Quotes About Criticism

When I first prepared this particular talk... I realized that my usual approach is usually critical. That is, a lot of the things that I do, that most people do, are because they hate something somebody else has done, or they hate that something hasn't been done. And I realized that informed criticism has completely been done in by the web. Because the web has produced so much uninformed criticism. It's kind of a Gresham's Law-bad money drives the good money out of circulation. Bad criticism drives good criticism out of circulation. You just can't criticize anything.

Criticism is a destroyer of self-worth and esteem. It is heartbreaking how criticism can wound children and diminish their self-esteem.

Bitter criticism caused the sensitive Thomas Hardy, one of the finest novelists ever to enrich English literature, to give up forever the writing of fiction. Criticism drove Thomas Chatterton, the English poet, to suicide. . . . Any fool can criticize, condemn and complain - and most fools do. But it takes character and self-control to be understanding and forgiving.

The abolition of religion as the illusory happiness of the people is the demand for their real happiness. To call on them to give up their illusions about their condition is to call on them to give up a condition that requires illusions. The criticism of religion is, therefore, in embryo, the criticism of that vale of tears of which religion is the halo.

Pointed criticism, if accurate, often gives the artist an inner sense of relief. The criticism that damages is that which disparages, dismisses, ridicules, or condemns.

I don't think theory adds to criticism. (Methodology does, for better or worse.) Theory's function is to make criticism self-conscious, maybe even a little sheepish, about its ex cathedra pronouncements.

As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for others to decide.

Neither praise nor blame is the object of true criticism. Justly to discriminate, firmly to establish, wisely to prescribe and honestly to award - these are the true aims and duties of criticism.

When I decided to go into politics I weighed the costs. I would get criticism. But I went ahead. So when virulent criticism came I wasn't surprised. I was better able to handle it.

Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.

I think the biggest hole is in criticism. I think there should be more informed criticism. Part of the problem is that in the '90s, the newspapers started losing their A-section and department-store advertising, and that paid for fashion writers and for the big feature space.

I think where the criticism of videogames come from is where videogames are just Xeroxes of films, and when you get a film adaptation of that game, you've just Xeroxed something twice. I think that's where a lot of the criticism comes from - there are ultra-violent games that are already based on a million films. But there's definitely beauty and art and design in games. I don't think anybody could deny that.

Honest criticism means nothing: what one wants is unrestrained passion, fire for fire.

Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.

The concept of loyalty is distorted when it is understood to mean blind acceptance. It is correctly interpreted when it is assumed to cover honest criticism.

If there is truth or merit in the criticism, try to learn from it. Otherwise, let it roll right off you.

I, with other Americans, have perhaps unduly resented the stream of criticism of American life... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.

There has been a lot of talk lately about the burdens of the Presidency. Decisions that the President has to make often affect the lives of tens of millions of people around the world, but that does not mean that they should take longer to make. Some men can make decisions and some cannot. Some men fret and delay under criticism. I used to have a saying that applies here, and I note that some people have picked it up, If you cant stand the heat, get out of the kitchen.

Once the government can demand of a publisher the names of the purchasers of his publication, the free press as we know it disappears. Then the spectre of a government agent will look over the shoulder of everyone who reads. ... Fear of criticism goes with every person into the bookstall. The subtle, imponderable pressures of the orthodox lay hold. Some will fear to read what is unpopular, what the powers-that-be dislike. ... fear will take the place of freedom in the libraries, book stores, and homes in the land.

We must admit that today conformity is on the Left. To be sure, the Right is not brilliant. But the Left is in complete decadence, a prisoner of words, caught in its own vocabulary, capable merely of stereotyped replies, constantly at a loss when faced with truth, from which it nevertheless claimed to derive its laws. The Left is schizophrenic and needs doctoring through pitiless self-criticism, exercise of the heart, close reasoning, and a little modesty.

If a man is often the subject of conversation he soon becomes the subject of criticism.

I would just imagine there's a criticism for just about everything, if you want to take something down. No one's invincible. The Jicks are a work in progress and we don't think everything we do is the bee's knees or something, we're just trying our best to get turned on by what we're doing.

I think it's become such a part of younger people's daily life to have the instant access to each other that it sometimes gets a little presumptuous. People feel like it's OK, for example, to email you with some weird personal criticism they have.

