Quotes About Collection

I sampled a bit of stuff from my dad's collection. He has probably a bigger record collection than I do. I try to buy as much as possible, because I've never been able to keep an MP3 collection organized. I like to keep my computers as clean as possible.

If Senator Rubio were doing his job and in Congress more, he might know that the program 'phone records of a potential terrorist cause' continues. It's been ongoing for the last six months. So the Paris tragedy, this tragedy happened while we were still doing bulk collection, all bulk collection. Also in France, they have a program a thousand-fold more invasive, collecting all of the data of all of the French.

An enterprise is a community of human beings, not a collection of "human resources".

To me, you can't have style without being inspired. When I design a collection, I am inspired by so many things. The color of a flower. The shape of a butterly's wing. The juxtaposition of an old tenement building next to a shiny new skyscraper.

When someone walks into my room and goes 'wow' at my record collection, at that moment I could actually hate music and just want to go sit in the garden.

The physicist, in his study of natural phenomena, has two methods of making progress: (1) the method of experiment and observation, and (2) the method of mathematical reasoning. The former is just the collection of selected data; the latter enables one to infer results about experiments that have not been performed. There is no logical reason why the second method should be possible at all, but one has found in practice that it does work and meets with reasonable success.

I have a one of a kind collection of dolls. My house is like a museum.

There is humanist enterprise of the book, and amongst that there are many, many stories. And that is why at the end, when he says that the stories are so illuminating that they must be engraved and encased in gold and put in the palace library, the people who compile the book are telling us that this is a collection of human wisdom.

I'd like to do an anthology. Maybe a collection of songs set in my world, or based on my world. I think that would be a lot of fun.

We are made up of an entire parliament of pieces and parts and subsystems. Beyond a collection of local expert systems, we are collections of overlapping, ceaselessly reinvented mechanism, a group of competing factions. The conscious mind fabricates stories to explain the sometimes inexplicable dynamics of the subsystem inside brain. It can be disquieting to consider the extent to which all of our actions are driven by hardwired systems doing what they do best while we overlay stories about choices.

Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.

But this is the great danger America faces. That we will cease to be one nation and become instead a collection of interest groups: city against suburb, region against region, individual against individual. Each seeking to satisfy private wants.

Heroin may be bad, but it sure as hell hasn't hurt my CD collection.

The decor bowled me over. Everywhere I looked, there was something more to see. Botanical prints, a cross section of pomegranates, a passionflower vine and its fruit. Stacks of thick books on art and design and a collection of glass paperweights filled the coffee table. It was enormously beautiful, a sensibility I'd never encountered anywhere, a relaxed luxury. I could feel my mother's contemptuous gaze falling on the cluttered surfaces, but I was tired of three white flowers in a glass vase. There was more to life than that.

No collection without compensation.

I'm working on a poetry collection for Papaveria Press . It fills me with trepidation - poetry is something I'm much more self-conscious about than prose.

That is the key of this collection, being yourself. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.

Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.

It would be very easy for us to do a collection that everybody would like and not criticize. But criticism is a part of life. You have to take it.

The theme of the collection this time is MONSTER. It's not about the typical Monster you find in sci-fi and video games. The expression of the Monsters I have made has a much deeper meaning. The craziness of humanity, the fear we all have, the feeling of going beyond common sense, the absence of ordinariness, expressed by something extremely big, by something that could be ugly or beautiful. In other words, I wanted to question the established standards of beauty.

I think we've made the collection haystack so big, no one's ever getting through the haystack to find the needle. What we really need to do is isolate the haystack into a group of suspicious people and spend enormous resources looking at suspicious people, people who we have probable cause.

But the universe, as a collection of finite things, presents itself as a kind of island situated in a pure vacuity to which time, regarded as a series of mutually exclusive moments, is nothing and does nothing.

Regardless of how good or bad a collection might be, it's a letdown after the show is over. It's done. Something you've worked on for months is just over.

My very first book was a games collection of Anatoly Karpov. On the whole I was attracted by positonal play with some tactics, and already then I was aiming for universality.

The most important publication of WikiLeaks is that it has published more than 10 million documents. The most important single collection of material we have published is the US diplomatic cable series. We started with 251,000 in 2011, but are up to 3 million now and have more coming.

Sometimes all I want is to be a few inches taller so the world does not look like a dense collection of torsos.

