Quotes About Cast

When you have to cast movies from a producer's standpoint - when you've been on the other side of casting sessions - you just get a completely different perspective on what that process is of getting a job for an actor. You realize how completely impersonal it is. If anything, I think it's made me a lot less sensitive. So much of this is logic and business, and it's got nothing to do with whether people are good or not. Unfortunately, I think that's one of the last things that gets factored in when you're assembling a cast.

I am a pathetic and gushing Nick Hornby fan, and I wanted to be in High Fidelity, and I wanted to be in About A Boy, and those two directors - one who's a dear friend, and one who has never cast me in anything, despite my pleading... So there was another Nick Hornby script going around being cast by a friend of mine, and she said, "There's a very small role in it, but you'd be right for it." I was like "I don't care how small, I'm going to be in this Nick Hornby film."

Jesus lost all his glory so that we could be clothed in it. He was shut out so we could get access. He was bound, nailed, so that we could be free. He was cast out so we could approach. And Jesus took away the only kind of suffering that can really destroy you: that is being cast away from God. He took so that now all suffering that comes into your life will only make you great. A lump of coal under pressure becomes a diamond. And the suffering of a person in Christ only turns you into somebody gorgeous.

I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.

We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.

The Christian's God is a God of metamorphoses. You cast grief into his bosom: you draw thence, peace. You cast in despair: 'tis hope that rises to the surface. It is a sinner whose heart he moves. It is a saint who returns him thanks.

You need to have a passionate interest in why things are happening. That cast of mind, kept over long periods, gradually improves your ability to focus on reality. If you don't have the cast of mind, you're destined for failure even if you have a high I.Q.

For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.

I have been carrying on a dialogue between the landscape and the female body (based on my own silhouette) I am overwhelmed by the feeling of having been cast from the womb (nature). Through my earth/body sculptures I become one with the earth I become an extension of nature and nature becomes an extension of my body

I vote because it's what small-d democracy is about. Because there are places where people fight for generations and stand for hours to cast a ballot knowing what we ought to remember: that it makes a difference. Not always a big difference. Not always an immediate difference. But a difference.

There'll be moments when I'm out in the prison yard, chatting with the cast and the crew, getting ready to shoot a scene. And then I'll remember if I were actually an inmate, I'd only be out there an hour. The other 23 hours of the day, I'd be in my cell. It's kind of a downer.

It was reported that Guy Ritchie has cast his wife Madonna in a small walk-on role in his new movie, Revolver. Madonna will play the part of the woman who ruins the film.

When I first started to do fashion shows I didn't have the budget to hire top models so I would cast women who inspired me, and ask them to walk how they walked. I was doing a mise en scène, which for me was normal. I love for people to see my clothes, but it was more about the attitude of the girls. The revues of the late 19th century/early 20th century were very much a reflection of what was happening in society and politics, and for me that is also the role of the fashion designer.

When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.

The Russians could not have had any impact whatsoever on voting in America, either how they were cast or how they were counted.

The die has been cast.

The gloomy recess of an ecclesiastical library is like a harbor, into which a far-traveling curiosity has sailed with its freight, and cast anchor. The ponderous tomes are bales of the mind's merchandise. Odors of distant countries and times steal from the red leaves, the swelling ridges of vellum, and the titles in tarnished gold.

Take the time to make some sense for what you wanna say, And cast your words away upon the waves. Sail them home with acquiesce on a ship of hope today, And as they land upon the shore, Tell them not to fear no more. I'm not saying right is wrong, It's up to us to make the best of all the things that come our way. Cos' everything that's been has past, The answers in the looking glass. There's four and twenty million doors On life's endless corridor, So say it loud and sing it proud today.

I continue to stay close to Kellan Lutz and in touch with him. Because [the cast members of Twilight] have become so close.

You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.

I wanted my first film to be something where I was surrounded by an amazing cast. I wanted to do something that was completely unexpected, totally out of the box, something that would blow people's minds, that the last thing on the planet earth they would ever think I would do would be it.

I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!

Our true birthplace is that in which we cast for the first time an intelligent eye on ourselves. My first homelands were my books.

