Quotes About Commercial

Also, the commercial media in a superior position, really, to any other corporate lobby, because where would people hear about commercial media or corporate media criticism, where would they hear criticism of them other than in the commercial media?

I'd rather do anything than make commercial art. I didn't go to school for art. Making art has certain advantages for me but they would never be in commercial direction.

A commercial civilization is money-oriented, profit-oriented. Commercial values always tend to wrench a society free of tradition.Economics from education to public service is being reorganized on the self-destructive basis of self-interest.

Young women who have experienced commercial sexual exploitation and domestic trafficking face an incredible climb as they try and exit the commercial sex industry and develop to their full potential.

But if anyone supposes that there was no commercial fraud in the Middle Ages, let him study the commercial legislation of England for that period, and his mind will be satisfied, if he has a mind to be satisfied and not only a fancy to run away with him.

The economy is still substantially that of the fur trade, still based on the same general kinds of commercial items: technology, weapons, ornaments, novelties, and drugs. The one great difference is that by now the revolution has deprived the mass of consumers of any independent access to the staples of life: clothing, shelter, food, even water. Air access remains the only necessity that the average user can still get for himself, and the revolution has imposed a heavy tax on that by way of pollution. Commercial conquest is far more thorough and final than military defeat.

I would never become a big, big model in the commercial sense because I was such a type; you couldn't use me in everything.

The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.

When profits are pursued by geographic interchange of goods, so that commerce for profit becomes the central mechanism of the system, we usually call it "commercial capitalism." In such a system goods are conveyed from ares where they are more common (and therefore cheaper) to areas where they are less common (and therefore less cheap). This process leads to regional specialization and to division of labor, both in agricultural production and in handicrafts.

When America was first made known to Europe, the part assumed by France on the borders of that new world was peculiar, and is little recognized. While the Spaniard roamed sea and land, burning for achievement, red-hot with bigotry and avarice, and while England, with soberer steps and a less dazzling result, followed in the path of discovery and gold-hunting, it was from France that those barbarous shores first learned to serve the ends of peaceful commercial industry.

Now the time comes that I decided I only will do art films, basically. In a way, very similar to Isabella Rossellini. I prefer to work only with people like Lars von Trier or Guy Maddin or Gus Van Sant, just to name a few. But also there's bills to pay, and sometimes you have to make a movie. So my decision from now on is art movies, or movies which are commercial, but for real money. That is my decision.

I wish I could say differently, but I really don't think so. There are too many musicians already for probably anyone to be noticed without some sort of commercial support. Even the most talented ones drown in a sea of mediocrity, and only the politically correct ones will ever be promoted (willingly...) by the press anyhow.

I would want to make Radio Haiti as independent as possible, which means it can't be strictly commercial.

Miranda Lambert is actually mixing the singer-songwriter philosophy with the commercial country [mindset]. And I find it just inspiring. My hat's off completely, because she's pulling it off, and I couldn't figure out a way to do it.

In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.

But we discovered that, although I liked publishing, the commercial side meant nothing at all to me.

The first interview I went on I got at age 5. It was a commercial for First Federal Bank.

In order to progress, radio need only go backward, to the time when singing commercials were not allowed on news reports, when there was no middle commercial on a news report, when radio was rather proud, alert and fast.

First in point of time and interest comes the mortgage debt, i.e. the claim for the return of money lent on the security of some tangible object. Such claims are among the earliest fruits of a commercial civilization, and are nearly always affected the same way, viz. by the deposit or pledge of the security with the creditor, to be redeemed or returned on the payment of the debt.

Some say I'm an overnight success. Well, that was a very long night that lasted about 10 years. But while I do, of course, now feel the pressure having had books that have been very successful, I just know I have to concentrate on writing for myself. I can't worry about genres or markets or what might be commercial or not. That never works.

You have to know accounting. It's the language of practical business life. It was a very useful thing to deliver to civilization. I've heard it came to civilization through Venice which of course was once the great commercial power in the Mediterranean. However, double entry bookkeeping was a hell of an invention.

Audiences can tell when you're being fake and they will eat you alive. But if you're doing something authentic they will connect to it and that can lead to commercial success.

