Quotes About Color

Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.

I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.

Color is a very personal thing. You need to make sure to choose a color that makes you happy. But I don't recommend accent walls - choose a color you can live with on all four walls.

The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.

I made a lot of friends at school, and they were all Africans. I could have felt very different. I didn't feel different, I didn't notice the color of their skin, I didn't notice the color of my skin and I have remembered that all my life.

When I adjust materials of different kinds to one another, I have taken a step in advance of mere oil painting, for in addition to playing off color against color, line against line, form against form, etc., I play off material against material, for example, wood against sackcloth.

The script is the coloring book that you’re given, and your job is to figure out how to color it in. And also when and where to color outside the lines.

When I photographed Marilyn Monroe, I mixed up my cameras - one had black-and-white film, the other color. I took many pictures. Only two color ones came out all right. My favorite picture of Marilyn hangs always on the wall in my office. It was taken on the little patio of her Hollywood house.

Color is a language. It is the language of painting. How painting expresses itself is in large part with color.

It sounds strange, somewhat on the line between irony and absurdity, to think that people would rather label and judge something as significant as each other but completely bypass a peanut. ... World peace is only a dream because people won't allow themselves and others around them to simply be peanuts. We won't allow the color of a man's heart to be the color of his skin, the premise of his beliefs, and his self-worth. We won't allow him to be a peanut, therefore we won't allow ourselves to come to live in harmony. (Diary 18)

For me, each nuance of a color is in some way an individual, a being who is from the same race as the base color, but who definitely possesses a distinct character and personal soul.

Color possesses me. I don't have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Color and I are one. I am a painter.

Most Americans violate drug laws in their lifetime, but the enemy in this war has been racially defined. Not by accident, the drug war has been waged almost exclusively in poor communities of color, even though studies have consistently shown - for decades - the people of color are no more likely to use or sell illegal drugs than whites.

The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.

The standard progressive approach of the moment is to mix color-conscious moral invective with color-blind public policy.

There is no climate, no place, and scarcely an hour, in which nature does not exhibit color which no mortal effort can imitate or approach. For all our artificial pigments are, even when seen under the same circumstances, dead and lightless beside her living color; nature exhibits her hues under an intensity of sunlight which trebles their brilliancy.

Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.

The whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.

Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.

It's time we become comfortable with the uncomfortable conversations about race...Instead of being color blind, we need to be color brave.

I don't think I've invented anything. Henry Ford didn't invent the car, and Steve Jobs didn't invent the cell phone, and he didn't invent the digital revolution, but he could adapt, put things together in creative ways. So I think in what we do there's a lot of "let's try it and sees," whether it's a new color or a new style. But we didn't invent cosmetics or lingerie. How we market them - style, color - those are the things that we do, but it isn't pure creation. It's putting together ideas. I truly believe there's nothing really new in the world.

It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.

Ever since I was a child I've had a passion for colors and a sixth sense and known how to use it. I started in fashion, but I got side-tracked by psychology and its color connection. I went back to school and got both my degrees in psychology, but I kept studying design. Color has an application in all of those fields.

Drawing and color are by no means two different things. As you paint, you draw... When color is at its richest, form is at its fullest.

To solve the new century's mounting social and environmental problems, people of color activist and white activists need to be able to join forces. But all too often, the unconscious racism of white activists stands in the way of any effective, worthwhile collaboration. The Challenging White Supremacy Workshop is the most powerful tool that I have seen for removing the barriers to true partnerships between people of color and white folks. If the CWS trainings were mandatory for all white activists, the progressive movement in the United States would be unstoppable.

One who knows how to appreciate color relationships, the influence of one color with another, their contrasts and dissonances, is promised an infinite variety of images.

I think theres too much saturated color in comics, thanks to digital color techniques.

Don't be color blind, be color brave. Embrace diversity as a competitive advantage.

This being Black History Month, I would like to ask people to celebrate the similarities and not focus on the differences between people of color and not of color.

And red is not the color of apples or roses or the dresses that pretty girls wear in the summertime. That is not the color of red at all.

I listened wide-eyed, stupid. Glowing by her voice in the dim light. If chocolate was a sound, it would've been Constantine's voice singing. If singing was a color, it would've been the color of that chocolate.

I like light, color, luminosity. I like things full of color and vibrant.

The older I get, the more I feel that color is what painting is. Painting is primarily color.

Red is the first color of spring. It's the real color of rebirth. Of beginning.

The mythology around colorblindness leads people to imagine that if poor kids of color are failing or getting locked up in large numbers, it must be something wrong with them. It leads young kids of color to look around and say: "There must be something wrong with me, there must be something wrong with us. Is there something inherent, something different about me, about us as a people, that leads us to fail so often, that leads us to live in these miserable conditions, that leads us to go in and out of prison?"

Little as we know about the way in which we are affected by form, by color, and light, we do know this, that they have an actual physical effect.

I like organizing things. I like organizing my closets, so that I know where everything is. And and I used to color code it.

The only color I don't have is navy brown.

The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.

I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.

Uriah looked better than he did an hour ago--he washed the blood from his mouth, and some of the color returned to his face. I'm struck, suddenly, by how handsome he is-- all his features are proportionate, his eyes dark and lively, his skin bronze-brown. And he has probably always been handsome. Only boys who have been handsome from a young age have that arrogance in their smile. Not like Tobias, who is almost shy when he smiles like he is surprised you bothered to look at him from the first place.

Where did the concept of "without borders" come from? No one had that concept until you saw Earth from space, illustrated not by a mapmaker who's color-coding political boundaries; it's illustrated by nature itself and there's land, there's ocean, there's atmosphere.

A stylish throw. A good quality throw can last a lifetime and adds a dash of color and pattern as well as comfort and a homey quality.

Unrequited love," I'd say. He'd look at me sideways in that cunning way he did and say, "what about it?" and I'd reply, "it's not your color." Pithy. Just to show him that I'd noticed. Or maybe I'd show myself to her and say, "Guess I'm not the only one who uses humans around here." And then I'd summon some of Owain's hounds to chew off the bottom bits of her legs. Then she wouldn't fit just right into his arms. She'd be too short. It'd be like hugging a midget. Nuala- pg. 75

The law serves of nought else in these days but for to do wrong, for nothing is spread almost but false matters by color of the law for reward, dread and favor and so no remedy is had in the Court of Equity in any way.

Color prejudice and religion are akin in one respect. Some folks have it and some don't, and the kernel that is responsible for it is present in us all.

No one color can describe the various and varied complexions in our group. They range from the deep black to the fairest white with all the colors of the rainbow thrown in for good measure. When twenty or thirty of us meet, it is as hard to find three or four with the same complexion as it would be catch greased lightning in a bottle.

You know, I love all kinds of activism. I certainly think blacks deserve to have something whether it is affirmative action or an opportunity that should be opened up to them. But at the same time I believe that people of color are not the only poor people in America and all over the world.