Nothing is so unpredictable as a throw of the dice, and yet every man who plays often will at some time or other make a Venus-cast: now and then he indeed will make it twice and even thrice in succession. Are we going to be so feebleminded then as to aver that such a thing happened by the personal intervention of Venus rather than by pure luck?

Even in college I tended to get cast in the comedies more. It was what I liked doing.

All we want in Christ, we shall find in Christ. If we want little, we shall find little. If we want much, we shall find much; but if, in utter helplessness, we cast our all on Christ, He will be to us the whole treasury of God.

An academical system without the personal influence of teachers on pupils, is an arctic winter; it will create an icebound, petrified, cast-iron University, and nothing else.

Democracy is always the work of kings. Ashes, which in themselves are sterile, fertilize the land they are cast upon.

Im very excited to work with everybody on The Bridge - the cast, the writing staff, the executive producers - the show is really good. Im very lucky to be a part of it.

The young cast that's coming in now, Dylan Sprayberry and Khylin Rhambo, they're great! Dylan Sprayberry came out to surf with me a couple of weeks ago and he's such a good kid and he's a kid! I mean he's 16 years old, and you forget the energy and the dynamics and the mindset of a real 16-year-old. It's just beautiful! It's limitless energy and just a whole different kettle of fish. I think that they're a great addition to the show.

We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.

I believe in talent, and you believe in who you cast and help them go the distance.

I like to foster an atmosphere on set of collaboration and openness and risk taking. The beauty is when you have such brilliantly talented people as I did in my cast, you definitely don't want to fetter them in any sense. You want them to be able to go out there and do their thing and feel confident in doing their thing, because ultimately I'm the person who gets the credit which is great.

Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.

Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.

A new life begins for us with every second. Let us go forward joyously to meet it. We must press on, whether we will or not, and we shall walk better with our eyes before us than with them ever cast behind.

Casting is always critical but in this case, 'The Way Back', I was looking internationally to a degree for an interesting mix of gentlemen, Irish, Polish, Russian and American. Not many people had the qualifications, people who would play the game, particular to this industry. So I had to research amongst the cast. They had to be very very prepared as we had to start shooting as soon as we could, there wasn't any time to talk, and there would only be three or four takes.

Especially when the October wind With frosty fingers punishes my hair, Caught by the crabbing sun I walk on fire And cast a shadow crab upon the land, By the sea's side, hearing the noise of birds, Hearing the raven cough in winter sticks, My busy heart who shudders as she talks Sheds the syllabic blood and drains her words.

You may derive thoughts from others; your way of thinking, the mould in which your thoughts are cast, must be your own.

I always think once you have the lead protagonist, you cast around that character.

He has an armload of irises and daisies and tulips and he presents them to me. I didn't know what kind of flowers you like.I like them all.Yeah?Yeah.He tries to hand them to me, but then remembers the cast. I'll put them in water.Betty swoops in the room ridiculously fast and she grabs the flowers out of Nick's hands. I'll take care of them. You lovebirds just sit on the couch and think swooning things at each other.

I believe that magic is art, and that art, whether that be music, writing, sculpture, or any other form, is literally magic. Art is, like magic, the science of manipulating symbols, words or images, to achieve changes in consciousness… Indeed to cast a spell is simply to spell, to manipulate words, to change peoples consciousness, and this is why I believe that an artist or writer is the closest thing in the contemporary world to a shaman.

I cast a glance in my new admirer's direction. "You may call me Your Highness," I said. "Or Empress Beauty." He chuckled. I wasn't kidding.

I don't follow any system. All the laws you can lay down are only so many props to be cast aside when the hour of creation arrives.

I was pretty confident that I'd be playing something, if James Gunn could convince Marvel Studios and Disney to cast me. He's involved with the casting too, but if he could convince them to go along with him and agree with getting me on the roster, then yeah, I would have voiced Groot. Not a problem. Groot is an awesome character.

Can an ass be tragic?--To perish under a burden that one can neither bear nor cast off? The case of the philosopher.

When WOMEN got the right to vote is when it all went downhill. Because that's when votes started being cast with emotion and uh, maternal instincts that government ought to reflect.