Quotes About Color

I like black for clothes, small items, and jewelry. It's a color that can't be violated by any other colors. A color that simply keeps being itself. A color that sinks more somberly than any other color, yet asserts itself more than all other colors. It's a passionate gallant color. Anything is wonderful if it transcends things rather than being halfway.

Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.

Fog and smog should not be confused and are easily separated by color. Fog is about the color of the insides of an old split wet summer cottage mattress; smog is the color and consistency of a wet potato chip soaked in a motorman’s glove.

There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.

During college, when I was working full time for my father [the decorator Mark Hampton], I rented an apartment and I just couldn't take time off to paint it. So I went there one evening and stayed up all night painting the place what I thought was a lovely pale yellow. When the sun came up, I realized I'd painted the walls the color of insanity. I had to immediately mix in all my trim color to tone it down. Yellow is an electric color and wholly misleading. It becomes more yellow with the sun's yellow light on it. The moral is, even if you think your yellow is the one, go paler.

Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.

Design and color are not distinct and separate. As one paints, one draws. The more the colors harmonize, the more the design takes form. When color is at it's richest, form is at its fullest.

'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.

For the profit of travel: in the first place, you get rid of a few prejudices.... The prejudiced against color finds several hundred millions of people of all shades of color, and all degrees of intellect, rank, and social worth, generals, judges, priests, and kings, and learns to give up his foolish prejudice.

I am willing to compete on my merits and on my character - not with the color of my skin. We talk about being a color-blind society, but I don't think the political process could actually handle that.

Color exists simultaneously with form. Both elements are constantly associated but color strikes you more - a rose for instance - sometimes form - the human body.

There is no climate, no place, and scarcely an hour, in which nature does not exhibit color which no mortal effort can imitate or approach. For all our artificial pigments are, even when seen under the same circumstances, dead and lightless beside her living color; nature exhibits her hues under an intensity of sunlight which trebles their brilliancy.

The whole body reacts to color. If you were to walk into an all-neon-pink room, it would be difficult not to react. I think it is a unified, human thing to feel color with everything. It is like standing next to a bass speaker plugged into your eyeballs.

I'm thinking about doing dusty colors - we definitely are doing as much color as we can. It seems that fashion is back on track with color - I hope. It's been very black for awhile.

Melody and harmony are like lines and colors in pictures. A simple linear picture may be completely beautiful; the introduction of color may make it vague and insignificant. Yet color may, by combination with lines, create great pictures, so long as it does not smother and destroy their value.

Through the dark days of legalized segregation and on into the civil rights era, jazz shone as a beacon for achieving interracial respect and understanding. It seemed as if the dream of a color-blind society was within reach in the jazz world, where musicians were judged on merit and not skin color.

Eloquence, n. The art of orally persuading fools that white is the color that it appears to be. It includes the gift of making any color appear white.

When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.

There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.

Color is everything. When color is right, form is right.

Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.

It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color.

One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images.

Under the color-blind ideology of the new racism, Blackness must be SEEN as evidence for the alleged color blindness that seemingly characterizes contemporary economic opportunity.

The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.

People say the effect is only on the mind. It is no such thing. The effect is on the body, too. Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect. Variety of form and brilliancy of color in the objects presented to patients, are actual means of recovery.

Don't be color blind, be color brave. Embrace diversity as a competitive advantage.

In Russia I felt for the first time like a full human being. No color prejudice like in Mississippi, no color prejudice like in Washington. It was the first time I felt like a human being.

I wanted to separate color from race. Distinguishing color - light, black, in-between - as the marker for race is really an error.

Absolute green is the most restful color, lacking any undertone of joy, grief, or passion. On exhausted men this restfulness has a beneficial effect, but after a time it becomes tedious.

[Trump's worldview states] that, for example, women are incompetent as compared to men in business settings. That women in general are intellectually inferior and have to make up for that by using their sexuality to get ahead. That women of color are angry, irrational, lazy, and always ready to get into a fight for no reason. That men in the workplace can say incredibly racist and sexist things, and as long as they make more money than their competitors, the racist and sexist things they say and do are totally acceptable.

I had a really bad blushing problem when I was younger. The first time I ever performed was in an English class. I had an essay that I was supposed to write, and, instead of writing an essay, I wrote a song. So, I was playing this song in class, and I literally turned the color of this sweater that I was wearing, completely red. I think it was that feeling of challenging everything in me, my introverted personality. Like, "This is what you have to do. It doesn't matter if you do it wrong, you just have to do it."

I like organizing things. I like organizing my closets, so that I know where everything is. And and I used to color code it.

There's nothing quite like a real . . . train conductor to add color to a quotidian commute

There's an aspect of human nature in which we want to think we're better than somebody else. They're a different color. They speak a different language. They have a different name for the Creator. Whatever it is, that makes it okay for me to hate them, to try to get some of their land or some of their resources.

When you're a person of color in white America, you know white people. You know why you know white people? Because you can't enjoy any kind of entertainment if you are not able to humanize white people. If you watch a film and are like, "Oh, this has white people in it? Then I'm not interested," then you can't enjoy anything in America!

If one says “Red” (the name of a color) and there are 50 people listening, it can be expected that there will be 50 reds in their minds. And one can be sure that all these reds will be very different.

You don't like the girl. You don't know what color eyes she has, you don't like her.

We have our factory, which is called a stage. We make a product, we color it, we title it and we ship it out in cans.

My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.

We had no desire to live in Istanbul, nor in Paris or New York. Let them have their discos and dollars, their skycrapers and supersonics transports. Let them have their radios and their color TV, hey, we have ours, don't we? But we have something they don't have. Heart. We have heart. Look, look how the light of life seeps into my very heart

You aren't a bit romantic, are you?" he asked, amused. She sat back and stared at him. She was beginning to think that Neal required a keeper. He seemed to have the craziest ideas. "Romance? Isn't that love stuff?" She asked finally. "It's more than just love. It's color, and-and fire. You don't want things magnificent and filled with-with grandeur," he said, trying to make her understand. "You know, drama. Importance. Transcendent Passion." "I just want to be a knight," Kel retorted, putting her used tableware on her tray. "Eat your vegetables. They're good for you.

Long before there was discrimination against blacks, there was discrimination against white southerners. When large numbers of these country people moved north during World War II, they were aggressively excluded from neighborhoods, jobs, and homes - not because of their skin color, but their accents.

I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"

To be free you must afford freedom to your neighbor, regardless of race, color, creed, or national origin, and that sometimes, for some, is very difficult.

There is joy in feeling the bristles of a quality brush, seeing the richness and lush color of truly good pigment flowing onto the paper or canvas. The cheap stuff just makes for harder work and lesser results.

We choose our sex, our color, our country, and then we look around for the particular set of parents who will mirror the pattern we are bringing in to work on in this lifetime.

After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible.