Quotes About Dance

I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.

It's beautiful to dance alone, beautiful to dance with your children, beautiful to dance with your friends, beautiful to dance with your lover, or even collectively. But the ultimate dance is the one we do by ourselves, when we make ourselves known to God.

Don't be daunted. Just do your job. Continue to show up for your piece of it, whatever that might be. If your job is to dance, do your dance. If the divine, cockeyed genius assigned to your case decides to let some sort of wonderment be glimpsed, for just one moment through your efforts, then 'Ole!' And if not, do your dance anyhow. And 'Ole!' to you, nonetheless. I believe this and I feel that we must teach it. 'Ole!' to you, nonetheless, just for having the sheer human love and stubbornness to keep showing up.

I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.

I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.

Dance, dance, dance till you drop.

There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.

One day, the dance charts will be the biggest chart in the music world. Because we all need to dance. This planet will be a fun planet when the judges in court will end the day with a dance!

When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.

Sometimes we give too much too soon. Sometimes we hold back for too long. This is our beautiful dance. Our imperfect dance. This is the dance that makes us human.

If I hear dance music, my body starts to move. Whatever the dance music is, I can't help it. With all that, I still felt, well, rock is a little higher art, but it wasn't. Right now, because I have so much experience with dance charts, I started to realize that it's incredible art. This is going to be known one day as high art.

Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?

Would you dance, if I asked you to dance? Would you run, and never look back? Would you cry, if you saw me crying? And would you save my soul tonight?

To me, dance is an extraordinary thing, more extraordinary than most people usually think. Dance preceded writing, speaking and music. When mute people speak their body language, it is true speaking rather than handicap, this is the first word and the first writing. Thus to me, the body is fundamental.

I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.

I shall dance all my life. . . . I would like to die, breathless, spent, at the end of a dance.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

You can dance anywhere and you can dance in your mind, in your heart.

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

A dance is the devil's procession, and he that entereth into a dance, entereth into his possession.

Relationships are like a dance, with visible energy racing back and forth between the partners. Some relationships are the slow, dark dance of death.

Death had ruled my life till I met Lady Dance. Her dance had set me free.

We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.

Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.

This is the bravo’s dance, the water dance, swift and sudden. All men are made of water, do you know this? When you pierce them, the water leaks out and they die.

I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.

Although the circle dance is known throughout the entire world, the front dance is limited to the cultures of which the rectangular hut is a part.

You don't pick dance. Dance picks you.

The wind? I am the wind. The sea and the moon? I am the sea and the moon. Tears, pain, love, bird-flights? I am all of them. I dance what I am. Sin, prayer, flight, the light that never was on land or sea? I dance what I am.

I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day.

If you have time to chatter, Read books. If you have time to read, Walk into mountain, desert and ocean. If you have time to walk, Sing songs and dance. If you have time to dance, Sit quietly, you Happy Lucky Idiot.

When you dance, do you feel desire? Do you feel as if you were summoning up a greater energy? When you dance, are there moments when you cease to be yourself?

Some cultures don't have a separate word for music and dance. To my knowledge, this notion of listening to music without dancing is a Western creation. I can't think of any artist that I love that doesn't inspire movement in some form or another. I guess Tangerine Dream or early Vangelis or something like that, you're not really going to dance. But on the whole, I feel like dancing and music are so naturally intertwined. I feel like subconsciously, that's the goal whenever I'm working on music. It's kind of the defining thing: Does it got some funk to it, basically?

I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.

I'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.

When I go out clubbing I can dance 'til three o'clock in the morning with just a water bottle in my hand. I love dancing to anything with a good beat really. My favorite song to dance to at the moment is probably Drake's 'Best I Ever Had'.

Dance, like music, is the expression of the human spirit. Dance is 'visual music'.

I am too tall [to dance]. Tall people don’t dance. It’s just not right.

To understand what I am saying, you have to believe that dance is something other than technique. We forget where the movements come from. They are born from life. When you create a new work, the point of departure must be contemporary life -- not existing forms of dance.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.

The dance in which the men form one row, the women another, and dance with and opposite each other in a form of love play, is widely diffused and may be confidentally assigned to a Protoneolithic culture level.

I'm probably the most uncool guy that [my daughters] know-as far as they are concerned anyway-'cause I'm Dad. I mean dads just aren't cool-especially when I dance! They don't want me to dance.

I'm the guy that stands out in all the crowds, so I don't get out there and dance, but I can dance.

When I go to dance clubs, I always dance with big girls, so we finish at the same time.

So if the dance is five minutes long, make yourself run for perhaps eight minutes. That way, you over-train and the dance will seem easier.

I'm a bad walker but I can dance tango. You know why? Put your hand up. Push on my fingertips and just hold it. In tango, your feet are free but the top of your body pushes, so if I feel like I'm gonna fall, my partner can catch me. So I walk with a stick but I can totally dance the tango. It's a romantic kind of thing.

The thing is, I would need the right producer [for dance-music album ], right? "Calling all dance music producers! I'm available.