Quotes About Creative

To be and to be creative are synonymous. It is impossible to be and not to be creative. But that impossible thing has happened, that ugly phenomenon has happened, because all your creative sources have been plugged, blocked, destroyed, and your whole energy has been forced into some activity that the society thinks is going to pay.

It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.

For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.

Audiences, as they get smaller, can intensify their relationship with the product, and so can the creative relationship with the people that you are serving. The good news is that, the more shows there are, the less the conglomerates have to gain by breaking the will of each individual creative.

The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

All the lies and evasions by which man has nourished himself civilization, in a word is the fruits of the creative artist. It is the creative nature of man which has refused to let him lapse back into that unconscious unity with life which characterizes the animal world from which he made his escape.

I believe that every innovative thought comes from a creative mindset....A creative mindset is what drives our world, and art is the base of that.

Managing the creative process means selecting the best people and then letting them do their work. That means nurturing. It also means, from time to time, creating drama - even uncertainty - so that the creative environment has an edge to it, a charge, and does not run out of steam.

The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.

If you love money and you want to be creative, you cannot become creative. The very ambition for money is going to destroy your creativity. If you want fame, then forget about creativity. Fame comes easier if you are destructive.

That is the creative artist - a penalty of the creative artist - wanting to make order out of chaos.

I had great, great times as a Little League coach. People were talking about me quitting acting, and they would say, What about your creative juices? Coaching is creative, because you could take a kid who thought he wasn't any good and, within four minutes, change his mind. And I didn't have to wait six months for them to put music to it.

My dad said to me the other day, I really am an artistic person. I was shocked as I never saw him as a creative. I think me and my sisters are living out that side of him as my sister is another creative person, she's a songwriter.

People ask me all the time what it's like to work with my mother. I feel completely blessed because, first of all, this has given us an opportunity to enrich our relationship in ways we never could have imagined. Our time together is purely creative. It's unfettered by politics or the news of the day or aches and pains or family dramas or anything else. This time together is sort of golden and protected as being just creative time, which is heavenly.

Don't be creative when you should be mechanical, and don't be mechanical when you should be creative.

What a beautiful testament to the creative spirit and its true motives, to creative contribution coming from a place of purpose rather than a hunger for profit.

The greatest opportunities for creative transformation are often lodged in our discontents. Art is an alchemical process that feeds on emotional energy. When we realize that a perfect equilibrium in our lives might not be the best basis for making art, then we can begin to re-vision our stress points. So rather than try to rid your life of tension, consider doing something more creative with it.

The joy in what I do is mostly creativity. I think creativity is an ecstatic impulse that we all have. And there's nothing more joyful than having a moment of creative insight and actually creating, or rather manifesting or incarnating your creative insight into actual, physical reality.

It's funny how when you're up so late at night for so long your mind can get into these creative places, the kind of creative places that come to you when you're halfway between asleep and awake.

I think creative blocks come from people's life journeys. If you don't know who you are or what you're about or what you believe in it's really pretty impossible to be creative.

We must accept that this creative pulse within us is God's creative pulse itself.

Every single human being is creative and maximizing that creativity is critical to happiness and economic growth. Economic growth is driven by creativity, so if we want to increase it, we have to tap into the creativity of everyone. That's what makes me optimistic. For the first time in human history, the basic logic of our economy dictates that further economic development requires the further development and use of human creative capabilities. The great challenge of our time is to find ways to tap into every human's creativity.

You need to be passionate about the creative work that you're doing, but you need to be kind of emotionally separated from how people react to it or how it does. Those things should be secondary, and primary should be your love of the creative act.

Creativity is something which proceeds from within, out of immeasurable and inexplicable depths, not from without, not from the world's necessity. The very desire to make the creative act understandable, to find a basis for it, is failure to comprehend it. To comprehend the creative act means to recognize that it is inexplicable and without foundation.

To realize our true creative potential - in our organizations, in our schools and in our communities - we need to think differently about ourselves and towards each other. We must learn to be creative.

I categorize nerds as creative-obsessive. A lot of nerds are creative people who obsess almost unnaturally over the minutiae of things.

