Quotes About City

New Orleans is a city whose basic industry is the service industry. That's why it makes its money. That's - it brings people to the city. People come to the city and experience the wonders of this extraordinary city and everything else. The question is that, how do we create jobs which are the jobs that have pay, that - living wages?

I decided that if nobody else was going to do anything to rectify this colossal inequity in taxation, I'd have to do it myself. So I instituted a suit against the city of Baltimore demanding that the city assessor be specifically ordered to assess the Church for its vast property holdings in the city, and that the city tax collector then be instructed to collect the taxes once the assessment has been made.

Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.

A city can only be reconstructed in the form of urban quarters. A large or a small city can only be reorganized as a large or a small number of urban quarters; as a federation of autonomous quarters. Each quarter must have its own center, periphery and limit. Each quarter must be a city within a city.

It's the city's crush and heave that move you; its intricacy; its endless life. You know the story about Manhattan as a wilderness purchased for strings of beads, but you find it impossible not to believe that it has always been a city; that if you dug beneath it you would find the ruins of another, older city, and then another and another.

It is a tough city to live in (Detroit) but a great city to be around. There is so much promise. There just needs to be a movement to help push the city beyond the automobile industry. The music business needs to learn how to support itself.

A natural disaster in one American city is a natural disaster in every American city, including Fresno and, for that matter, every city and small town in the San Joaquin Valley.

The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.

I belong to the Kingdom of God, that's my Country! I'm from Space City, that's my City! I'm from the City that hath foundations, whose Builder and Maker is God!

The secret to the city is integration. Every area of the city should combine work, leisure and culture. Separate these functions and parts of the city die.

So here's my advice to city planners. Make your city runnable. Runners are the first wave of troops bringing human activity back to the urban core of any city. Where we go, others will follow. The connection between runnability and livability is so clear (at least to me), that it's surprising that new developments consistently leave pathways out of the plans.

At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?

Right, because they're looking at also organizing the Sunni tribes up around Mosul to take back that city as well. That's the second largest city in Iraq. That's going to be a very, very tough fight. And the Shia militias were not used in Ramadi, and we're told by the Iraqi generals that they don't want any Shia militias up in Mosul, either, to take back that city. So - but again, that's going to be a very, very tough fight.

Venice is not only a city of fantasy and freedom. It is also a city of joy and pleasure.

America is a nation with no truly national city, no Paris, no Rome, no London, no city which is at once the social center, the political capital, and the financial hub.

Assuming that a tax increase is necessary, it is clearly preferable to impose the additional cost on land by increasing the land tax, rather than to increase the wage tax - the two alternatives open to the City (of Pittsburgh). It is the use and occupancy of property that creates the need for the municipal services that appear as the largest item in the budget - fire and police protection, waste removal, and public works. The average increase in tax bills of city residents will be about twice as great with wage tax increase than with a land tax increase.

I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.

[On New York City:] Were all America like this fair city, and all, no, only a small proportion of its population like the friends we left there, I should say that the land was the fairest in the world.

I really feel that New York City is the greatest city in the world.

The price of property in city centres is making it impossible, particularly in the big cities, for any kind of social mix to take place. It's castrating the whole notion of city life

Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.

I thought of New York as a free city, like one of those prewar nests of intrigue and licentiousness where exiles and lamsters and refugees found shelter in a tangle of improbable juxtapositions. I had never gotten around to changing my nationality from the one assigned me at birth, but I would have declared myself a citizen of New York City had such a stateless state existed, its flag a solid black.

The great city is that which has the greatest man or woman: if it be a few ragged huts, it is still the greatest city in the whole world.

I never really lived outside of the city growing up, but I'm always looking in between the lines of the city, and I magnetize over to the green spots.

You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.

So I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning.

That's precisely what I did. Let's not forget Raqqa is not the first capital of the Islamic State. The first capital of the Islamic State when it was called the Islamic State was the Iraqi city of Ramadi. And the only way I was able to access that city was by going in with American marines and soldiers who were desperately fighting for their lives.

Of course, I had a paradigm of a certain city in my head when I wrote these stories, a city that inspired my imagination, but it was only inspiration.

It's been amazing getting to go from city to city and perform for thousands of people. It's an amazing feeling, and the energy is crazy.

Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

I'm obsessed with New York. I just find it so remarkable. You really treasure this city when you go to different countries and you see that there is no mix. When you get back to the city, it's such an exciting place.

It is difficult to find a reputable American historian who will acknowledge the crude fact that a Franklin Roosevelt, say, wanted to be President merely to wield power, to be famed and to be feared. To learn this simple fact one must wade through a sea of evasions: history as sociology, leaders as teachers, bland benevolence as a motive force, when, finally, power is an end to itself, and the instinctive urge to prevail the most important single human trait, the necessary force without which no city was built, no city destroyed.

One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.

When I'm in Los Angeles, it's hard to be creative. For me, New Orleans is one of those places that's like a muse. You can hear music on the streets. There's a certain character the city has that inspires you when you're needing to write lyrics and come up with melodies and come up with rhythm and blues. The city has a pulse and it's an inspiration for me.

I am tired of fighting state by state, county by county, city by city, for fractions of equality. I am tired of compromises and I am tired of the strategy that divides us from each other. It is time for us to unite across state boundaries in a truly nationwide movement to win full, actual equality, which can only come from the federal government. That's not my opinion. That's a fact.

I go down the street, I say hello to everybody, a stranger or otherwise. I know that they do not know me, but I like to say hello and I think they appreciate it. I notice their faces light up with a smile and I believe that if all the people in our great city...would do that, the whole world would begin to say it is the "Friendly City." You can do a tremendous thing here. We get so absorbed, we do not always speak to our friends. Speak to them, even strangers, you are not going to give offense.

I wasnt privy to all of the intelligence that was coming in about Guatemala, but I did see the traffic that was coming in from Guatemala City, because it was very relevant to me, and of course I exchanged what I had with the chief of station in Guatemala City.

Being on the road, because you do so much waiting and so much traveling. It's not the same thing as being in the same city for a week or two weeks and then another city. It's really hard. I don't think people understand this about being a touring musician, or a touring actor, or somebody who flies everywhere for business. It's incredibly disorienting.

I didn't just start with ...local city officials because I knew that they would understand the problem. I started with them because I knew that our cities, towns and counties would be a key part of the solution to this issue. ...there is no one-size-fits all policy or program that can solve this problem. And Washington certainly does not have all the answers. Instead, many of the best, most innovative, most effective solutions start in our city halls and our towns and our county councils.

I walk every day, and I look at the mountains and the fields and the small city, and I say: 'Oh my God, what a blessing.' Then you realise it's important to put it in a context beyond this woman, this man, this city, this country, this universe.

I've spent a lot of time in L.A., it's always reminded me a bit of Jo'burg, which is a deeply segregated city. And L.A. is really like an apartheid city; white people just don't go to South Central. It's just a different world.

The right to the city is far more than the individual liberty to access urban resources: it is a right to change ourselves by changing the city. It is, moreover, a common rather than an individual right since this transformation inevitably depends upon the exercise of a collective power to reshape the processes of urbanization. The freedom to make and remake our cities and ourselves is, I want to argue, one of the most precious yet most neglected of our human rights.

We've made a huge effort globally and in the US, in getting kids jobs. This is one piece. The South Bronx and inner-city schools need it more than most. It's our hometown; JPMorgan Chase banks a lot of people here. If you see the school, it works. Kids all getting jobs, they're smiling, they're proud of themselves. That's what we need to do in inner-city schools.

You know I have been issued a public urination pass by the city because of my condition. Unfortunately, my little brother ran out of the house with it this morning. Him and his friends are probably peeing all over the city.

In a city like New York, especially for young professionals who aren't in a family situation, most people don't cook for themselves. This is the only city I've ever lived in where I eat out every night.

City people live the city. We live in L.A., New York, we live in places where it's chaotic and you never know what's gonna happen. And that's the music - you never know what's gonna happen.

My favorite place in L.A. is Manhattan Beach. It's an intimate, friendly little beachside city within a city-smaller than most of its neighbors, so it reminds me of a British seaside resort. If my three teenage sons are in town, we'll play some cricket on the flat, hard sand where the water breaks, just to really confuse the locals!

The sophists were as a rule men who had traveled widely and seen different forms of government. Both conventions and local laws in the city-states could vary widely. This led the Sophists to raise the question of what was natural and what was socially induced. By doing this, they paved the way for social criticism in the city-state of Athens.