You should recognize that criticism is not always a put down. If you take it to heart, maybe it will guide the way you ought to be going.

Imagination is imitative-the real innovation lies in criticism.

As NVC replaces our old patterns of defending, withdrawing or attacking in the face of judgment and criticism. We come to perceive ourselves and others, as well as our intentions and relationships, in a new light. Resistance, defensiveness, and violent reactions are minimized.

The exercise of criticism always destroys for a time our sensibility to beauty by leading us to regard the work in relation to certain laws of construction. The eye turns from the charms of nature to fix itself upon the servile dexterity of art.

Perhaps the most important thing we bring to another person is the silence in us, not the sort of silence that is filled with unspoken criticism or hard withdrawal. The sort of silence that is a place of refuge, of rest, of acceptance of someone as they are. We are all hungry for this other silence. It is hard to find. In its presence we can remember something beyond the moment, a strength on which to build a life. Silence is a place of great power and healing.

Even after the Rosenthal column, nobody responsible in the Republican Party said, 'Yes, Pat Buchanan is an anti-Semite.' They didn't join in. Very few journalists joined in. What happened was, when he entered the presidential politics, then he entered a new level of criticism and attack on him.

Creationists reject Darwin's theory of evolution on the grounds that it is "just a theory". This is a valid criticism: evolution is indeed merely "a theory", albeit one with ten billion times more credence than the theory of creationism - although, to be fair, the theory of creationism is more than just a theory. It's also a fairy story. And children love fairy stories, which is presumably why so many creationists are keen to have their whimsical gibberish taught in schools.

Back in the 1930s, Carl Jung, the eminent thinker and psychologist, put it this way: Criticism has 'the power to do good when there is something that must be destroyed, dissolved or reduced, but [it is] capable only of harm when there is something to be built.

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticising.

Criticism is the art of appraising others at one's own value.

Criticism- a big bite out of someone's back.

Because [Donald Trump] so clearly - through his words and actions and the type of people that turn up at his rallies - represents people who are not the middle, not the upper middle educated class, there is a fear of seeming to be associated in any way with them, a social fear that lowers the class status of anyone who can be accused of somehow assisting Trump in any way, including any criticism of Hillary Clinton.

The one who knows himself isn't deceived by either praise or criticism.

There was a criticism that stuck with me a little bit, which is that somebody said that I was jumping on a bandwagon by talking about sexuality. Obviously that's not a massive takedown, but I found that personally quite offensive because it's something that I've been living with and dealing with my whole life, and just because I decided to speak about it now is not me jumping on a bandwagon; it's a reflection of how I feel within this industry and how I've grown in the past five years.

If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant.

Neither criticism nor praise should be highly regarded.

We are all born with an open heart, but at some point as we are growing up, things happen in our lives where we start to shut down, like rejection, not fitting in, wanting approval, judgments, comparisons, and criticism of others.

I've done what I could as a painter and that seems to me to be sufficient. I don't want to be compared to the great masters of the past, and my painting is open to criticism; that's enough.

A hilarious academic novel that'll send you laughing (albeit ruefully) back into the trenches of the classroom. . . . [A] mordant minor masterpiece. . . . Like the best works of farce, academic or otherwise, Dear Committee Members deftly mixes comedy with social criticism and righteous outrage. By the end, you may well find yourself laughing so hard it hurts.

Art criticism, I would say, is about the most ungrateful form of 'elevated' writing I know of. It may also be one of the most challenging.. if only because so few people have done it well enough to be remembered.. but I'm not sure the challenge is worth it.

There's always criticism in any process and I think that's a healthy thing.

Opening things up not closing them off is my job. I'm doing that for my reader. You know, Bob Gottlieb always says, "Criticism is a service industry." I take that very seriously. I do the research so I can tell you interesting things. It's not condescending, it's educational.

Ascetics and fakirs come to mitigate human suffering; to heal us and lead us on the path. They put up with criticism; they go through many worldly trials. Some of them have even become martyrs for our sake. But they have done all this with a smile and with gratitude to God. Hence sacrifice is a great virtue.

A common fallacy in much of the adverse criticism to which science is subjected today is that it claims certainty, infallibility and complete emotional objectivity. It would be more nearly true to say that it is based upon wonder, adventure and hope.

I've learned to be careful of becoming a critic. Criticism really sours your heart.