Quotes About Character

I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.

It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.

I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.

It can be frustrating and even frightening to observe the success which sometimes comes to outlaws and rogues who seem to refute notions of universal justice. Every time we see a villain enjoying the fruits of dishonorable acts we find ourselves doubting the value of character and the validity of the virtues we have been taught. Thus, it takes character to believe in character, but that belief is always rewarded, often by material success, but always by the esteem it earns from those who matter.

When you're no longer seeing yourself, in some ways. You're as close to being as you can be.I suppose that's consistent with the moment that the mind actually turns off, and is no longer questioning what you're doing. When the questions stop, that's when the real acting takes over. And trying to get to the point where the questions stop, "Would I do this? How do I feel about that as a character?" When those stop, and it's just doing X, Y, and zed, because that's what you'd do as this character, because you're inside this character somehow - that's when it really kicks off.

Brains and character rule the world. The most distinguished Frenchman of the last century said: Men succeed less by their talents than their character. There were scores of men a hundred years ago who had more intellect than Washington. He outlives and overrides them all by the influence of his character.

The philosophical underpinnings of my approach to acting are that there are universal human qualities, and that every character is actually available within each one of us, that if we tap down into that universal humanness, we can find whatever character it is that we need to play already there within ourselves, and it's just a matter of peeling apart the onion that is you and finding that character within you, because of this universal human quality.

Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.

A man's character is like his house. If he tears boards off his house and burns them to keep himself warm and comfortable, his house soon becomes a ruin. If he tells lies to be able to do the things he shouldn't do but wants to, his character will soon become a ruin. A man with a ruined character is a shame on the face of the earth.

Character: The ability to carry out a worthy decision after the emotion of making that decision has passed. Character simply stated is doing what you said you were going to do. If you develop a reputation for that, do you have any idea the effect that has on self-perception? Its immense, just immense. The Savior was a man of character. He did everything he said he was going to do.

Children are 25 percent of the population but 100 percent of the future. If we wish to renew society, we must raise up a generation of children who have strong moral character. And if we wish to do that, we have two responsibilities: first, to model good character in our own lives, and second, to intentionally foster character development in our young.

Every movie I work with the costume designer to see what feels like the character, not what Columbus would wear but what is right for the character. Outside of the armored truck standard issue security guard uniform, this guy is trying to make ends meet. He might have one pair of jeans, the same boot, maybe changes his shirt but he doesn't have a walk-in closet full of things, so I wanted something comfortable that felt like the character.

Honestly, when you think of any great action hero or any great hero out there or great character actor, you kind of transcend the character. You just don't love the character, you love the guy. In any of the great action stars, you see the guy doing the work.

People of good character are not all going to come down on the same side of difficult political and social issues. Good people - people of character and moral literacy - can be conservative, and good people can be liberal. We must not permit our disputes over thorny political questions to obscure the obligation we have to offer instruction to all our young people in the area in which we have, as a society, reached a consensus: namely, on the importance of good character, and some of its pervasive particulars.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

A character standard is far more important than even a gold standard. The success of all economic systems is still dependent upon both righteous leaders and righteous people. In the last analysis, our national future depends upon our national character that is, whether it is spiritually or materially minded.

I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.

Watch your thoughts, they become words. Watch your words, they become your actions. Watch your actions, they become habits. Watch your habits, they become character. Watch your character, it becomes your destiny.

Every character sees the world through a framework of education and experience that they're proud experts about. To write a character, find out what they know best, and THEN you'll know how they'll describe a "hot day." Or a "pretty girl."

Most famous artists are created by their work and the idea of them as a character, and if they're smart and ambitious, they reinforce that character because they want to win. They want their views to prevail.

I don't want a perfect character, I want a character who has, as strange as it sounds, some humanity, some flaws, some needs.

I think you have to find the humanity in the character and then the deterioration is a part of the process - the journey of the character. It's like playing King Lear. You can start off as a nice old man who finishes up crazy.

People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."

Football doesn't build character, it reveals character.

I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.

You silly Arthur! If you knew anything about...anything, which you don't, you would know that I adore you. Everyone in London knows it except you. It is a public scandal the way I adore you. I have been going about for the last six months telling the whole of society that I adore you. I wonder you consent to have anything to say to me. I have no character left at all. At least, I feel so happy that I am quite sure I have no character left at all.

With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.

When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.

I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.

I love my snaggle fangs. They give me character and character is sexy. People comment, but the only person who ever told me to fix them was my mom ... I just went my own way, like daughters do.

Ralph Fiennes was a big hero of mine acting-wise growing up and while I was training. I just find him so watchable. He was playing this very intimidating character when we worked together and it certainly felt like he was in character off set as well! He was very cool. Before a scene, he'd be like, "Come on. Let's improvise. Let's just do stuff." But Jesus Christ. He's Ralph Fiennes!

I have no idea. I get involved because I think there's value in the project and because I love the character that is presented to me. I love the opportunity to examine a character, and to have him examine me, live inside me and move my hands. I love that. It's irresistible. It's a drug.

I really love him [Jack Gleeson as Joffrey in Game of Thrones] - I love watching that character. It's quite phenomenal how people love to hate that character.

When you have to play a character that seems to be a relatively decent person and seems to be like yourself, I think the trick in that kind of character, so that you don't become a cliche, is to find where their weaknesses are.

I think action should be revealed through character, so if you have a plot problem, it's probably a character problem.

Well, I think it can be quite helpful to be working on a character who actually existed, historically. Of course, you might have material to study and help you create the character.

When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.

I think every leading man wants to be a character actor, and every character actor wants to be a leading man.

Plays can create empathy. If you put a Muslim character on stage, and make him a full character, you're making it possible for the audience to feel empathy, and a little empathy on both sides would help.

I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.

My character [in This Is Us], Randall, was adopted. He'd never met either of his biological parents so he seeks out and finds his biological father after 36 years. So that's where we find my character at the beginning of the show.

It is a fascinating fact that father and son have given the most striking evidence for the apparently contradictory properties of the electron: the father proving its character as a particle, the son its character as a wave... Thomson was extremely proud of his son's success and tried to assimilate the new results into his old convictions.

Don't be discouraged, but know that suffering produces perseverance, perseverance brings character, and character brings hope, and this is a hope which will not disappoint us.

I would assume most people hate my character. But I'm hoping that I'm the character you love to hate.

I'm thinking like the character in order to be as authentic as I can. But after a while, how would I be able to cleanse myself from this unless I do something that's a different medium but also creative. That's what I do. It's my little ritual. After every filming, I just write a poem about it and my character specifically and I can let her go.

I'm an actor, I created the character myself originally. I do tell the fans I appreciate that they think he's real. It all finally comes down to the writers who really got the character and wrote so many memorable lines.