When ambition enters, creativity disappears - because an ambitious man cannot be creative, because an ambitious man cannot love any activity for its own sake. While he is painting he is looking ahead; he is thinking, 'When am I going to get a Nobel Prize?' When he is writing a novel, he is looking ahead. He is always in the future - and a creative person is always in the present.

On the one hand, it is in and through creative minds that the community fulfils itself at its best and reaches its highest forms; and on the other, it is from them that the community recovers the social substance with which it had nourished them, transfigured by their creative alchemy into a still higher social substance.

The impresario function is about intervening with the company's more administrative management structure. It is about trying to establish a sense of boundaries and budgets and milestones and so forth on a project that does not necessarily lend itself to milestones. It is about translating between the intimate interior environment of the creative work team and the company's need to make money. And finally, it is about positioning the fruits of the creative process in the marketplace and selling them.

The word 'creative' refers simply to the use of literary craft in presenting nonfiction—that is, factually accurate prose about real people and events—in a compelling, vivid manner. To put it another way, creative nonfiction writers do not make things up; they make ideas and information that already exist more interesting and, often, more accessible.

In positive terms, we can state that psychological maturity entails finding greater satisfaction in giving than in receiving; having a capacity to form satisfying and permanent loyalties; being primarily a creative, contributing person; having learned to profit from experience; having a freedom from fear (anxiety) with a resulting true serenity and not a pseudo absence of tension; and accepting and making the most of unchangeable reality when it confronts one.

Our appreciation of folk art will strengthen our identities, our pride in belonging to a community. People trained in the creative use of their hands soon acquire skills, excellent craftsmanship which will be the most important measure of how well we can industrialize.

If you never venture outside the box, you will probably not be creative. But if you never get inside the box, you will certainly be stupid.

If we can (generate) the right emotion inside of us, we can get ourselves to do anything. If you don’t have the money, but you’re creative and determined enough, you’ll find the way.

The achievement of excellence can only occur if the organization promotes a culture of creative dissatisfaction.

Now, as I move through my fifties, I can be professional and domestic, creative and intellectual, patient and urgent. I have learned that we should never settle for someone else's definition of who we can be. Growing to this age, I realize, is kind of like feeling your voice deepen. It's still your voice, but it has more substance, and it sounds like it knows its own origins.

Some people like to paint pictures, or do gardening, or build a boat in the basement. Other people get a tremendous pleasure out of the kitchen, because cooking is just as creative and imaginative an activity as drawing, or wood carving, or music.

In East of Eden, John Steinbeck wrote that there's never been a great creative collaboration. When the Beatles first burst on the scene, I thought they were proving him wrong. Later, we learned that Lennon and McCartney had each composed their pop masterpieces separately, individually. So it goes.

Some day some one will write a book about that frantic search of the creative worker for silence and freedom, not only from interruption but from the fear of interruption.

And I have the support of the writers: I have a great relationship with the creative team, and they have a good hold of my character and my personality, and they come up with some great stuff, and I'm forever trying to change it up, keep it fresh.

Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.

The magic happens in the creative studios. But sometimes you're inspired when you're removed from it a little bit. That's when the juice starts to percolate.

You can't have the space for prosperity and success when you are obsessed with security. It is not possible to obtain unwavering security - physical, emotional, or economic - by having money. Keep in mind that security, like success, can be defined in many ways. If you focus less on how much your financial assets are worth, and more on what a creative and well-balanced individual you can be, security will take on a new meaning.

Being creative on the waves is challenging, but we each create art in our own way.

Our real journey in life is interior; It is a matter of growth, deepening, and of an ever greater surrender to the creative action of love and grace in our hearts. Never was it more necessary to respond to that action.

The aspirations of most people--security, pleasure, leisure, meaningful work, creative and intellectual pursuits--are to be supported. These desires and dreams are not shameful. In supporting them, we are showing solidarity with working people, for whom these are luxuries and not givens.

Pain is a part of life. It's certainly part of my creative process.

Like the child, the creative writing student is posited as a centre of vulnerable creativity, needful of attention and authority.