Quotes About Critics

The closeness [of Rex Tillerson] to [Vladimir] Putin will be one of the unifying issues between the Republican critics and Democratic critics.

To the scientists of the Renaissance, your critic was really your ally, helping you advance upon reality. Critics in science are not like drama critics, determining flops and successes. Criticism to scientists is just another means of finding out whether they're wrong, like running another experiment to see if it confirms or refutes a theory. Along with the advocacy principle of the courtroom, It is one of the best ways human beings have evolved to get closer to the truth.

The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.

Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.

I've been pretty well treated by the critics, but the critics who didn't like my comedies hated them with an unbridled passion, and then I would see these same people writing very respectfully about ordinary naturalistic plays.

Sometimes the critics will like a film, and the public doesn't come. Sometimes the critics won't like the film, and the public will come. It's completely spontaneous. It's a hazard.

Someone has said that even criticism is better than silence. I don't agree to this. Criticism can be very harmful unless it comes from a master; and in spite of the fact that we have hundreds of critics these days, it is one of the most difficult of professions.

I have learned not to read reviews. Period. And I hate reviewers. All of them, or at least all but two or three. Life is much simpler ignoring reviews and the nasty people who write them. Critics should find meaningful work.

Never defend yourself; agree with your critics, it takes the wind out of their sails.

I know that the fact that I am candidate to my own succession in 2017 can be perceived to be a bad thing by some part of the public opinion outside Rwanda and I don't mind because I know that I am doing it for a good cause. It really doesn't matter to me that my name is associated to those critics as long as I know that I am doing the will of the people.

It's not curators, it's not critics, it's not the public, it's not collectors who find great artists - it's other artists.

I've been among their critics [MBA programs]. Much of what I've seen in business schools is quite non-rigorous. Anecdotal histories are stretched to illustrate favored slogans. Evidence of their effectiveness is similarly anecdotal.

I don't like it when they [media critics] see me as this little person who doesn't know what to do with herself -- like I have no idea what I want, like I'm just a puppet ... That's demeaning to me, because that ain't how it is, and it never was.

Those of us and so many other stalwart critics and opponents and questioners and dissidents in conservative media were attacked for doing what those people in the mainstream media should have been doing. Do your job! Subject these political candidates to the same amount of scrutiny that you are now trying to compensate for with the incoming Trump administration!

I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has to pay the bills; keep artists happy; and cope with collectors (oy!), curators (ay-yi-yi), critics (woo-hoo!), and occasionally plumbers. That their fiscal life often hangs in the balance only adds to the energy.

Our loyalty lies with little taxpayers, not big spenders. What our critics really believe is that those in Washington know better how to spend your money than you, the people, do. But we're not going to let them do it, period.

If critics have problems with my personal life, it's their problem. Anybody with half a brain would realize that it's the charts that count.

I love to go to the movies with people, but a lot of the time it's me in a room with a bunch of other movie critics, which is fine.

Trump is what Obama critics think Obama is: Someone who's focused on symbolism rather than substance.

Music critics are part of the world, and I am part of the world.

Implementation of technological change must involve critics as well as advocates.

Stephen King writes mass fiction but gets reviewed by the New York Times and writes for the New Yorker. Critics say to me, "Shut up and enjoy your money," and I think, OK, I'll shut up and enjoy my money, but why does Stephen King get to enjoy his money and get reviewed on the cover of the New York Times Sunday Book Review?

I could never do a show, or be a personality like Howard Stern, where you take all that heat from critics. What he does, he does, but the critical heat would crucify me.

Bloom never pissed me off because there are critics out there, and he's one of them, who take their ignorance about popular culture as a badge of intellectual prowess.

I don't like critics; I really don't like them. I think most of them are ignorant and don't have a clue!

American critics of welfare statism are often surprised to learn that countries like West Germany, with a much more comprehensive welfare state and a statistically larger public sector, have fewer government employees per capita than the United States does.

Being a role model is the most powerful form of educating. Youngsters need good models more than they need critics. It's one of a parent's greatest responsibilities and opportunities.

