Quotes About Commercial

I've just done a commercial in the U.S. in which I talk about stocks, shares and bonds. Everyone is amazed. They ask me: 'You really know about that stuff or did you just learn it for the commercial?' I tell them I wouldn't do it unless I understood and had an interest.

This one commercial said, "Forget everything you know about slipcovers." So I did, and it was a load off of my mind. Then the commercial tried to sell slipcovers, but I didn't know what they were!

My forever mission is to take the best elements of both commercial and independent films and bring them together. I learned so much about the art of independent films and I have so much fun in commercial ones. I think that a mix of both is good.

We have feudal governments in a commercial age. It would be but an easy extension of our commercial system, to pay a private emperor a fee for services, as we pay an architect, an engineer, or a lawyer. If any man has talent for righting wrong, for administering difficult affairs, for counselling poor farmers how to turn their estates to good husbandry, for combining a hundred private enterprises to a general benefit, let him in the county- town, or in Court-street, put up his sign-board, Mr. Smith, Governor, Mr. Johnson, Working king.

I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.

One engaged in a commercial pursuit. A commercial pursuit is one in which the thing pursued is a dollar.

Even non-commercial media rely on transferring cost to users through licence fees, donations from listeners, viewers, or readers, or grants from companies and foundations that have wrestled their funds from the public in some form of earlier commercial activity.

Commercial record has never interested me. It's amazing I was in a band like The Police that had such phenomenal commercial success. Part of what made The Police what it was was that we didn't all come in with obvious mainstream musical tastes. We were a rock band and somehow we had to make rock music, but it was informed by a lot of things outside of the mainstream for sure.

The slight variations in extracting procedure cause many of the amygdalin (Vitamin B-17, Laetrile) molecules to change to a form unknown to nature(:) isomers...There are ...purveyors who label their 'iso-amygdalin' products 'amygdalin' contrary to all of the recognized specs...For commercial or political purposes, they certainly cannot justify such a fallacy...This scientific heresy and commercial fraud...(is) tremendously reducing the effectiveness of amygdalin therapy. ...To mislabel iso-amygdalin as amygdalin is scientifically, medically, and morally indefensible.

The futility of everything that comes to us from the media is the inescapable consequence of the absolute inability of that particular stage to remain silent. Music, commercial breaks, news flashes, adverts, news broadcasts, movies, presenters—there is no alternative but to fill the screen; otherwise there would be an irremediable void.... That’s why the slightest technical hitch, the slightest slip on the part of the presenter becomes so exciting, for it reveals the depth of the emptiness squinting out at us through this little window.

The desire for gold is the most universal and deeply rooted commercial instinct of the human race.

My grandparents in Istria had a frasca, which is about the most basic kind of grocery/restaurant. They sold wine from their own vineyard. I took control of the vineyard, hired a local winemaker, and bought another winery in 1996. We had our first commercial vintage in 1998.

Many young web designers view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all. Design communicates on every level. It tells you where you are, cues you to what you can do, and facilitates the doing. Style is tautological; it communicates stylishness. In visual terms, style is an aspect of design; in commercial terms, style can communicate brand attributes.

Why is non-commercial public expression considered criminal?

The future is about wings and wheels and new forms of space transportation, along with our deep-space ambition to set foot on another world in our solar system: Mars. I firmly believe we will establish permanence on that planet. And in reaching for that goal, we can cultivate commercial development of the moon, the asteroid belt, the Red Planet itself and beyond.

My belief is firm in a law of compensation. The true rewards are ever in proportion to the labor and sacrifices made. This is one of the reasons why I feel certain that of all my inventions, the Magnifying Transmitter will prove most important and valuable to future generations. I am prompted to this prediction not so much by thoughts of the commercial and industrial revolution which it will surely bring about, but of the humanitarian consequences of the many achievements it makes possible. Considerations of mere utility weigh little in the balance against the higher benefits of civilization.

The outlook of the world today is for the greatest era of commercial expansion in history. The rest of the world will become better customers.

It's my first sort of commercial attempt, but it made sense for me because I'm not that kind of guy and I'm not going to continue to do that kind of movie.

In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.

Miranda Lambert is actually mixing the singer-songwriter philosophy with the commercial country [mindset]. And I find it just inspiring. My hat's off completely, because she's pulling it off, and I couldn't figure out a way to do it.

To me, country music is like the blues, but it's something very hip and - I don't want to say commercial - but it's very worldly and good listening.