I rang my friend Jim Wolfensohn, who was then running a private commercial bank in New York. I said, "Come up to Vancouver", and he did. I put my proposition to him. He said, "I think it could work." I said, "Will you help us?" He said, "Yes." So, I set aside senior people in our treasury and they worked with Wolfensohn and the investment sanctions were applied. And that's what brought the regime down. The last South African Finance Minister, Barend du Plessis, went on record as saying that it was the investment sanctions that put the final nail in the coffin of apartheid.

Look, sometimes the truth could hurt you so I blow my cig smoke right at the truth commercial.

I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.

More and more people each year are going abroad for Christmas ... Fed up with the fact that commercial Christmas starts in October. Fed up with carols. Dreading the arrival of Christmas cards from people they have forgotten to send a card to. Unable to bear yet another family get-together with Auntie Mary puking up in the corner after sampling too much of the punch. You see in the airports the triumphant glitter in the eyes of people who are leaving it all behind, including the hundredth rerun of Miracle on 34th Street.

I try to preserve a certain amount of time away from the movies, so I don't allow time to do those smaller parts that might give me an opportunity to do more seemingly 'artful' things. Although, having said that, I don't feel any lack of noble purpose if I do a film that's commercial.

There is no such passion in human nature, as the passion for gravy among commercial gentlemen.

The best bands kept making records and had this evolution, where by the end, by their commercial phase or sellout phase, the records are from outer space.

The education of the common people requires, perhaps, in a civilized and commercial society, the attention of the public more than that of people of some rank and fortune.

The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms.

Nor was civil society founded merely to preserve the lives of its members; but that they might live well: for otherwise a state might be composed of slaves, or the animal creation... nor is it an alliance mutually to defend each other from injuries, or for a commercial intercourse. But whosoever endeavors to establish wholesome laws in a state, attends to the virtues and vices of each individual who composes it; from whence it is evident, that the first care of him who would found a city, truly deserving that name, and not nominally so, must be to have his citizens virtuous.

Before the commercial ventures, Linux tended to be rather hard to set up, because most of the developers were motivated mainly by their own interests.

I've really only had one (dream) since I got into this business at 13 years old, which was to be in this business forever. Once I did my first television commercial, I caught that itch and that bug. I want to be a part of pieces of art - as far as cinema is concerned - that people will want to see for generations to come. That's my dream.

I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films.

I can be accused of trying to be commercial sometimes.

Christine O'Donnell released a commercial in which she says, 'I'm not a witch.' That's pretty good, though not as effective as her opponent's slogan, 'I'm not Christine O'Donnell.'

I watched the video [ with my first commercial] when I was 20, and in the video, there are two families. The first family is this smiling blond Partridge family, a Californian/Aryan kind of thing, all playing guitars, all singing together and harmonizing. And then, there's my family - and in my family, it starts with my mom saying that she feels like a drill sergeant sometimes, and she's yelling at one of my brothers to stop hitting another one of my brothers. It's just like, "Great, we're that family." It felt a little Simpsons versus Flanders.

I largely agree with those that hold that Government should not in general interfere with the course of the economy merely on the strength of its own commercial judgment. If we cannot rely on the judgment of individual businessmen, taking their own risks, we have no future anyway.

On every commercial flight, the traveler is told, "Your seat cushion can be used as a flotation device". The question is, why doesn't the plane just become a boat?

You look at all the sporting companies out there. I won't name names, but we know who they are. Good brands and logos and things like that, and they have to start catering to real women. Even in how their sports apparel is designed, and the commercials - you want to look at a commercial and see yourself.

I love smart commercial fiction. Susan Isaacs, for example and the readers who interest me are, in the preponderance, women. I am one of them; I like the books they like.

It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.

My direction is very anti-contemplative. If you thought I was for commercial products, you'd think there was no irony. The irony isn't meant to be an ironic comment on our society, exactly.

A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.

We are a cut-and-paste culture. The aim of the protectionists is to argue that a cut-and-paste culture is criminal. Well, it's only criminal if there's nothing out there that you can freely cut and paste. If we increasingly mark material as available for these non-commercial uses, then people will have the opportunity to see its importance.

Self-censorship happens not only in China, or Iran or ex-Soviet places. It can happen anywhere. If an artist penetrates a certain taboo or a certain power through their work, he or she will face this problem. I'm always saying that commercial censorship is our foremost censorship globally today. Why do we still pretend we are free?

After the Cardinals traded their No. 6 pick, I didn't know where I was going, ... The first thing I thought about was me and Ray Lewis doing that commercial, and how he made me do his laundry. And now it's actually going to be a reality.