In some ways, Valiant Gentlemen grows out of Tales of the New World, my collection of short stories about explorers who lived "great" lives, but whose experience of it was in the same register as all our lives are - we feel the same extent of human emotion regardless of how exceptional our actions are: nothing is more exceptional than one's own life.

It's kind of hard when your moniker is "bridal" and "evening" for people to understand that I don't run around in a bridal gown all day, nor do I run around in an evening gown. I run around in clothes that resonate for me. I wanted to do those clothes in my ready-to-wear collection - because I don't know how you can be a woman designing for other women and not relate it back to yourself.

You start to realize connections between experiences and things that push your buttons, and things that have touched you in those vulnerable areas and what-have-you. And they form a little collection over time - at least I do - and as time progresses and new things are learned, you kind of sift through those things until they're air or danceable, you know? But they start as this thing that's either too hard or too soft to dance to.

An Individual, whatever species it might be, is nothing in the Universe. A hundred, a thousand individuals are still nothing. The species are the only creatures of Nature, perpetual creatures, as old and as permanent as it. In order to judge it better, we no longer consider the species as a collection or as a series of similar individuals, but as a whole independent of number, independent of time, a whole always living, always the same, a whole which has been counted as one in the works of creation, and which, as a consequence, makes only a unity in Nature.

The dictionary has been in the making for several decades, and the result is well worth the wait. MacLean and those who worked with her have consulted with Iñupiaq speakers from across Alaska's North Slope to compile a comprehensive collection of word stems, along with postbases, grammatical endings, and an array of other valuable material. . . . This dictionary will prove fascinating for anyone interested in the Iñupiat and their language.

The fact is that the British Museum had a complete specimen of a dodo in their collection up until the 18th century - it was actually mummified, skin and all - but in a fit of space-saving zeal, they actually cut off the head and they cut off the feet and they burned the rest in a bonfire.

Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.

The possession of a quantity of plants, however good the plants may be themselves and however ample their number, does not make a garden; it only makes a collection. Having got the plants, the great thing is to use them with careful selection and definite intention.

You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.

In prêt-à-porter now we understandably need to make the collection satisfy the big market more, so couture is extra special.

I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.

I make 98% of my collection in New York City and am generating jobs, so fashion isn't just frivolous for me. I understand levity about it. I also understand the depth of it.

"Nationwide" featured an amazing collection of apprentice impersonators. From all over Britain, schoolchildren materialised via local studios to give us their imitations of the mighty. There were at least three uncannily accurate Margaret Thatchers, their eyelids fatigued with condescension and their voices swooping and whining like dive-bombers.

Want to discover the truth about deception in therapy? Jeffrey Kottler and Jon Carlson have collected a formable collection of old pros whose compelling prose sheds light on an important, but previously unexplored, subtext that permeates psychotherapy. Don't fool yourself: The roadmap to avoid being duped is contained within.

To what or whom does Lizzie Harris direct the imperative title of her startling first book, Stop Wanting? To the reader, the narrator, to desire itself, or to lack? This is a work of complexly, ambiguously layered narratives and identities. The opening poem asserts I want to say what happened / but am suspicious of stories. These lines become an ars poetica for the whole of this painful and exceptional collection in which the unspeakable is stubbornly confronted by a searing eloquence. This is a commanding debut.

I like thinking of the writer as a kind of curator; the collection as curiosity cabinet - in a non-demeaning, non-objectifying sense - but an array, a set of offerings.

And if the New Testament were a collection of secular writings, their authenticity would generally be regarded as beyond all doubt

Our society is not a community, but merely a collection of isolated family units.

The heaping together of paintings by Old Masters in museums is a catastrophe; likewise, a collection of a hundred Great Brains makes one big fathead.

I think everyone shares a fear of failure - that you're only as good as your most recent collection. That's definitely a fear, but it's a fear that fuels me, that makes me want to work harder, that makes me take on more challenges.

When I was about 16, I did a Neil LaBute play called 'A Gaggle of Saints' from a collection of plays called 'Bash' - very violent story about a young Mormon who goes to Central Park with his friend and beats up a gay guy. But it was the first thing I had ever done, and I thought, "God, this is fun! This is far more fun than anything else I've been doing at school. I want to stick with it."

I seem to always start a collection by designing outerwear and jackets.