Quotes About Cities

The Spirit of Cities presents a new approach to the study of cities in which the focus is placed on a city's defining ethos or values. The style of the book is attractively conversational and even autobiographical, and far from current social science positivism. For a lover of cities--and perhaps even for one who is not--The Spirit of Cities is consistently good reading.

I have been dwelling upon downtowns. This is not because mixtures of primary uses are unneeded elsewhere in cities. On the contrary they are needed, and the success of mixtures downtown (on in the most intensive portions of cities, whatever they are called) is related to the mixture possible in other part of cities.

There are almost no beautiful cities in America, though there are many beautiful parts of cities, and some sections that are glorious without being beautiful, like downtown Chicago. Cities are too big and too rich for beauty; they have outgrown themselves too many times.

There's no getting around the fact that some cities face long odds, and governments and societies are going to be confronted with some hard decisions. Most importantly, cities have to recognize that in times of crisis they have to help themselves. Governments, no matter how well intentioned, can only do so much, especially when they themselves are so strapped for cash, as the U.S. is now. Government money will probably flow to cities and regions with good prospects for the future, so as not to risk money even further by pouring it into stalled economic models.

When we deal with cities we are dealing with life at its most complex and intense. Planners are guided by principles derived from the behaviour and appearance of suburbs, tuberculosis sanatoria, fairs and imaginary dream cities - from anything but cities themselves.

It is not simply that these two cities are perched side by side at the edge of the Pacific; it is that adolescence sits next to middle age, and they don't know how to relate to each other. In a way, these two cities exist in different centuries. San Diego is a post-industrial city talking about settling down, slowing down, building clean industry. Tijuana is a preindustrial city talking about changing, moving forward, growing. Yet they form a single metropolitan area.

We often judge cities by great public buildings. But we admire great cities because people live there in a beautiful way. You have to think about how each person will live there; you can't just think about abstract ideas.

As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we're making is something that intrigues me very much.

In the 10 cities with the nation's highest obesity rates, the direct costs connected with obesity and obesity-related diseases are roughly $50 million per 100,000 residents. And if these 10 cities just cut their obesity rates down to the national average, all added up they combine to save nearly $500 million in healthcare costs each year.

When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.

The populations of most cities around the world continue to grow. The reasonspeople congregate in cities are various and complex, and the dawn of the digital age has not put much of adamper on the human urge to congregate.

[Political actions] has to happen on the local and state level; we have to convince our cities to join the growing number of more than 200 American cities who have signed on to the mayor's climate campaign.

If you want to help people, if you care, go to the cities. The city is where the pain is the greatest - and the cities are a hell of a lot of fun if you like art, movies and plays.

Whenever and wherever societies have flourished and prospered rather than stagnated and decayed, creative and workable cities have been at the core of the phenomenon. Decaying cities, declining economies, and mounting social troubles travel together. The combination is not coincidental.

Hong Kong and Macau are both very dynamic cities. I am always inspired about the culture, people and food in these two cities. There is always so much to do and so much to explore!

Honestly, I think winning changes all of that. It doesn't matter where you are - it could be Timbuktu - if you win, people will watch, they'll follow and they'll support. It's my responsibility to put a team on the floor that will win, and that attracts players. Look at the teams that have been successful in the NBA. Yes, you have big, glamorous cities like L.A. But Miami has won, and so has San Antonio. Oklahoma City is a very successful team. They're not the biggest markets.

You hardly find any military base in distant areas from the [Syria] cities unless it's an airport or something like this, but most of the military bases or centers within inhabited areas.

I love being in cities with lots of other people, because I'm reminded that there are billions of people like me, and we are each stuck inside of our minds, feverishly trying to crawl out to make connections with other people.

We no longer see the world as a single entity. We've moved to cities and we think the economy is what gives us our life, that if the economy is strong we can afford garbage collection and sewage disposal and fresh food and water and electricity. We go through life thinking that money is the key to having whatever we want, without regard to what it does to the rest of the world.

So that I saw music as a way of documenting realities from the urban cities of Latin America.

I had come to discover that "safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust.

The people who run our cities dont understand graffiti because they think nothing has the right to exist unless it makes a profit... the people who truly deface our neighborhoods are the companies that scrawl giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff.... any advertisement in public space that gives you no choice whether you see it or not is yours, it belongs to you ,, its yours to take, rearrange and re use.Asking for permission is like asking to keep a rock someone just threw at your head.

‎And when this intoxication has worn away... when every desire is fulfilled and every language learned- when there are no more distant cities to explore; no classics to be studied; not another coin to be stuffed in to one's coffers- what then? One can have all the comforts of the world, but what use are they if there is no comfort in them?

Our traditional stories are based on an aristocratic model without a middle class, whereas The Arabian Nights reflect people living in cities, traders, merchants, travelers, with a wide range of personalities.

Violence from protesters themselves is extremely rare, but has been made into a talking point by those who stand to benefit from breaking the perceived legitimacy of organized protest and resistance. Organized, disciplined nonviolent resistance is alive and well, and we see it all around us in cities across the country.

Slavery remained in the Deep South by other names - in prison programs with charges over nothing and eternal debt that threatened every African-American in the South right up through World War II. And that was after killing three-quarters of a million people, destroying cities, and creating hostility that exists to this day over the the Confederate flag and the racism it symbolizes, all brewing out of bitterness over a war that didn't have to happen.

If tonight our people were asked to cast their vote whether a convention should be entered into to stop the bombing of cities, the overwhelming majority would cry, "We will mete out to them [the Germans] the measure, and more than the measure, that they have meted out to us... We will have no truce or parley with you, or the grisly gang who work your wicked will. You do your worst - and we will do our best."

[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.

Cities are about juxtaposition.

Memory's images, once they are fixed in words, are erased," Polo said. "Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.

All cities do face similar, significant trends in the future... most importantly global warming and climate change.

It's in every single county. It's in our cities but it's also in our wealthier suburbs. It's in our small towns. There is no place in Ohio where you can hide from drug epidemic .

I have not tired of the wilderness; rather I enjoy its beauty and the vagrant life I lead, more keenly all the time. I prefer the saddle to the street car and the star sprinkled sky to a roof, the obscure and difficult trail, leading into the unknown, to any paved highway, and the deep peace of the wild to the discontent bred by cities.

We are a most solitary people, and we live, repelled by one another, in the gray, outcast cities of Cain.

Traveling really inspires me, seeing other cities and going on tour. If you've got fans online, it's hard to remember those people are real people.

I live in too many cities.

This is different than every other Ebola situation we've ever had. It's spreading widely, throughout entire countries, through multiple countries, in cities and very fast.

All cities we have visited are precincts in this metropolis of the mind.

America has spent as of one month ago $6 trillion in the Middle East. And in our country we can't afford to build a school in Brooklyn or we can't afford to build a school in Los Angeles. And we can't afford to fix up our inner cities. We can't afford to do anything.

In the context of the kind of infrastructure space I'm looking at, I'm making a very unlikely argument by saying that all the stuff that's repeated, from spatial products to whole cities, which looks so daunting to architects, might be especially empowering. At this moment, it might be harder to make a meaningful object form alone, but easier to make an active form that can piggyback on those multipliers to recondition spaces in a politically significant way.

And it’s not just that ‘we all need somebody to lean on’; recent work on giving support shows that caring for others is often more beneficial than is receiving help. . . . We need the give and the take, we need to belong. An ideology of extreme personal freedom can be dangerous because it encourages people to leave homes, jobs, cities and marriages in search of personal and professional fulfillment, thereby breaking the relationships that were probably their best hope for such fulfillment.

Not the children of the rich or of the powerful only, but of all alike, boys and girls, both noble and ignoble, rich and poor, in all cities and towns, villages and hamlets, should be sent to school

Right after 9/11 it looked as if the idea of a huge skyscraper might be considered obsolete. It came back, but I think that's more closely connected to the rise of Asian and Middle Eastern cities in the world economy (Dubai, Shanghai, Taipei, etc.) than anything else.

If cities were built by the sound of music, then some edifices would appear to be constructed by grave, solemn tones,--others to have danced forth to light fantastic airs.

It is pretty well settled that the city is the Negro's great contribution to civilization, for it was in Africa where the first cities grew up.

All cities are impressive in their way, because they represent the aspiration of men to lead a common life; those people who wish to live agreeable lives, and in constant intercourse with one another, will build a city as beautiful as Paris.

Los Angeles had no culture of its own, just a large collection of misreadings of the artistic histories of other, proper cities.

Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that...Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.