The question to ask is whether the risk of traveling to space is worth the benefit. The answer is an unequivocal yes, but not only for the reasons that are usually touted by the space community: the need to explore, the scientific return, and the possibility of commercial profit. The most compelling reason, a very long-term one, is the necessity of using space to protect Earth and guarantee the survival of humanity.

All day long you see those commercials: 'Here's Your Brain, Just Say No'...and the next commercial is: 'This Bud's For You.'

All military and most commercial aircraft use our designs that process power from jet engines.

I deliberately try not to cater for the commercial market, so I can't see myself in competition, you know, with second or third generation rock stars.

Mostly with commercial work, it isn't about personal vision. It's not a personal effort, it's work for hire. That's more my attitude with those. You just want to be a professional worker.

Lots of media people ask me what do you think of yoga in the gyms, and what do you think about this article and what do you think about that, and how about it's so commercial now. I say, look, whatever gets people turned on to it.

As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.

All I'm saying, as a fan, is I'm tired of the same song for 30 years. Can't we change the message a little? You've arrived. You have a black president. Every white guy in a commercial doesn't have to be the idiot and every black guy in a rap song doesn't have to be God's gift to the world.

How were friendship possible? In mutual devotedness to the good and true; otherwise impossible, except as armed neutrality or hollow commercial league. A man, be the heavens ever praised, is sufficient for himself; yet were ten men, united in love, capable of being and of doing what ten thousand singly would fail in. Infinite is the help man can yield to man.

Rather than simply interrupting a television show with a commercial or barging into the consumer’s life with an unannounced phone call or letter, tomorrow’s marketer will first try to gain the consumer’s consent to participate in the selling process.

God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.

I have really been fortunate, incredibly privileged, to have done so much editorial work, and I would love to do more. But just as my editions have tried to balance the familiar with the new, the commercial with the scholarly, so too I have to admit that I don't want to do editing for the sake of it, and some possible projects would be of uncertain value to me.

For example, the first time McDonald's put a deaf person in a commercial they saw a jump in sales. I think that happens with other kinds of disabilities and products and that is something that is being realized more and more.

I enjoyed it [commercial work] until I stopped. You could travel and get around. I can't really explain why, I just didn't want to do it anymore.

At the foot of the mountain, the park ended and suddenly all was squalor again. I was once more struck by this strange compartmentalization that goes on in America -- a belief that no commercial activities must be allowed inside the park, but permitting unrestrained development outside, even though the landscape there may be just as outstanding. America has never quite grasped that you can live in a place without making it ugly, that beauty doesn't have to be confined behind fences, as if a national park were a sort of zoo for nature.

For they (capitalists) hold as their chief heresy, in a coarser form, the fundamental falsehood that things are not made to be used but made to be sold. All the collapse of their commercial system in their own time has been due to that fallacy of forcing things on a market where there was no market; of continually increasing the power of supply without increasing the power of demand; of briefly, of always considering the man who sells the potato and never considering the man who eats it.

Advertising ministers to the spiritual side of trade. It is great power that has been entrusted to your keeping which charges you with the high responsibility of inspiring and ennobling the commercial world. It is all part of the greater work of the regeneration and redemption of mankind.

We live in oppressive times. We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.

Of course, I did lots of what would be called graphic design now, what used to be called commercial art.

Everyone thinks that Fight Club is a very important and successful film, but it was a massive box-office failure. Massive. It was a big flop by any commercial-release standard. And it's been a huge hit on DVD. Everything that movie has become has been on DVD. So you can't stake your sense of creative success on this whole box-office-performance matrix, because if you do, you're going to be disappointed most of the time.

I never expected to sell my art. It wasn't like today where you come out of art school and they promise you a future. Now it's almost regulated in a way. When we came out of school, we just wanted to make art that'd blow your hair back and do it for sport. There was no commercial possibility that we saw.

Every commercial covers different ground, different ideas, and it's my profession to direct and to tell stories - for me, it's very organic.

Even though some of the films I've made haven't been particularly commercial, I don't find them failures.

Nature's what it's all about, but our people have been brainwashed into thinking that life is a cell phone against your head and the TV on a beer commercial with hot chicks.

The commercial broadcasters have tremendous influence in Washington, D.C., for a couple of reasons. First, they're extremely rich and they have lots of money and they have had for a long time, so they can give money to politicians, which gets their attention.

The real success story of branding in recent decades has been the way in which companies have used their brands to turn the satisfaction of complex and even spiritual needs into commercial transactions.

I largely agree with those that hold that Government should not in general interfere with the course of the economy merely on the strength of its own commercial judgment. If we cannot rely on the judgment of individual businessmen, taking their own risks, we have no future anyway.