What critics might call eclectic, and Eastern folks quirky, we Southerners call cussedness-and it's the cornerstone of the American genius. As in: 'There's a right way, a wrong way, and my way.' You want to see how that looks on the page, pick up any of Craig McDonald's novels. He's built him a nice little shack out there way off all the reg'lar roads, and he's brewing some fine, heady stuff. Leave your money under the rock and come back in an hour.

I will prove by my life that my critics are liars.

Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

America is a nation of believers, dreamers and strivers that is being led by a group of censors, critics, and cynics.

Critics of Consequentialism have often assumed that hedonism (or preference-satisfaction) must be the theory of the good, that the deontic principle must be maximizing, and that the principle should be applied to individual acts. Indeed, this version is often called "classical utilitarianism" and attributed to Bentham and sometimes even to Mill. Rather than a "classical" view it is a recent construction foisted on to the tradition.

I would simply ask why so many critics, so many writers, so many philosophers take such satisfaction in professing that the experience of a work of art is ineffable, that it escapes by definition all rational understanding; why are they so eager to concede without a struggle the defeat of knowledge; and where does their irrepressible need to belittle rational understanding come from, this rage to affirm the irreducibility of the work of art, or, to use a more suitable word, its transcendence.

It's over. The franchise is dead. The press killed it. Your magazine f**king killed it. New York Magazine. It's like all the critics got together and said, 'This franchise must die.' Because they all had the exact same review. It's like they didn't see the movie. Got any more gum?

We all have known good critics, who have stamped out poet's hopes; Good statesmen, who pulled ruin on the state; Good patriots, who, for a theory, risked a cause; Good kings, who disemboweled for a tax; Good Popes, who brought all good to jeopardy; Good Christians, who sat still in easy-chairs; And damned the general world for standing up. Now, may the good God pardon all good men!

"How could you think of such awful things?" liberal critics always ask. "How else could I possibly amuse myself?" I always wonder.

I have always been very fond of them (drama critics) . . . I think it is so frightfully clever of them to go night after night to the theatre and know so little about it.

When critics are waiting to pounce upon poetic style on exactly the same grounds as if it were prose, the poets tremble.

Our recent pop-music icons, even the most radical ones, like Björk or Caetano Veloso, often have to present themselves as happy and make positive work because they have such a large young fan base to whom they feel responsible. They can't be too negative. Now, criticism is basically a negative act. As you know, critics are neither pop stars nor popular. They are the gripers. But someone has to speak up and say no to this and yes to that.

Dear, damned, distracting town, farewell! Thy fools no more I'll tease: This year in peace, ye critics, dwell, Ye harlots, sleep at ease!

A few. . . critics are the only people I ever heard use the phrase 'imminent threat.' I didn't, the president didn't.

To achieve respectability, to be admitted to the debate, they must accept without question or inquiry the fundamental doctrine that the state is benevolent, governed by the loftiest intentions, adopting a defensive stance, not an actor in world affairs but only reacting to the crimes of others...If even the harshest of critics tacitly adopt these premises, then the ordinary person may ask, who am I to disagree?

The greater part of critics are parasites, who, if nothing had been written, would find nothing to write.

As the great naturalist Charles Darwin saw clearly, individual and collective interests often coincide, as in the invisible hand narrative. But he also saw that in many other cases, interests at the two levels are squarely in conflict, and that in those cases, individual interests generally trump. That simple observation suggests that market failure is often the result not of insufficient competition (the traditional charge from social critics on the Left), but of the very logic of competition itself.

You have to channel the interpretation and performance into 100 people. And with the audience, the critics.

Critics of NAFTA and CAFTA warned at the time that the agreements were actually a move toward ... an eventual merging of North America into a border-free area. Proponents of these agreements dismissed this as preposterous and conspiratorial. Now we see that the criticisms appear to be justified.

I have prided myself with striving for objectivity, something many literary-minded critics dismiss as impossible. But in Washington, reporters are practically the only people who actually spend time talking to Republicans and Democrats, conservatives and liberals, and I find the longer I report in Washington, the mushier and less conclusive my own views are. I like it that way.

There are always difficulties arising that tempt you to believe your critics are right.