not intimidated by it. They know what to do with it. They'll start searching around. And in a children's e-book, you can have links to kid-safe encyclopedia. So if they click on the lion, it takes them to Africa and tells them all about lions. So now, the e-book is educational.

I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.

Titles are very hard. Sometimes a title comes before I start to write the book, but often I finish the book and I still don't have a title. I have to go through the book again and then sometimes I hope a title jumps out at me from what I've written.

I got a book token for Christmas and exchanged it for a book called A History of Art, and that book (which I still have-battered and falling to pieces) became more precious to me than any Bible.

I was 8 years old when I went across the street from my house to a fair, and they always had a used book sale. For a quarter I bought a book called 'Come On Seabiscuit.' I loved that book. It stayed with me all those years

If you buy a book on golf instruction buy the thinnest book you can find. The thinner the book, chances are the easier and more elementary the instruction. It can do one of two things: help you more or hurt you less. Both are good compared to the alternative.

Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller, and commonplaces are suddenly delightful. You become your best optimistic self. Like romantic love, book love fills you with a certain warmth and completeness. The world holds promise.

I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.

Let us answer a book of ink with a book of flesh and blood.

Books never make religions, but religions make books. We must not forget that. No book ever created God, but God inspired all the great books. And no book ever created a soul.

I've been asked this question so many times, do you feel you need to write a book for adults? No, I don't need to write a book for adults.

Most of the stats say that 90% of people who buy a book or check one out of a library would never get past the first chapter. To me, the title better say everything there is to say about the book.

In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.

Religion obviously played a role in this book and the previous book, too.

I breathed the book before I saw it; tasted the book before I read it.